Nero Wolfe

I enjoy this series over the latter series with timothy Hutton. I found this series to have more texture than the latter series. It was and is fun to see all the actors interacting with each other. There was also a fun sense of humor to this series. Watching inspector Cramer getting out of a chair without using his hands and Wolfe's reaction each time to it. Also all of the actors in this version seem to enjoy their roles. I do like the latter series also but I prefer the first series most. I wish the series would have lasted longer. It seems that series such BONES, NCIS, CSI can go on and on add nauseuem. I prefer detective series were you have to think to find the guilty without major shoot outs, car chases etc. . I find that well written series do not last long at all on TV: Nero Wolfe,(both series), Ellery queen, Probe, Spenser: for hire to name the major ones. It was a good series. Luckily I can watch both versions whenever I want to at my leisure.

I thought Lee Horsley was the definitive Archie Goodwin, and I'd like to know if this series will ever be released on DVD. Although I like Timothy Hutton (in the AE version), he's a little too polished for the role of AG and Maury Chaykin a little too vehement for Nero Wolfe. I had not seen the AE version of Nero Wolfe until recently when I checked the DVDs out of our local library. I enjoyed them, but I'm a real fan of the Nero Wolfe books; and the characterizations of Wolfe and Goodwin were just a little "off." I remember the 1981 series set me to reading the books, and I had no difficulty visualizing Lee Horsley as the wise-cracking Archie. I would love to see this older series again.

It is beyond understanding why this show was canceled so quickly. The appearance and attitude William Conrad gave his Wolfe was just about perfect. He was the "seventh-of-a-ton" detective thousands of readers of the novels probably imagined. But not only Conrad was superb, the rest of the cast was as well, from George Voskovec's Fritz to Allan Miller's Inspector Cramer, with whose fits anyone could feel along.

Some edges of the characters were taken out, which is especially true for Archie Goodwin, and was most probably done to assure mass compatibility. Both Goodwin and Wolfe are described as chauvinists par excellence in the books. But besides that, there wasn't much more an avid fan of the novels could have asked for.

Very noteworthy is the great care about every little detail of the "old brownstone." That was marvelous work and the production crew should be applauded for that. Probably they had a number of Wolfe fans among them.

Lee Horsley stands out (without his "Matt Houston" mustache) as just about the only on-target bit of casting. Conrad, as Wolfe, was large but neither tall nor imposing enough to play the part - to say nothing of the fact that in only one adventure of his 41-year literary career did he ever cultivate a beard, which he shed as soon as the case was over. Nor was Wolfe openly sentimental. Only Archie, with his keen observational acumen and intimate knowledge of his employer's habits, moods and faults, could see its expression. Wolfe himself, in a comment reported to Ken Darby, author of "The Brownstone House of Nero Wolfe", may have been willing to accept Raymond Burr or Orson Welles to play him, but not without reservations. George Wyner as Saul Panzer was even worse. Having played too many comic - make that doofus - roles, he came far short of portraying Panzer's suave acumen, street smarts and hard edge. He also looks too wimpy. Furthermore, three whole novels, "In the Best Families" (1950), "Before Midnight" (1955) and "If Death Ever Slept" (1957) became a single, mistitled, one-hour episide, "In the Best of Families" (ep. #1.7). It was in "If Death Ever Slept" that Wolfe breifly let his face sprout and starved himself to a normal weight.

The only excuse I could ever give myself to watch this show was that any Wolfe on TV was better than no Wolfe.

This was my introduction to Nero Wolfe, starting a happy 3+ decade relationship with Rex Stout's detective fiction. While this series didn't use the period settings that the later A&E series did, it has my affection for a number of reasons.

First, William Conrad. He is certainly a less gifted actor than Maury Chaikin, but his voice is marvelous, and he uses the declarative, falling cadence that Stout's punctuation indicates. "Archie. I read it because it is a book. And I read books." Chaikin too often uses a rising cadence, which took getting used to, for me.

Second, most, if not all (I am going from memory here) the episodes were, as with the A&E series, adaptations of actual Stout stories and novels, which was also welcome for me as a new reader.

Sure, one could say I like the series because it set the tone of the characters for me, and that likely has a good bit of truth. But I've noticed that, among my acquaintance, the greatest fans of the books are the least enthusiastic about the A&E series, and more tolerant of this series. My husband won't watch the old series when we find it on TV, and doesn't like the books. He loves the A&E series. I also am fond of the A&E series, mostly for the affection with which it was so obviously made, for the period sets, and for the wonderful repertory-ensemble cast, with best acting honors to Kari Marchett, who makes every episode she is in sing.

But see this series for a different and valid take, and the best-voiced Nero Wolfe I know of.