Love, Sidney

One of the earlier comments about this film is a rant about how it marred the life of a young gay. It wasn't intended to. In the day in which this show was made, you couldn't be as open about being queer as you can now and the producers were always trying to find a way to place Sidney's humanity ahead of his sexuality so that viewer's would see him first as a person and second as a gay person.

His loneliness was not the result of his being gay, it was the result of his not having made lasting relationships. Remember, Sidney wasn't all gay men, he was just A gay man. He was living outside of the stereotype the way we all do.

It wasn't a great show, but it surely was a well-intentioned one and it was very well acted by the two leads.

It's hard to appreciate now, but Tony Randall was taking a huge chance when he took this role. Playing gay used to cost actors work in other projects and if you look closely at Randall's resume, you will see that his career did take a few hits from having taken on this role.

Kudos to Randall and Swurtz and the producers and writers who were trying to tell a story about some humans and the ways that humans create connections and family. Big kudos to all of them for having the guts to make one of those characters a gay man.

Actually, the first television series (in 1975) with two, recurring homosexual male characters ("George" & "Gordon") was the Norman Lear-produced "Hot L Baltimore." The gay men resided at the titled locale. This series was based on an off-Broadway play by Lanford Wilson which starred Conchata Ferrell (best known as "Berta" on the CBS-TV sitcom "Two & A Half Men") as the scene-stealing prostitute "April." Norman Lear caught Ferrell in the play and then came up with a TV version of the production, in which Ferrell re-created her off-Broadway role.

"Hot L Baltimore" also starred James Cromwell, who was better known as "Jerome 'Stretch' Cunningham," best workplace (the loading dock, before "Archie" bought "Kelsey's Bar") friend of "Archie Bunker" on the sitcom "All in the Family," and best known as that guy in the "Babe" pig movies.

Coincidentally (or not), Ferrell would also play "Rita Valdez" in the episode of Lear's "Maude" that said goodbye to housekeeper "Florida Evans," when the character and its star (Esther Rolle) were spun-off into "Good Times." Ferrell's "Valdez" was a funny and flippant Spanish-speaking job applicant for the position in which "Maude" ultimately chose the feisty, booze-swilling "Mrs. Nell Naugatuck" (played by the terrific Hermione Baddeley).

And the first TV series to feature a "gay" male as a regular, starring character was, indeed, NBC-TV's "Love, Sidney," which starred Tony Randall and Swoosie Kurtz. The pilot of the series was the film "Sidney Shorr: A Girl's Best Friend," which clearly mentioned the sexual orientation of the title character, while in the series that fact was assumed but never mentioned.

Kurtz didn't portray "Laurie Morgan" in the pilot film. That role in the film was played by Lorna Patterson, whose best-known role was as the title character (originated in the film by Goldie Hawn) in the TV version of "Private Benjamin." And the spelling of the surname of the lead character in "Love, Sidney" was changed from "Shorr" to "Shore," perhaps to further create a differentiation between film pilot and series, thus providing a claim to advertisers the two were different characters.

But, come on, we all know Paul Lynde was having himself a fabulous time, whether sitting in the center square trading barbs with Peter Marshall on "The Hollywood Squares," or playing "Uncle Arthur" in the long-running ABC-TV sitcom "Bewitched." As "Uncle Arthur" really was a semi-recurring character, I suppose he may be considered TV's first continuing gay male character. Does it always have to be stated to be so? Aren't some characters' natures implicit? And if one raises the issue of subtext, "Bewitched" and homosexuality were inextricably linked; the witch keeping her supernatural powers a secret from all but one mortal (the Down-Low or gay-friendly "Darrin"), symbolic of many homosexuals (then) remaining in the closet with most heterosexuals.

So, Norman Lear ("Hot L Baltimore"), Witt-Thomas-Harris ("SOAP"), and George Eckstein ("Love, Sidney,"), you may all defer to Sol Saks and William Asher (and Elizabeth Montgomery), as "Bewitched," thanks to "Uncle Arthur," may be considered the first TV series with a regular gay character.

This is also not forgetting Dick Sargent (the second "Darrin Stephens"), Maurice Evans (who played the dad of "Samantha Stephens," and was also a renowned Shakespearean stage actor--a lot of 'em are "light-in-the-loafers," must be those tights), and Lynde, were all homosexual males in real life, and the possibility Agnes Moorhead ("Endora," the mother of "Samantha") was a closeted lesbian (she was coy when specifically asked her orientation). But even in her role on "Bewitched," you just know "Endora" had to be a great fag hag.

The first made-for-TV film with gay characters, at least that I recall watching, was "That Certain Summer," which starred Hal Holbrook and Martin Sheen as the gay couple, Scott Jacoby as the Holbrook character's son, and Hope Lang as Holbrook's character's estranged wife. This film debuted on November 1. 1972 as an "ABC Movie of the Week." Do you remember when the broadcast television networks aired originally-produced films on a regular basis?

In conclusion, "official" first television series with regular "gay" characters--"Hot L Baltimore" (debuted January 24, 1975); figurative first TV series with a regular "gay" character--"Bewitched" (1964), with Paul Lynde making his debut as "Uncle Arthur" in the October 14, 1965 episode "The Joker Is a Card." As country-western singer Collin Raye once sang, and stand-up comic Colin Quinn used to say, on the "Weekend Update" segment of "Saturday Night Live": "That's my story, and I'm sticking to it."

The fact that this show the first to feature a gay character as the lead character has been beaten to death that I won't mention it again. Instead, this show was very unusual. It was one of those where the writers didn't know if it was going to be a cute little family drama with a very unusual family group or if it wanted to be a situation comedy. Tony Randall was pretty good in this show, especially since he played a similar character for many years on the Odd Couple. Swoosie Kurtz also did a good job in her role as Laurie. I loved the fact that she was constantly trying to convince people that she was nothing like the nymphomaniac that she played on television and that she was just an ordinary mother trying to raise her daughter. However, as I said earlier, the thing that hurt this show was the fact that the producers never could decide whether it was going to be a situation comedy or a drama. That definitely hurt it in the end.

I remember watching this show when I was a kid. Me and my sister would make fun of it the whole way through. From the corny opening song to the cheesy stories to Swoozie Kurt's awful hair and outfits. It was just really lame and pathetic. Truly one of the worst theme songs from a television show ever! I never "got" that Tony Randall's character was supposed to be gay, so I guess that part was REALLY toned down. All the stories were disgustingly sickeningly sugary sweet and idiotic. Regardless, I still "blame" this show for being the inspiration for "Punky Brewster" which had a very similar premise, but with a sassier child and a crankier stepdad. Although both were probably the result of "Diff'rent Strokes" which was a runaway adopted child hit. It beats those other two shows by a longshot.

That honor belongs to Jodie Dallas, played by Billy Crystal, on Susan Harris's sitcom "Soap." Tony Randall's Sidney Shorr was a simple follow-up, based on a sentimental TV-movie called "Sidney Shorr: A Girl's Best Friend." The person who posted such a hateful message about the show seems to forget that Randall wasn't a young gay man dancing disco every night. He was a mature man, not romantically involved, and not involved with the bar scene. There are all types of gays, just like there are all kinds of straights, and Randall shouldn't be condemned for not living up to someone's cliched stereotype. Admittedly, the show wasn't stellar, and Randall wasn't doing his best work. But undoubtedly it helped change the perceptions about homosexuality among some older people.