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अपनी भाषा में प्लॉट जोड़ेंSet in the vineyards of California, this prime-time soap opera presented the conflict in the powerful Gioberti family, owners of the vast Falcon Crest Winery.Set in the vineyards of California, this prime-time soap opera presented the conflict in the powerful Gioberti family, owners of the vast Falcon Crest Winery.Set in the vineyards of California, this prime-time soap opera presented the conflict in the powerful Gioberti family, owners of the vast Falcon Crest Winery.
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Set in the fictional Tuscany Valley of California, Falcon Crest focused on a large family of wealthy vinyardists, who were either bickering with each other, plotting against each other, and occasionally swapping mates. Legendary film star Jane Wyman played the ambitious matriarch Angela Channing, constantly at loggerheads with her nephew Chase Gioberti (Robert Foxworth), an airline pilot (and ex-Vietnam vet) who returned to Falcon Crest to claim his inheritance following his father's mysterious death. Others in the FC's large cast included Chase's long-suffering wife Maggie (Susan Sullivan), their children Cole (Billy Moses) and Vickie (Jamie Rose, Dana Sparks); Angela's children Emma (Margaret Ladd) and Julia (Abby Dalton), Abby's irresponsible son Lance (Lorenzo Lamas), who married the conniving Melissa (Ana-Alicia), when she was pregnant with Cole's child. A solid soap during its first season, FC got a major boast with the arrival of nefarious Richard Channing (David Selby), who turned out to be related to the Giobertis and would stop at nothing to get his share of Falcon Crest. The first 5-6 seasons of Falcon Crest remain among the best television has ever offered, with terrific acting, strong storylines, suspenseful and unforgettable cliffhangers, and a wonderfully dry wit. Currently, SoapNet runs episodes 3 times daily, Mon-Fri; try to see it if you can, Falcon Crest is an absolute must.
Executive producers Michael Filerman and creator Earl Hamner made the wise decision to make Robert McCullough the supervising producer and de facto show-runner by the end of the first season, and the result was three years of FALCON CREST which were near-brilliant -- a gently Gothic, slightly tongue-in-cheek entry in the DALLAS/DYNASTY era wealth-based nighttime soap genre which became so huge during the early-1980s.
Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.
Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).
Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.
Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.
Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.
Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.
Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).
Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.
Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.
Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.
Falcon Crest was such a great show! It stood apart from serious-Dallas and campy-Dynasty and rivoted viewers for 9 seasons. Headed by Jane Wyman, the cast and crew rose to the challenge of taking their place beside the classic dramas of Dallas, Dynasty and Knots Landing. With gorgeous on location photography and crisp screenplays....the show was able to capture its own following. Currently airing on SoapNet, this vintage drama has finally been uncorked!
Who could have thought that Earl Hamner,the creator of The Waltons would follow in the footsteps of series creators Lee Rich and Aaron Spelling? Well,Lee Rich was the brains behind "Dallas" and "Knots Landing",while Aaron Spelling was at the helm behind "Dynasty","Hotel",and "The Colbys", Hamner was the creator behind "Falcon Crest" one of the solid classic soap operas that ever came to prime-time. While it rivoted viewers from 9 seasons on CBS-TV,it was one of the top ten shows of the 80's and early 90's. This show was totally different and it didn't take it stories too seriously since it was set in the Tuscany Valley of California which consisted of wealthly vinyardists who would bickered at each other,and plot and scheme their way to the top of the empire. Leading by some heavy hitters including legendary actress Jane Wyman,Susan Sullivan,Robert Foxworth and Lorenzo Lamas and not to mention special appearances by Ursula Andress and actor Eddie Albert,this show was to make the expected the unexpected and so forth. Great series! Catch it on SoapNet!
I don't know if Jane Wyman was chosen to play the lead of hard-as-nails Angela Channing because she was then newly-elected President Reagan's first wife or not. The rumor back then was that the producers wanted her in the role as a kind of side-swipe at Reagan, whose right-wing politics they detested. Then came the rumors that first lady Nancy Reagan wouldn't let the president watch the show because Jane Wyman was in it. Back when we all had a common culture at the dawn of cable, this was all really very amusing. However, regardless of why and how she got the part, Jane Wyman owned that role and made it something special. Starting out playing the lead at age 64, she didn't miss a step until the last season or so, when bad health finally got the best of her.
The setting is the fictitious Tuscany Valley of California and its lush vineyards. Chase Gioberti, played by Robert Foxworth, was Angela's nephew who was always going round and round with her. This was the principle conflict - Chase's principled stand versus Angela's dog-eat-dog approach to all problems. This first season has a kind of Romeo and Juliet theme to it as Chase's son and wealthy heiress Melissa Agretti fall in love and Melissa finds out she is pregnant. Fate being what it is on soap operas, Melissa ends up in an arranged marriage to Angela's lazy grandson-heir, Lance, with everyone outside the principle trio - Melissa, Angela, and Lance - believing Lance to be the father. Angela arranged this marriage to give her eventual ownership of the Agretti vineyards. This show was one of the popular night-time soap operas of the 80's along with Dallas, Dynasty, and Knot's Landing. Most of the characters weren't as rich as in Dallas - after all, we're talking grapes here not gasoline - but the stories didn't have the goofiness that Dynasty always had and Dallas eventually descended into.
Highly recommended for people who remember the old nighttime soap operas and loved them like I did, and also for people who like soap operas in general.
The setting is the fictitious Tuscany Valley of California and its lush vineyards. Chase Gioberti, played by Robert Foxworth, was Angela's nephew who was always going round and round with her. This was the principle conflict - Chase's principled stand versus Angela's dog-eat-dog approach to all problems. This first season has a kind of Romeo and Juliet theme to it as Chase's son and wealthy heiress Melissa Agretti fall in love and Melissa finds out she is pregnant. Fate being what it is on soap operas, Melissa ends up in an arranged marriage to Angela's lazy grandson-heir, Lance, with everyone outside the principle trio - Melissa, Angela, and Lance - believing Lance to be the father. Angela arranged this marriage to give her eventual ownership of the Agretti vineyards. This show was one of the popular night-time soap operas of the 80's along with Dallas, Dynasty, and Knot's Landing. Most of the characters weren't as rich as in Dallas - after all, we're talking grapes here not gasoline - but the stories didn't have the goofiness that Dynasty always had and Dallas eventually descended into.
Highly recommended for people who remember the old nighttime soap operas and loved them like I did, and also for people who like soap operas in general.
क्या आपको पता है
- ट्रिवियाBy the second season, the show became more serialized and abandoned the self-contained episode format of the first season. When the show first premiered, creator Earl Hamner, Jr. stated that he did not want the show to become another soap opera like Dallas (1978), however, by its second season, that is exactly what the show became.
- गूफ़When Richard Channing takes control of his fathers newspaper he renames it The New San Francisco Globe. Throughout season 2 some establishing shots of the exterior of the building still show the original "The San Francisco Globe" sign.
- भाव
Richard Channing Denault: Sorry I had to be nice to you.
Angela Channing: I may never recover.
- कनेक्शनFeatured in En himla många program (1989)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does Falcon Crest have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Şahin tepesi
- फ़िल्माने की जगहें
- Inglenook Vineyards - 1991 St. Helena Highway, Rutherford, Napa Valley, कैलिफोर्निया, संयुक्त राज्य अमेरिका(interiors of Falcon Crest winery building)
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