Bergerac

I have to agree with one of the reviewers here who said: "... the fact remains that John Nettles as Jim Bergerac was and is a surprising success story. I like it and so do millions of others but i feel that no one has really ever explained quite why."

I did like it - how could I not, it has John Nettles. What was interesting to me is that this series made him the European Telly Savalas, but while Bergerac is a good show with beautiful Jersery scenery and Nettles, there isn't anything about its stories or characters that screams "megahit." It's much more low-key than something like Kojack, and his character has no 'who loves ya baby' or lollipops in his mouth, he isn't hard up for cash like Rockford and living in a trailer and dealing with crazy Angel, he's not a brilliant slob like Columbo - If you're expecting some big, flamboyant show, this isn't it.

Throughout the years, the Bergerac character goes through quite a few girlfriends. In the early seasons, he never seemed to like or get along with his ex-father-in-law Charlie Hungerford, portrayed by Terence Alexander. He and his ex-wife Deborah (Deborah Grant) are civil to one another, but then in another season it looked like they might get back together. Later on she and the daughter are basically off the show and Bergerac and his father-in-law are good buddies. Characters come and go, with the regulars being Sean Arnold as Bergerac's boss, Bergerac himself, and Charlie. Later on, Louise Jameson enters as Bergerac's love interest, Susan Young.

I think the secret is Nettles - attractive, with a great voice and a wonderful presence, he was captivating as DCI Barnaby in Midsomer Murders and charming and no-nonsense as Bergerac. He radiates a sexy warmth. I don't know what I was expecting from Bergerac, but when I read it was a huge hit and starred Nettles, I had to see it. I thought to myself, why was this a huge hit? But I kept watching.

Before (and in some cases after) Bergerac BBC dramas were pathetically low budget and often set in over-lit and wobbly studio-sets that were a throwback to a theatre tradition that television needed to take a step, a cinematic step indeed, away from.

Bergerac was instrumental in changing that. What makes it take this leap is that every scene is outside broadcast. If the scene is in an office in a police station, then it is filmed in an office. It may seem a small thing, but compare it to other BBC dramas of the time, like Juliet Bravo, and you will see how Bergerac stands the test of time and they fail.

John Nettles is superb in the lead role, but as ever, for a series like this to work, it is the supporting actors that make the difference and these are in two categories. Firstly, the regulars who are good and fun, especially Charlie Hungerford, a more subtle and plausible Arthur Daley character, and Barney Crozier, one of the world's most grumpy men, but one who you still are able to have a little time for. Secondly, the guest actors, and these read like a checklist of British dramatic talent, either classic stars making guest appearances (Beryl Reid, Sir Norman Wisdom, Richard Griffiths) or a host of younger actors who were on the cusp of being household names (Ray Winston, Resse Dinsdale, Louise Jameson, Lisa Goddard).

A decade is a long time, but the quality of Bergerac never failed throughout its ten years (which almost mirrored Mrs Thatcher's term as PM; it makes the series interesting social history for that golden decade as well as drama). Outstanding.

This is probably the last comment I'll write from England, as I'm flying back home to America after a year here in a couple of days. Unfortunately, that also means I'll be flying away from Bergerac on the BBC. I discovered this marvelous old detective show a short time ago, and since then I've enjoyed every episode of the programme I've seen. John Nettles is so cool and calm in the title role, and the cast of regulars is fun to watch and full of life. The plots are interesting, though not overly contrived. As much as I enjoy reading Agatha Christie books (and watching BBC adaptations of them), I sometimes find her plots a little too twisty for their own good. Bergerac's plots don't suffer this [ever-so-slight] malady. The scenery on the island of Jersey is beautiful, though I don't know whether it was filmed there or not. One might suspect (and hope!) that the crime-rate is somewhat less than represented in the show, but since watching Bergerac, I seriously want to visit the island and find out for myself. Also, if I do manage to visit Jersey sometime down the road, I have reason to believe I'll be able to pick up the BBC signal and watch re-runs of Bergerac to my heart's content! I recommend this police detective show to anyone who enjoys British television drama or detective shows. One last thing: I really love the tune they play at the end of the show. Hope I can get a recording of that sometime!

Bergerac is one of the few shows which, on many occasions, had unique plots or plots that had unique twists. It resisted the temptation to jump on any particular bandwagon. The 'hero', Bergerac, was neither hero nor the still-popular anti-hero. The writers often back-referenced with regard to the ongoing arc which took Bergerac from recovering alcoholic to lucky in love, unlucky in love, lucky in his job, unlucky in his job, and eventually back to the bottle again, without twisting him out of character to do it.

In my opinion, this show still stands the test of time and is more watchable than too many of the newer shows on TV today.

Nowadays most younger television viewers would think of DCI Barnaby solving murders in the fictional yet dangerous Midsommer whenever the name John Nettles is mentioned. However his rise to fame came in the 1980's series Bergerac. Nettles played Detective Seargeant Jim Bergerac, a detective with Jersey's Bureau Des Etrangers. The background to this character was that he was a recovering alcoholic who had returned to his native Jersey following a serious accident whilst on duty and the breakdown of his marriage.

The background to Jim Bergerac was complex but was skillfully played by Nettles. His appearance was as a charismatic generally amiable character. His hardness usually came out when dealing with criminals or attempting to get information. His approach to solving crime is often unorthodox and usually against the wishes and orders of his superiors.

The most notable supporting character of the series is the cigar toting Charlie Hungerford played by Terence Alexander. The initial sniping between the two characters and the later friendship that develops between them is a nice diversion. Alexander also provided a slight comedic element to the show due to his money making schemes and other slightly shady dealings.

Bergerac was a good series for the 1980's and is still of a high quality today. It portrayed a seedy world under the glamour of tax exiles living in Jersey. It was filmed in a 50 minute format popular until 2000 which allowed it to be easily sold to commercial channels and as such it lacks a bit of substance compared to modern dramas. This does make it easy to watch as the crimes are easy to solve for the armchair detective. One thing that is grating though is the lack of conclusion to each episode or recrimination afterwards.

In general the series is still well worth watching even after nearly 30 years of debuting on television.