Bergerac

Before (and in some cases after) Bergerac BBC dramas were pathetically low budget and often set in over-lit and wobbly studio-sets that were a throwback to a theatre tradition that television needed to take a step, a cinematic step indeed, away from.

Bergerac was instrumental in changing that. What makes it take this leap is that every scene is outside broadcast. If the scene is in an office in a police station, then it is filmed in an office. It may seem a small thing, but compare it to other BBC dramas of the time, like Juliet Bravo, and you will see how Bergerac stands the test of time and they fail.

John Nettles is superb in the lead role, but as ever, for a series like this to work, it is the supporting actors that make the difference and these are in two categories. Firstly, the regulars who are good and fun, especially Charlie Hungerford, a more subtle and plausible Arthur Daley character, and Barney Crozier, one of the world's most grumpy men, but one who you still are able to have a little time for. Secondly, the guest actors, and these read like a checklist of British dramatic talent, either classic stars making guest appearances (Beryl Reid, Sir Norman Wisdom, Richard Griffiths) or a host of younger actors who were on the cusp of being household names (Ray Winston, Resse Dinsdale, Louise Jameson, Lisa Goddard).

A decade is a long time, but the quality of Bergerac never failed throughout its ten years (which almost mirrored Mrs Thatcher's term as PM; it makes the series interesting social history for that golden decade as well as drama). Outstanding.

Bergerac established John Nettles as one of the most famous television actors in the 1980s, something that he has continued to this day, although more recently in the considerably more pedestrian Midsomer Murders.

Bergarac certainly benefited from some excellent input from a remarkably broad range of quality TV figures like Robert Banks Stewart, Robert Holmes, Tristan DeVere Cole, Chris Boucher, Dennis Spooner, Tony Dow, Matthew Robinson, Bob Baker and Geoffrey Sax etc, and location filming on Jersey was regarded as rather exotic at the time.

I think I ought to correct Scooby-57's comment that this show made Louise Jameson famous. She was already very famous from her regular role in Doctor Who when the show regularly attracted about 13 million viewers and also her role in Tenko.

At 16 years old, I am probably the youngest serious Bergerac fan currently in existence. I used to watch it when I was really young, and have watched the repeats ever since. I have recently been enjoying the selected episodes being repeated on BBC 1 which ended today with the penultimate Christmas Episode and will miss watching it after coming home from a morning GCSE, especially since I break up in four days and do not have Bergerac to look forward to. I think that the series' strong points are many but there are some which really made it the great Laviathan of a programme that it was, the predominant example being its guest appearances.

Over the course of the entire saga, celebrities were made and broken, and most appeared in Bergerac. The guest stars made each and every episode immediately watchable and different from the rest, the most memorable episodes being 'Almost like a Holiday' starring the ineffable Norman Wisdom (who bumps his knee on a table within the first two minutes of the episode) and 'My Name is Sgt. Bergerac' with none other than Frank from the Vicar of Dibley, and Tony Robinson, sporting a hilarious perm and chest wig. However, on a personal level, my favourite episode was the one where Bergerac investigates a drug smuggling ring where the main villain is played by none other than Jack Galloway, father of my brother's best friend!

Watching Bergerac, it is easy to let yourself believe that it is a stereotypical police drama, but the beauty of it is, that Bergerac MADE this stereotype. The fact that one knows who the crook is almost from the start may seem to make the show pointless, yet, conversely, it does in fact raise the enjoyment as you shout 'NO, IT'S NOT HIM, IT'S THE OTHER ONE' frantically at Le Crozier.

If anyone can name a better police drama, or indeed, a better BBC drama than Bergerac, post it here and I will happily disagree.

I really love watching old episodes of this and think it's a shame that UKTV are not showing every episode. I think the first series was great and although the show lost its way a bit for the next few series, it did pick up again in the late 1980s with a few standout shows. I agree with a previous reader that the episode with the mercenary is good, as is the flashback one to WW2, and the one where he goes to London and has a great scene in St paul's cathedral with that Scottish actor who used to be in everything. Also good are the later episodes in France. Strange to see Bergerac's girlfriend from series 1 turning up nearly 20 years later with Sean Bean in Sharpe! Also the production values in the later series were so much higher. All in all great nostalgia and interesting social history of the 1980s, Jim always wakes up with Terry Wogan's breakfast show for example, possibly the only detective to do this. But the fact remains that John Nettles as Jim Bergerac was and is a surprising success story. I like it and so do millions of others but i feel that no one has really ever explained quite why.

Bergerac is one of the few shows which, on many occasions, had unique plots or plots that had unique twists. It resisted the temptation to jump on any particular bandwagon. The 'hero', Bergerac, was neither hero nor the still-popular anti-hero. The writers often back-referenced with regard to the ongoing arc which took Bergerac from recovering alcoholic to lucky in love, unlucky in love, lucky in his job, unlucky in his job, and eventually back to the bottle again, without twisting him out of character to do it.

In my opinion, this show still stands the test of time and is more watchable than too many of the newer shows on TV today.