Butterflies

Even 20-odd years after the fact (and with it's late-70s sexual revolutionism looking humorously dated these days), Carla Lane's 'Butterflies' remains one of the freshest and funniest sitcoms Britain ever produced. The story itself is relentlessly simple -- a stifled housewife's yearning for more in her life is complicated by a distantly ironic husband, two sex-crazed still-at-home sons, and the romantic attention of a wealthy playboy whose desire revs up the more undesirable she feels. But it's not the plot that makes 'Butterflies' great so much as it is the opportunity that that plot gives Lane to explore Ria Parkinson's world as it slowly collapses around her, and it's impossible not to see a little bit of oneself in the sometimes-hilarious, sometimes-sobering struggles of Lane's memorable characters as they attempt to survive the small anguishes of day-to-day life. Smart writing and great performances all around.

A few years back, 'Butterflies' would show up in late-night rotation on PBS in the states and Canada; if it does again, catch it.

British comedies tend to fall into one of two main types: the quiet, introspective, usually romantic study and the farcical social satire. Settings, characters, and concepts vary but certain characteristics place the vast majority of shows into one of the two categories. Butterflies is perhaps the epitomé of the first type.

The scripts are very verbal, including long interior monologues by the main character Ria, a basically happy but unsettled housewife curious about what she might have missed out on when she embarked on a thoroughly conventional life. When she meets a successful but clumsy and emotionally accessible businessman (who makes his interest in her quite clear), she toys with the idea of finding out what the other path might have offered.

The acting and scripts are always on the money, which makes one's reaction to the show almost entirely a personal one: I was neither blown away by it nor turned off. My mother, on the other hand, adored this show. I think the degree to which one identifies with Ria's dilemma is the most important factor in determining one's reaction to Butterflies.

Looking back over the past 28 years (since my first exposure to the show), all i can say is: Once you get it-it will stay with you forever. I remember my initial reaction being: 1) annoyingly overacted, 2)under produced 3) unlikeable characters

Well, two years later I watched some episodes again and didn't find it nearly as annoying. A year later I was able to catch the entire series from the beginning and quickly became engrossed in it's bittersweet tale of human fault and perspectives on happiness. Yes, the show has a style that is not for everybody, and I'm sure the dated production value would be hard to deal with now. But, I still think about the show at least once a month with a vague teary eyed longing for what seemed like simpler times...

BTW I am a married man...(for all who think this is a show for females)

This is an excellent British Comedy. Wendy Craig is amazing as Ria the bored housewife, Geoffrey Palmer is fantastic, as usual , as Ben Ria's dentist husband who just doesn't understand how she can be unhappy. The boys Russell and Adam are hilarious. This is Brit coms at their best. Dry humor and all. Try it. One of the best!

Butterflies is a low key introspective comedy that was more popular with females than males.

It had a nuclear family, a wife who was a bad cook, a husband who was rather distant and reserved.

The husband is a dentist and collects butterflies in his spare time and two older sons who drive, are unemployed and are rather rebellious youths.

The comedy is bitter-sweet, you get traditional comedy via Ria's cooking and family disputes. However what was unusual was Ria's unconsummated relationship with the successful businessman Leonard.

Ria is dissatisfied and wants something more in life and believes that its obtainable with her unconventional friendship with Leonard.

The series ran for five years, Wendy Craig played Ria to a tee, Geoffrey Palmer was his hound dog best as her husband Ben.

Nicholas Lyndhurst played one of the sons and he ended up playing Rodney Trotter in Only Fools and Horses at almost the same time.

The businessman Len was played by Bruce Montague who in effect had a difficult role and did well to make a potential Lothario so likable.