Why Didn't They Ask Evans?

Nifty production of Agatha Christie story. A man is found dying among some rocks on a beach in Wales, evidently having fallen from the cliff above. Bernard Miles and (someone else) find him. He utters only a few last words -- "Why didn't they ask Evans?" -- before giving up the ghost. Francesca Annis, a young lady with a title visiting Wales, inserts herself into the mystery. She finds out the man's identity and his local hosts, a patron, a young blond lady, and a young man. The host family is a suspicious lot, especially the father who is a nervous wreck and makes several allusions to opioid drugs. All of this is sharply but discretely observed by Francesca Annis who has managed a longish visit at the family's stately home, Merriway Court. She manages to enlist her boy friend in the case and has his pose as her chauffeur, and both of them begin prying.

Much of the conversation takes place at the dinner table. Everyone dabs decorously at his plate and seems disinterested except that they are listening with keen ears. This is an English pattern. I know I shouldn't make such Olympian judgements but I'm beyond that. The QE2 dining room was filled with British passengers and was silent except for the tinkling of silverware on china. As my wife and I were preparing to leave, I said audibly, "I never believed one bullet could make such a mess. There was blood everywhere." The tinkling paused only for about two seconds before resuming its silvery fairy-tale melody.

This is rather a typical Agatha Christie tale in that the plot -- extending as it does over three longish installments -- is labyrinthine. I lost track of who was suspected of what, and why, from time to time, despite the recurring themes of greed and narcotics. Bonus points for exquisite photography and location shooting. Everything seems so CLEAN and SUNNY.

We must count Francesca Annis among the many things that are clean and sunny. Her chipper persona enlivens every scene she's in. And though she's not one of those stunning English blonds one often finds in these tales, she's a splendid actress, a delight to watch. Her friend, the faux chauffeur, is something of a dull bulb compared to her sharp wit.

In fact, if there's anything resembling a message in this story, it's that men are either a little slow witted or are particeps criminis. It's the young, good-looking, energetic women in their white frocks and 1930s hair styles that ferret out the truth.

A good Sunday morning watch as you'll need to take some breaks. It's 2 hours 30 minutes. Actors enjoyable even though they repeat same types of mistakes constantly. Convoluted tale but they summarize where they stand every so often to help you keep track. Francesca Annis is wonderful.

Talk about faithful to the book, this excellent adaptation has virtually been lifted from Agatha Christie's book, it's a fine drama. Perhaps a little long to watch in one sitting, coming in at three hours. It is a rewarding watch, the story is clever, the mystery intriguing and the characters are glorious.

It's an involved story, fair to say it does take some time to develop, but the characters are given depth, back stories and motives.

Still the best version, to this point the only other being where ITV butchered it for The Marple series.

Annis and Warwick are both excellent, even if the casting team at LWT were guilty of reusing the same actors too many times in their Christie adaptations, however the pair are believable from the characters in the book, they have the right tone. Sir John Gielgud is excellent, but my favourite performance is from Joan Hickson, Mrs Rivington is only in it a short while, but the gossip loving socialite is a far cry from Hickson's glorious Miss Marple.

It's a lavish production, surely one day worthy of a Blu ray release. Loved it. 9/10

This movie adaptation of an Agatha Christie novel is similar in feel to "The Seven Dials", and has a number of the same actors in it, but I found it inferior. The movie is quite long, but it still manages to leave several things unexplained by the end. The traditional "explanation" scene at the end, where the devious plans of the criminal(s) are laid bare, is oddly uninvolving, despite the fact that the heroine is alone in a big house, at the mercy of the killer. It seems to go on forever, and seems to be answering questions that no one really bothered to ask. Besides, there is one outrageous piece of information provided at this moment that the viewer could not possibly have known, and which is thrown in just to make things easier for the villains. I suspect this is the fault of the original book (Christie was not above tossing in a sort of deus ex machina, especially in her early books) but it leaves the viewer feeling cheated.

Francesca Annis is a touch too smug and smooth in her portrayal of Frankie, and I found her "bright young thing" character grating after a while. Eric Porter, as the suspicious Dr. Nicholson, gives the best performance of the movie, both affable and alarming.

Agatha Christie television two-parter with Francesca ANNIS and James WARWICK

Agatha CHRISTIE (1890-1976) was not particularly enthusiastic about the television adaptations of her crime novels. So it happened that most of her books were shown in the cinema during her lifetime. After the death of the "Queen Of Crime" that changed. That's why the production company London Weekend Television was able to broadcast this very faithful film adaptation of the author's 15th crime novel, which was published in the UK in 1934, on March 30, 1980. The film was directed by John DAVIES and Tony WHARMBY and the excellent screenplay was written by Pat SANDYS.

He's certainly not a passable golfer, this really likeable Bobby Jones (James WARWICK), who is once again practicing his shots with a friend on the cliffs. The two find a man who has fallen off the cliff, and as he is dying he can only ask: "Why didn't they ask Evans?" This is a question that can no longer be left in the mind of Bobby, the lovable good-for-nothing, and soon afterwards also of his childhood friend, the lovely Lady Frances Derwent (Francesca ANNIS). Especially since other strange things happen. Bobby, who is now really difficult to place, is offered a dream job in Argentina. Shortly afterwards, a poison attack was carried out on him, which luckily failed. Is there perhaps more to the whole matter? The two young people take heart and investigate on their own. They come across the strange Bassington-French family...

What a pleasure! This brilliant film adaptation of a lesser-known crime novel by the world-famous author marked the starting signal for a true Agatha Christie revival on television. Further film adaptations such as THE SEVEN DIALS MYSTERY (1981, again with James WARWICK) and a whole series such as PARTNERS IN CRIME (1983-1984, with Francesca ANNIS and James WARWICK as the detective couple Tommy and Tuppence) were to follow. Not to forget the long-running series about CHRISTIE's star detective "Miss Marple" (1984-1992) and "Hercule Poirot" (1989-2013)!

But back to "Evans"! Great locations in Buckinghamshire, a narrative very close to CHRISTIE's original and fantastic actors bring the right atmosphere across. This is certainly rather slow and leisurely for today's viewing habits, but that's what Agatha CHRISTIE's novels are like. Watching the two slightly overwhelmed amateur detectives looking for murderers is just great fun. Naivety suddenly meets unrestrained malevolence. And evil has an attractive and fascinating effect on both investigators. A rogue who doesn't draw political parallels to the British appeasement policy of the 1930s. Agatha CHRISTIE may not have thought quite like that, but the work is always smarter than the author.

Francesca ANNIS (*1944), who had already appeared in VIER FRAUEN UND EIN MORD (1963), was the better-known TV actress at the time and was certainly cast as the star of this production. The real discovery of this film, however, is James WARWICK, born in 1947. With a dachshund look and naive charm, he not only plays his way into the heart of the sophisticated Lady Frances, but also wins the audience's sympathy. The chemistry between the two is so good that a few years later they were able to become the dream cast for Tommy and Tuppence.

Other roles include: John GIELGUD (Reverend Jones, Bobby's father), Bernard MILES, Eric PORTER, Leigh LAWSON (alongside the German GOLDEN GLOBE winner Nastassja KINSKI in TESS), Madeline SMITH, Connie BOOTH, Robert LONGDEN. Joan HICKSON (1906-1998), the later Miss Marple (1984-1992), delivers a small masterpiece in the role of a gossip-addicted socialite.

Oh yes, in German the novel on which it is based is also known as "Ein Schritt ins Leere / A Step into the Empty".

Highly recommended, both book and film adaptation!