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Stir Crazy isn't anything too difficult to explain. It's simply pure comedy from the talented duo of Gene Wilder and Richard Pryor, directed by the fantastic Sidney Poitier.

Gene and Richard play two friends from New York who are moving to California. They stop over in a town in Arizona, get a job as dancing woodpeckers who do jingles for a bank and then are arrested when two other men steal their costumes and rob said bank.

They then are sent to jail for 125 years by the no-nonsense judge and the film documents their attempt to get used to prison life, pray that their lawyers can prove their innocence and hope Skip (Gene's character) can dominate the prison rodeo.

As I said, there's nothing deep or thought provoking in this film. It's just the zany antics of the two comedic legends. Some strong acting by the cast and excitement are in the offing and the film delivers that in spades.

What was neat to see were all the T.V. stars of past and future in the supporting cast, like Luis Avalos of The Electric Company and Craig T. Nelson of Coach. It was fun to recognize all these old faces.

The only flaw was that the film's writing seemed geared for an easy job of editing for T.V. I wonder if just making it PG would have been better for their box office numbers. Nonetheless, Stir Crazy was the 3rd highest grossing film of 1980.

If you're looking for a real comedy film, a blast from the past, Stir Crazy delivers.

"Thats right,thats right we baaaad.....". That line was probably the most famous that Richard Pryor ever uttered on screen. He and Gene Wilder made a great "buddy" team just like Newman and Redford...only they are a helluva lot funnier! This was one film that critics hated but audiences loved. Wilder's "nice guy" is a perfect match for Pryor's wisecracking. This film has a fine supporting cast as well, George Stanford Brown (although his portrayal of a gay inmate may not seem "politically correct" today, he is hilariously "swishy" though!) Jobeth Williams, Barry Corbin (as the corrupt warden)and Craig T. Nelson (before he became a "Coach"). Sidney Poitier does a wonderful job of directing these two comedy legends I might add. The prison escape in the end kept me on the edge of my seat. I liked Skip and Harry so much that I was just rooting for them all the way! Pryor was burned shortly after this film was completed.

Gene Wilder and Richard Pryor was a good comedy team of the 1970s, making several hit movies together, this being one of the more memorable. Viewing this movie recently after a 25-year absence, it was a shock to me to hear the language. I had remembered this strictly as a light-hearted comedy but I can see why it's rated "R." That is solely for the language, especially by Pryor, but he was known for his profane humor.

If you can put up with that, the film is downright funny, even today. I found myself laughing out loud at a few scenes, all of which I remembered vividly from several viewings in the '70s. They are still just as funny.

Who could forget that mammoth criminal with the long, long name - Erland van Lidth de Jeude? He was the guy that scared the hell out of everyone, just by his physical presence. In real life, that man was the opposite of his projected image on screen. He was a graduate of MIT, an accomplished opera singer, an Olympic wrestler, devoted husband and father, writer, etc. The poor man died at the age of 34.

It also was interesting to see such a young looking Craig T Nelson and JoBeth Williams.

This might have been the best of the Wilder-Pryor films. I was shocked to see that Sidney Poitier directed this movie. I didn't know that until seconds ago when I looked at this IMDb title page.

After their rendezvous in Silver Streak, Richard Pryor and Gene Wilder team up again. I heard Richard Pryor mentioning this movie in a stand-up routine. He didn't mention it by name because they'd just finished filming. He talked about doing a movie in an Arizona prison and how there were guys in there with triple life. Meaning, if they died and came back they'd still be in prison. LOL!

Harry Monroe (Richard Pryor) and Skip Donahue (Gene Wilder) are two friends who've been fired from their respective small-time jobs in New York. Skip is a playwright and Harry is an actor. They decided that their firings were signs, so they packed up and headed west to make their big break. Their big break came in Arizona-as in their van breaking down. Then, through some criminal deceit and judicial ineptness the two of them end up in prison with 125 year sentences.

This movie, as far as comedy, was better than Silver Streak. Pryor and Wilder both were in fine form. Not only that, prison just seems to make for such funny scenarios. I thoroughly enjoyed Stir Crazy.

Skip Donahue (Gene Wilder) and Harry Monroe (Richard Pryor) are best friends living in New York City. Donahue is an amateur playwright, working a day job in department store security. Monroe is working as a catering assistant. When Donahue is canned for harassing a starlet and Monroe is fired because his marijuana ends up in the food at a society dinner on the same day, Donahue takes it as the perfect opportunity to finally leave the cold, unfriendly metropolis and head out West. Unfortunately, neither is very well adapted to life outside of New York, and they end up framed for a crime.

I hadn't seen Stir Crazy since at least the early 1980s. Recently I had a chance to rewatch Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother (1975), which I hadn't seen since the 1970s, and I was a bit disappointed. So I was nervous that Stir Crazy might also be a let down this far removed in time. That couldn't have been more wrong. I may have even thought it was funnier and more exciting this time around than when I first watched the film as a teen.

I had forgotten that Stir Crazy isn't just a comedy. It's also fairly suspenseful and surprisingly serious at times in the last act. Director Sidney Poitier makes a smooth transition through many genres--buddy film, road movie, fish out of water story and prison film, aided of course by Wilder and Pryor. While both actors have had plenty of performances just as good as Stir Crazy, neither have had any that were better.

In a way, this is really more Wilder's film than Pryor's. That's no slight on Pryor; Wilder just ends up getting more screen time. He presents a hilariously bizarre, complex character who is full of contradictions--kind of a channeling of a less loquacious Woody Allen through a more down to earth version of his Willy Wonka (Willy Wonka & The Chocolate Factory, 1971). Wilder's Skip Donahue has an air of Mister Rogers-styled good-natured innocence, with the same kind of odd and maybe creepy homoerotic overtones, but he'll also turn on a dime into a neurotic, screaming loon. As I said, it's all very complex, but extremely funny and enjoyable to watch.

Pryor's Harry Monroe is more of a streetwise perpetual victim who doesn't adjust to the social world of the criminal justice system as well as Donahue does. He has a much more typical reaction, with no misconceptions about their dire circumstances.

The crux of the humor in the first section of the film is the naivety of Donahue's "grass is always greener on the other side" conception of the Western U.S. compared to New York City. Of course, things turn out to be not quite so simple, but it's funny and charming that Poitier and writer Bruce Jay Friedman have Donahue never quite wake up from his naïve misconception. It also turns out to have much more weight than just a comic device: Donahue survives in prison as well as he does, and it brings about the profound changes of character--Donahue becomes much more authentic, realizes his potential, gains material for his art and even gets the girl--because of his continued misprision (in the Bloom sense) about life outside of New York City, and in the end, it enables a "return to the market", as they say in Zen Buddhism.

Watching Stir Crazy at this later point in time, some of the humor might seem a bit clichéd to younger viewers. It's important to remember that this is where a lot of those "clichés" came from. In 1980, everyone was mimicking scenes from this film (such "We bad . . .") and repeating dialogue and jokes. Some of the filmic (and by extension general cultural) folklore or urban legends about prisons contained in Stir Crazy had made appearances in films prior to this one, but not in the particular irreverent way that they're satirized here.

This is an important film in the careers of a few of the greatest actors and comedians (Wilder, Pryor and Poitier), with an important place in the history of Hollywood comedy. The fact that it's also suspenseful and has philosophical things to say about human nature is a bonus that makes this a film you shouldn't miss.