Scanners

I was pretty disappointed. It's more of a step down than a step up for Cronenberg; it seemed like he was sacrificing his vision to make a mainstream-friendly film. As a result, the film is basically a bunch of great scenes strung along by a generic, rather lame plot and some truly terrible performances. Even so, those scenes - the exploding head, the phone line stuff, the final battle - are so fantastic and so memorable in their own right that they make it worth getting through everything that comes between. Just a brilliant combination of sound and image in those sequences. So, overall, the film is nothing great, but it's not a complete wreck, either.

Scanners (1981) was another one of David Cronenberg's "body in revolt" films. This one deals with people that have telepathic and telekinetic abilities. Not your average horror film because it's quite heady. That's what I like about Cronenberg, not only does he make great psychological horror/thrillers but he makes you think. Nothing is spoon feed to you. The splatter effects have given this movie it's much deserved place in one of the best horror set pieces ever made. Two scenes stand out the most. After watching this film you'll understand why gore hounds love this movie.

The only part of this movie that I would have changed would have been the lead. Mr. Lack was okay but I felt that Cronenberg could have found an actor with more experience. Michael Ironside was chilling, ice ran through his veins. This movie made his career as a movie heavy. Jennifer O'Neill was nice to look at and fit in well. A strong storyline and good directing made this one a must see.

I was very impressed with this movie. The soundtrack was apt for the movie.

I haven't watch this film in awhile. But after seeing it on D.V.D. recently, I'm still a big fan of Scanners. Sadly I'm not too fond of the sequels.

A+

If you love heady horror films this is a must see.

Scanners is Cronenberg's venture into telepathy and the strange workings of the mind(he seems to do one movie on each theme, doesn't he?) While it is not as good as many of his other movies, it's still worthwhile.

First of all, the effects are really good. Some shots easily beat what the best CGI can do today, and some are just plain sick(you'll jump, I promise you). I was actually scratching my head over some things, thinking "how did they do that?", which is a good measure of special effects skills.

Second, the atmosphere is very powerful. It's a dark and unknown world in here, and no-one living in it likes it at all. The characters are all slightly off colour, subnormal. Our hero is no exception. The unknown Stephen Lack does a good-enough job, what with all the grimacing and psycho-playing. The supporting cast is over all sufficient. A treat is, as usual, Michael Ironside, who gives his pretty simple character a nice edge and a personality.

As for the story, it's sometimes hard to follow, and sometimes it lacks something. The ending is a bit rushed as well(even though the climax is incredible).

Still, Scanners is a cult movie and if you can find time, and you're in the right mood, it's certainly worthwhile for it's innovative gore, moody atmosphere and Michael Ironside.

7/10

Well, were to begin?

First off, when I first saw Scanners, it really didn't do that much for me. Nowadays, I've learnt to view the film through more enlightened eyes, and appreciate it for the masterpiece that is most rightfully is.

Apart from the much-lauded 'exploding head' scene (which could have used a little more blood spattering everywhere) one of the film's most chilling scenes is at the very beginning when the lead character, Cameron Vale (Stephen Lack) causes a woman to have a fit in a shopping mall before being captured by a pair of heavies. The scene was so convincingly played out that it really shock me up.

The more interesting aspect is the fact that most of these 'scanners'(or telepathic curiosities as the CEO of Consec calls them) are usually forced to live on the fringes of society as their telekinetic powers are feared and misunderstood by many. It would seem that the director, David Cronenberg, was using this plot device as a metaphor to comment on society's prejudicial attitudes towards the mentally ill. Like many of his low-budget horror films right up to 'The Fly' (1986) 'Scanners' has a very subversive, fly-on-the-wall take on society's ills. The modern society portrayed in 'Scanners' is a world viewed through the eyes of the outcast.

Throughout the film, there is a general feeling of starkness, from the synthesiser-tinged score by Howard Shore, to the general sparse look of the film. This gives the viewer a rather apt feeling of coldness and isolation.

Michael Ironside steals the show as the unhinged renegade scanner, Darryl Revok, who has a vast army of scanner converts at his disposal ready and willing to annihilate anyone unfortunate enough to stand in their way.

The only down side, however is the casting of Stephen Lack as Cameron Vale. Although he makes a fairly decent effort of playing his part, Lack just doesn't seem to have that much-needed 'spark' to bring his character to life.

All in all, 'Scanners' comes highly recommended as a 'must-see' feature.

Within "normal" society exists a new breed of person who possess telepathic powers. They are small in number but their powers makes them very dangerous – but also very powerful in the hands of the right people. Dr Paul Ruth runs a secretive programme trying to develop the power into a weapon but he only has one recruit – Cameron Vale. When Ruth's programme is violently attacked by scanner Darryl Revok, they realise that the battle is being lost and they prepare Vale to go undercover, in filtrate Revok's group and lead them to him.

As everyone and their dog knows, this film is always talked about for the infamous scene near the start where we are first shown the power of the scanners, however there are many scenes across the whole film that are just as strong as that one. The opening scene is powerful as it shows the ability Vale has and the lack of control he has over it while the scene where Revok escapes capture is even more sinister and gripping. This pretty much carries across the whole film although there are some slows spots and parts of the story that don't hang together as well as they should. Cronenberg is famous for his body horror but he does do tension well and here he is solid when called upon. The low budget does show through at times but mostly it is good.

The acting is a little bit ropey though, which is maybe where the limitations do show through. Lack is OK but he isn't anything special – he can say his lines well enough and not fall over while walking but he can't bring out much more below the surface than that. He reminded me of the old b-movie matinée stars who have good jaws but not much else. McGoohan is better and his presence is welcome in his scenes. Ironside is hammy but enjoyable perhaps not having as much screen time as I would have liked but effective when he is. The support is mostly pretty average, O'Neill is OK but the rest are so-so and are sometime amusing as they get scanned.

Overall though this is a classic cult film. The plot moves forward well enough although I would have liked more real life commentary from Cronenberg above the general "mental illness" metaphor that it acts as but his direction otherwise is good. The cast are mostly only OK but they do enough to keep the story moving while moments of horror and tension are well served up. Could have been better in several key areas but is still worth seeing.