Project: Kill

It's a pretty heinous film that features a man in a wicker wheelchair, Leslie Neilson's scarred chest, plenty of very ugly Filipinos, horribly set up karate sequences, and people who look like they are waiting for others to finish their lines so they can begin.

I think the plot is like this. Two guys, one being Leslie Neilson, are at odds since one wants out of this Project Control. Basically people are shooting up to become superstrong? Well Leslie Neilson gets mixed up with some Filipino gangs who don't like either one of the Americans. There is a side romance too. Makes little sense really.

I'm sure Leslie would love for you to forget that he was in this one, but sadly like the movie says: "The only way out is DEATH."

Watchability: 2 out of 10 MST3K quality: 7 out of 10

Director William Girdler, primarily known for horror movies, tries his hand at an action / thriller with PROJECT: KILL.

Leslie Nielsen stars as John, the head trainer for the hit squad of the title. John's had enough and wants out, which proves to be rather difficult.

Now, not only are his old associates after him, but John's also going through withdrawal from years of mind control drugs.

Karate and death ensue.

Considering the subject matter, this movie isn't quite as exciting as one might expect. Even the fight scenes and homicides do little to raise our pulse rates. The shallow dialogue and meandering plot don't help. Nielsen isn't bad, but can't save this gobbler from its terminal dive...

Interesting actioner from the late director of GRIZZLY, MANITOU and DAY OF THE ANIMALS. This features Leslie Nielsen as a Kung-fu expert/secret agent who wants out, but in his line of work, there is only one way out...DEATH. Nielsen goes on a run, his friend and fellow agent Gary Lockwood is hot on his trail. Nielsen battle local bad guy Vic Diaz as a second plotline. I don't know if this film got any theatrical booking, for it played a lot on CBS late night. The video print is dirty and looks like it was from a 16mm print. The film is not bad, and Nielsen does a real good job in the film. It's not recommended for most fans of Nielsen today will view this film as a comedy.

Hi, Everyone, One way to make a movie build as it progresses, is to start with a very boring scene. Leslie Neilsen begins his role here by narrating a training film. We can instantly see he ain't the swiftest. The problem is, it is not a comedy. It's funny sometimes but never a comedy.

The director must be given most of the blame. The cast is OK. Gary Lockwood and Leslie Neilsen should change their roles. Leslie would make a better pursuer. Maybe Nancy Kwan and Gary should change roles. Nancy would be more believable in the fight scenes than Gary.

The actors appear to be doing their own stunt fighting. They look confused. They seem to be trying to remember their choreography while the opponents wait to be punched.

The acting borders on awful. Sometimes it crosses that border. The writing is conventional. You have a super secret agency of the government that is made up of well armed men. They are all very stupid. They have $300,000 to play with that they had hidden somewhere. They film some of their exploits for training purposes, but the films are all too dark to see what is going on.

My guess is that Leslie Neilsen and Gary Lockwood and Nancy Kwan have never got together to celebrate the release of this stinker.

I almost forgot. There is a song in the movie. The girl who sang it was the one who should have been chased and Karate chopped. Actually maybe the song writer should have been the villain.

Compare the beginning speech of George C. Scott in Patton with Leslie Neilsen's speech at the beginning of this movie. George C. Scott had a passion and the words to fit that passion. Leslie Neilsen sounds like a boxer being interviewed after a bout where he was unable to find a neutral corner.

If you want a turkey for Thanksgiving, this might be it. This is the bird that didn't quite make it over the cuckoo's nest.

Tom Willett

Before his comeback as a slapstick comedian in the NAKED GUN films, Leslie Nielsen floundered in many dull movies like PROJECT: KILL.

He plays John Trevor, head of an elite squad of government assassins who use a mysterious drug to maintain Herculean strength. The drug also causes painful headaches and psychotic episodes, so Trevor just ups and leaves the service, heading for the Philippines to start over. Nancy Kwan, who is totally wasted as Trevor's new girlfriend, consoles him as he babbles on about his empty life. A glum-looking Gary Lockwood is a fellow mercenary sent to retrieve Trevor dead or alive.

Much of the screen time is devoted to Lockwood, who at one point steps in front of an exploding grenade and doesn't die. The story unfolds with an utter lack of conviction, but in the amusing finale Nielsen and Lockwood prance about in mock-kung fu poses and smack each other a lot.

PROJECT KILL was a troubled production filmed in The Philippines, and was barely released in theaters in 1976.