Lightning Over Water

In this film documentary, Wim Wenders comes to New York City to visit film director, Nicholas Ray, who directed classics like Rebel Without a Cause starring James Dean. Ray lives in a Soho loft with his younger wife, Susan Ray. You could see the twin towers that once stood at the foot of Manhattan long before it's destruction in 2001. Nick Ray is stubborn and determined to make a final film. In some ways, it's his last chance in the cinema. Wim Wenders knows time is of the essence sine Ray is dying of cancer. There are candid moments of Ray dying but not letting his cancer destroy him. Wenders is a friend and film director. This documentary is really more of a tribute than anything else to a fine film director even though we didn't get to really know him. I haven't seen any of his films to date. The documentary might be dated but it's important to recognize a man who was really a genius in the film industry even thirty years later. He didn't live like a millionaire. He lived quite modestly and on his own terms which is how he died.

Lightning Over Water began as a collaborative idea to tell the story of a dying painter who steals art from museums and replaces them with his own forgeries. Suffering from terminal cancer himself, Ray's health quickly deteriorates during the project. The film eventually ceases to be a work of fiction and becomes a documentary of Ray's finals days in which he fittingly spends making film. In reflecting over his career and life, Ray ponders his successes and failures as a film maker who is best known for Rebel Without a Cause (1955). A poignant and often disturbing film, Lighting Over Water is ultimately a painful homage to a film maker and to a friend (Klaus Ming March 2013).

In 1977,Nicholas Ray was part of the cast of "der Amerikanische Freund" as Derwatt,a painter who made forgeries .In this movie,Ray tells the story of a painter who steals the masterpieces in the museums and replaces them with forgeries.

I have always been a Ray fan from "they live by night" to "run for cover" to "party girl" to his final epics which were looked upon by pretty much as failures.I must admit that I do not go much for Wenders' stuff ,which is much too intellectual for me .

Its not a documentary movie,it's cinema verite depicting a man who is dying.The courage the director displays in front of death commands admiration but I wonder whether this movie should have been released:it's an intimate one,which should have been reserved for the circle of family and close friends.And I'm sure that many of these prefer to keep a picture of a healthy man .

If you have seen four or five movies by Ray ("rebel without a cause" "Johnny Guitar" "The savage" ) a piece of advice:try and see the lesser known Ray works:"wind across the everglades "born to be bad" "on dangerous ground" or "knock on any door" .The best homage to an exceptionally gifted director.

There are two good moments in "Lightning over water":

The "lusty men" extract happens to be my favorite in this classic:Mitchum come s back home,an old house where he finds back a comic and a money box:In "Lightning " ,Ray hints at "coming back home,seeing my mother's face" Childhood was an obsession in his work :just remember Dean playing in the gutter ("Rebel) or Cagney trying to make Derek his "son" in "run for cover" .

THe diary which Wenders reads is in German which makes sense since it's his first language;the shots of the wings of the plane are fascinating.

Wenders gives the viewer the impression that this is a simple movie, but it is not. Fans of Wenders will recognize director Nicholas Ray's apartment as a location for the film, American Friend. But not only is Ray simply dying, he dies, and the "documentary" has to change, and so it does, with grace, pain, uncertainty, and a host of other emotions and observations. The music, much of it featuring Ronee Blakley, doing what sounds like an attempt at light punk rock and country-folk rock, with a definite Patti Smith influence, is very effective. Like every film I have seen by Wenders, it looks beautiful and often unusual, and the pacing is leisurely, and by Hollywood standards, slow. However, anyone who likes Wenders and likes Ray--and let's face it, if you say you are a fan of American film, and you neither like nor know Nicholas Ray, you are an ignorant piker, poser--will benefit from screening this movie, and probably be moved like hell by it.

This is not a movie for Wenders fans as much as it is for Nick Ray fans. In fact, I wouldn't recommend it unless you felt connected to the director. And I don't mean that you've happened to rent Johnny Guitar, In a Lonely Place or They Live By Night. See it if you saw a theme in Ray's work, one that made you go back and learn about his life. See it if you re-watched his films, trying to understand every cut and what it told you about the man behind the camera. See it if it bothers you that he will never make another film. Because in Lightning over water Nicholas Ray invites you to share his death with him, and, if you see it, you must be prepared to grieve. I saw this movie late one night in my college dorm room (a college with a featured role in the film, but that is merely tangential). I didn't let anyone watch it with me. The previous summer my grandfather had died in the same drawn-out manner. He was surrounded by family from the time of his diagnosis to the time of his death. Wenders and his crew are Nick Ray's family -- a love of the director's work is the blood connecting them. Wenders carries a camera with him because he knows that others -- even those who never heard of Nicholas Ray until he was dead for 18 years -- have the same blood in them. Wenders gives us the chance. But it is Nick Ray who we come to see.