अपनी भाषा में प्लॉट जोड़ेंA large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.
फ़ीचर्ड समीक्षाएं
Compared to films like The Swarm or When Time Ran Out, Jishin Retto (Deathquake, Earthquake 7.9, Megaforce 7.9, etc.) stands as a very competent disaster film. It even stands very well when pitted against some of the higher class disaster movies released before it. The fact that the film centers around plot lines that would have better place in The Young and the Restless than in a disaster film tends to bog it down during the first hour, though. But at the midway point, the quake hits, and we are treated to a mishmash of new effects and stock footage from Nippon Chinbotsu (and even the exploding freeway scene from Nosoturodamasu no Daiyogen). Not that this is a bad thing. The effects for all of those films were done by Teruyoshi Nakano, and he creates some great new images while not going overboard in the use of stock footage. The acting, direction, and special effects are all rather well done, and the music and color schemes help to give the film a fittingly dark tone. I was lucky enough to purchase this film on the now oop Toho released laserdisc, which preserves the original 127 minute running time as well as presents the film in stunningly high quality. I have no trouble recommending this film to fans of the disaster genre.
Tokyo has not seen an earthquake over 5.0 in a long time (1923), so this generation has gone soft. What will they do when hit by a 7.9 quake? Because one is projected to happen within one month...
Directed by Kenjiro Ohmori, who is not even known in Japan for anything.
The Fortune 5 DVD was apparently copied from VHS, with the jumpy frames and snow. The dubbing is what you might expect. Sometimes called "Earthquake 7.9" and other times "Megaforce 7.9" or even "Deathquake".
There is a scene where they purposely crash cars head-on into each other, in order to design a fireproof automobile. Why? Because "in an earthquake, cars will burn first". And in an earthquake, it is fire that kills, not the shaking.
There are some interesting Japanese cultural aspects, with a focus on disgrace of a family name, rather than an individual -- the prediction of an earthquake is a big deal, it seems.
Directed by Kenjiro Ohmori, who is not even known in Japan for anything.
The Fortune 5 DVD was apparently copied from VHS, with the jumpy frames and snow. The dubbing is what you might expect. Sometimes called "Earthquake 7.9" and other times "Megaforce 7.9" or even "Deathquake".
There is a scene where they purposely crash cars head-on into each other, in order to design a fireproof automobile. Why? Because "in an earthquake, cars will burn first". And in an earthquake, it is fire that kills, not the shaking.
There are some interesting Japanese cultural aspects, with a focus on disgrace of a family name, rather than an individual -- the prediction of an earthquake is a big deal, it seems.
Geologist realizes a big earthquake is coming but no one will listen. Whats worse is his father in law had predicted the 1923 Tokyo disaster and he's been called unworthy to be his successor. Of course the big one comes and Tokyo is knocked flat.
A poorly dubbed Japanese film that is pure soap opera for the first half. The second half- after the earthquake destroys a model city its an escape drama. There are some nice moments but the film wastes them either by undercutting the action by too many poor miniatures or by having people do unreal things. Hokey and not very good it has an ending you won't believe...
A poorly dubbed Japanese film that is pure soap opera for the first half. The second half- after the earthquake destroys a model city its an escape drama. There are some nice moments but the film wastes them either by undercutting the action by too many poor miniatures or by having people do unreal things. Hokey and not very good it has an ending you won't believe...
How many disaster movies can there be before we get tired of them. Come on, we can see them on the Discovery channel all day long.
I agree with the comment that the first part of this movie is just a soap opera. The Great Predictor's grandson makes a prediction and everybody starts moaning about how he is ruining the family name. The evil mother-in-law convinces the wife to throw him out into the arms of his mistress, whom she wants to meet. Can you believe that? The wife wants to approve the new wife! At the same time the mistress' has someone in love with her that doesn't have a wife, but she sends him packing.
Now, that the soap opera is over, the earthquake appears.
The special effects are really good, but the dubbing is bad. That is why I like subtitled films. The actors are all very experienced and have won many awards, so you will get to see some of Japan's best in an oft-repeated story.
But, the soap-opera story returns with a kitchy ending.
I agree with the comment that the first part of this movie is just a soap opera. The Great Predictor's grandson makes a prediction and everybody starts moaning about how he is ruining the family name. The evil mother-in-law convinces the wife to throw him out into the arms of his mistress, whom she wants to meet. Can you believe that? The wife wants to approve the new wife! At the same time the mistress' has someone in love with her that doesn't have a wife, but she sends him packing.
Now, that the soap opera is over, the earthquake appears.
The special effects are really good, but the dubbing is bad. That is why I like subtitled films. The actors are all very experienced and have won many awards, so you will get to see some of Japan's best in an oft-repeated story.
But, the soap-opera story returns with a kitchy ending.
क्या आपको पता है
- ट्रिवियाThe film was a follow-up to a TV movie from early the same year, Tokyo Daijishin Magnitude 8.1 (1980), starring Shin'ichi Chiba, with special effects by Kôichi Kawakita, and also produced by Toho.
- क्रेज़ी क्रेडिटAlthough the title is at the beginning, all of the credits are at the end of the movie (in the original Japanese version).
- इसके अलावा अन्य वर्जनIn all versions of the film, the title is shown early in the film (in the shot of the crater of Mount Mihara), but in the original Japanese version, all of the credits are at the end of the film; after the final freeze-frame of Kayo Matsuo's character (Yuko Kawazu), the film fades out, and a credit roll in white text over a black background is set to the sentimental pop song "Amethyst Sunray" (performed by Hatsumi Shibata), ending with a "The End" ("Owari") credit. In all international versions, the cast credits are placed over the opening footage of Oshima Island (before the title), and the rest of the credits over the aerial montage of Tokyo (right after the film's title), both originally credit-less, and the film ends with the final freeze-frame of Matsuo's character (with "The End" and the Toho copyright superimposed over the shot). "Amethyst Sunray" is omitted altogether.
- साउंडट्रैकAmethyst Sunray
("Amejisuto Sanrei")
(Closing credits theme - Japanese version only)
Composed by Masaaki Hirao
Lyrics by Makoto Kitajô
Arranged by Tatsumi Yano
Performed by Hatsumi Shibata
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