Hide in Plain Sight

This film DID get a theatrical release, but it quickly disappeared. It's unfortunate, because it's very thoughtful film. As a director, Caan made some interesting choices.

As a side note, I saw Caan discussing it in an interview a long time ago. He said the studio had no faith in the film, so they dumped it without much advertisement. And then they were shocked when it received great reviews. But by then, it was already dead. He also mentioned that the pan & scan version that was on TV changed a lot of wide-screen two shots into separate shots! I'm not sure if the same thing happened with the VHS, but I'll bet it did. Hopefully, a proper version will come out on DVD one of these days.

Actor James Caan made his directorial debut (and, to date, only directorial effort) with this compelling, believable adaptation of a true story. Caan stars as Thomas Hacklin, Jr., a regular-Joe working man (at a tire factory). His ex-wife Ruthie (Barbra Rae) is now involved with Jack Scolese (Robert Viharo), a Mafia goon who squeals on his associates after an arrest. As a result, Jack ends up going into the Witness Relocation Program - and he takes Ruthie and Thomas's two kids with him. An understandably angry and distraught Thomas tries to track down his family, while doing battle with a rather uncaring government.

There's something inherently appealing about seeing this blue collar guy struggle to overcome the immense amount of red tape facing him. Caan is excellent in the lead; he's low key and convincing, and on those few occasions when the character gives in to anger, you can hardly blame him. The film also strongly benefits from its location shooting (it takes place in Buffalo, NY in 1967) and local atmosphere. Caans' storytelling is efficient and to the point. There's no filler here, with "Hide in Plain Sight" clocking in at a refreshingly succinct 92 minute run time. The widescreen photography is first rate.

The cast is stacked with familiar faces. Jill Eikenberry is immensely appealing as Alisa, the new lady in Thomas's life. The under-rated Joe Grifasi is likewise engaging as his good buddy Matty Stanek. And get a load of this assortment of supporting and character actors: Kenneth McMillan, Josef Sommer, Danny Aiello, David Clennon, Peter Maloney, David Margulies, Leonardo Cimino, Tom Signorelli, Charles Hallahan, Alice Drummond, and Beatrice Winde.

While watching this, one may rightly wish Caan had tried directing more often during his career. He clearly had a knack for it.

Eight out of 10.

I am a great fan of James Caan's work and when I found out about this flick I had to order the DVD from a dealer because no one was streaming it. I was not disappointed; this movie is a gem. First off we have Caan's performance, up to his usual high level. Then we have the minimalist approach of the filmmakers. Every scene gives the viewer no more than what he needs to know for the story to progress, and there is no excess emotionalism. Use of music is minimal. As a result the story keeps you involved from beginning to end. Also worth mentioning is the fine work of Kevin McMillan, an excellent character actor. I don't know why this flick isn't better known but it is definitely worth seeing.

Compelling all the way through and based on a true story. Tom (Caan) wants his kids back after the Feds have taken them as part of a witness relocation program. Seems his ex-wife Ruthie (Rae) has hooked up with a minor gangster Jack (Viharo) who's testified against gang bosses. As part of his deal with the Feds, Jack's married Ruthie and they and her two kids by Tom are secretly spirited away to a new life. Trouble is no one, least of all the Feds, bothered telling Tom whose paternal interests have been totally ignored. A working stiff, Tom tries respectfully to work through the government bureaucracy to establish some kind of paternal rights for access to his kids. Nonetheless, his access could lead the gang to stoolie Jack's whereabouts, resulting in a central conflict of interests.

Clearly, there's a subtext to the storyline. Set in 1967, the narrative generally shows how uncaring Feds are about an average working guy's rights. Much of the proceedings are taken up with Tom being brushed off by ascending levels of government even up to his congressman. For Tom, it's ironic that the establishment he supports as an anti-hippie blue-collar conservative would treat him so cavalierly. In a sense, the movie suggests reasons for working class guys to despise government as much as do the anti-war hippies of the time. In effect, the governing agencies come across as basically uncaring about the broader consequences of their acts, seemingly either in Vietnam or Buffalo, NY. That's why Tom angrily identifies himself to a Fed as "Nobody" at movie's end. He's had an odd learning experience, but a learning experience it is. Perhaps I exaggerate some, but the subtextual core is definitely present in this adaptation of a real life event.

Anyway, Caan delivers an ace performance as Tom. Note how his lines are delivered in rather groping and not very articulate fashion, befitting a guy more skilled with his hands than his tongue. Thus, Caan manages a convincing role without special pleading. The rest of the rather large cast also performs ably, especially rotund McMillan as a street-wise cop and Viharo as the callous stoolie. But, as much as I wanted to hug her, I'm afraid Eikenberry is a shade too sweet and understanding as Tom's new girl friend.

On the whole, the movie comes across as very skillfully done, with a thought provoking storyline, and results that are generally underrated. So don't pass it up.

Never saw this film directed by James Caan, who also appears in the title role. This movie must have gone directly to video because we don't recollect if it ever was released commercially. The picture has a "movie of the week" feeling to it, which could well be the reason for not having received a wider release.

The film makes an interesting point. Thomas Hacklin, a factory worker, has divorced his wife, but they have remained in friendly terms. We watch as Tom comes, at the start of the movie, to baby sit his son and daughter. Clearly, Tom adores these children.

His divorced wife has remarried the small time hoodlum Jack Solese. When this man runs into problems with the law, he is offered a release and witness protection in exchange for his cooperation in getting the principal mobsters in jail. When he complies and points the finger to the responsible guys, Jack and his family are relocated to Michigan. Tom, on the other hand, is not notified about the where abouts. Thus begins his quest for his own children.

James Caan, makes a good impression as the working class father. Jill Eikenberry plays Alisa, the woman who has settled in the area and loves Tom. The supporting cast is good. Robert Viharo, Joe Grifasi, Barbra Rae, Kenneth McMillan, Josef Sommer and Danny Aiello work well under Mr. Caan's direction.

This is a curiosity because it's the only film directed by Mr. Caan.