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"Dressed to Kill" is an intense, dreamy, erotically charged thriller, and clearly another of filmmaker Brian De Palma's homages to the works of Alfred Hitchcock. It manages the neat trick of being fairly classy and rather trashy at the same time, as De Palma brings all of his directing skill to bear. This may not be his best but it's certainly one of his most well known, thanks in no small part to the excellent star trio of Michael Caine, Angie Dickinson, and Nancy Allen; Allen, of course, was married to De Palma at the time.

Caine plays an eminent psychiatrist, Dr. Robert Elliott, and Dickinson portrays Kate Miller, one of his patients who's not getting any sexual fulfillment in her life. Unfortunately, once she is able to experience an afternoon of passion the satisfaction is short lived, as a tall, cold looking blonde woman in sunglasses and trenchcoat slashes her to death with a straight razor. (This has to rank as one of the scariest ever elevator rides captured on film.) A witness on the scene is high priced call girl Liz Blake (Allen), who's accused of the crime after stupidly picking up the murder weapon. So she ends up working with Kate's son Peter (Keith Gordon) to try to identify the woman, who Liz and Peter guess to be another of Elliott's patients.

In the opening minutes of his film De Palma shows you what you're going to be in for, showing Dickinson pleasuring herself in the shower (intercutting shots of Dickinson with those of a body double) until a male stranger materializes behinds her and starts forcing himself on her. The combination of sex and danger is always stressed in this movie; as we will learn our killer has some severe psycho sexual problems. There are some highly memorable sequences, such as an extended seduction taking place inside an art museum, that being followed by a steamy coupling in the back of a cab. Other aspects that make it effective are Jerry Greenberg's editing (this was the man that cut "The French Connection", after all), Ralf Bode's widescreen cinematography, and Pino Donaggio's haunting music.

The actors each get an impressive showcase; both Dickinson and Allen look amazing to boot. Included in the cast are Dennis Franz as the investigating detective, David Margulies as the psychiatrist who explains everything for us in the end in case we didn't already get it, William Finley who does some uncredited voice work, and Brandon Maggart in a brief bit as a john.

Overall, the film has a definite ability to get under one's skin. It's often genuinely spooky and could easily shock more sensitive viewers due to the level of sexual frankness on display. While subtlety may be in short supply, it's hard to deny the ability of "Dressed to Kill" to manipulate us into a state of excitement and expectation.

Eight out of 10.

Alfred Hitchcock's Psycho may be one of the most influential movies ever-for a start it was at least partially responsible for the whole subgenre of 'slasher' movies and the shower scene has inspired more homages than you can count. Brian De Palma's thriller Dressed To Kill is basically a semi remake of Psycho,right from the structure of it's story to it's villain right down to certain specific scenes. It's also an absolutely stunning piece of audience manipulation and perhaps more importantly a cracking thriller. Watch this film knowing about the Psycho element and as long as you don't mind some graphic sex and violence you should have a whale of a time. In fact,to a modern audience it may very well be more effective than Psycho {and this is coming from a big Hitckcock fan}.

De Palma's intentions are apparent right from the beginning,which shows a naked woman, played by Angie Dickinson 'enjoying herself' in a shower,with huge close ups of her breasts {not Angie Dickinson's though}. A man suddenly surprises and assaults her. Than we cut to Angie and her husband having loveless sex on a bed. This whole opening sequence has it all-the Psycho reference,the slight twisting of that reference,the dreamy eroticism,the sudden shock,the surprise. It shows De Palma,more than anything else,playing with his audience,manipulating them like puppets on strings. Yes,like Hitckcock,but sometimes going further. Basically,if you like this opening sequence,you will enjoy the rest of the film.

While there definitely IS a plot {quite a familiar one,but you should know this by now},it is Dressed To Kill's set pieces that stand out,that show De Palma's brilliance. There's a dreamlike and subtly erotic sequence in an art gallery where Dickinson is picked up by a stranger,an incredible murder in a lift which is shocking without showing THAT much blood,a thrilling chase in an underground train station where the heroine is pursued not just by the killer but for a while by a gang of youths,a very scary ending about which I won't go into {except that it features another shower scene!}but where the tension is ramped up to an incredible degree. Here,De Palma is BETTER than Hitchcock.

Although the best scenes are those without dialogue,where De Palma just lets Pino Donnaggio's lush,darkly beautiful score take over the sound,there is quite a bit of fun to be had in the often deliberately humorous dialogue,and the really rather cute relationship between nerdy Keith Gordon and tough as nails Nancy Allen,who make a great team. The identity of the killer is not exactly hard to spot,perhaps more work could have been done here,but going by the cheeky attitude of the film in general this may have been intentional.

When Dressed To Kill originally came out it was heavily criticised for being misogynist,especially with the first third of the film {just in case you HAVEN'T seen Psycho,I won't go into detail}. I've always believed that this part of the film is about the possible dangers of indulging one's fantasies. De Palma is NOT a misogynist anyway really,think of the many memorable heroines of his films. Even if you disagree, see Dressed to Kill to see an oft criticised but occasionally brilliant director at the height of his powers.

Mysterious story , competent performances and sense of style dealing with a twisted series killer . Contemporary and attractive thriller merges bombastic Brian DePalma with a tense Hitchcockian flare . Sexually unsatisfied Kate (Angie Dickinson) is told to have an affair by her sympathetic shrink Dr Elliott (Michael Caine) and ends up in a bed with a man who catches her eye in a museum . Then a crime takes place and prostitute called Liz (Nancy Allen) and Kate's son (Keith Gordon) team up with Liz track and lure the murderer into their trap . The latest fashion in murder !. Every nightmare has a beginning...This one never ends !. Brian De Palma, Master of the Macabre, invites you to a showing of the latest fashion... ...in murder !.

This haunting thriller flick is plenty of mystery , intrigue and suspenseful . A highly exploitative and fast-paced suspense/thriller , recognisably from the blood-spattered hands of expert filmmaker Brian De Palma . The film displays a great and catching musical score by Pino Donaggio , De Palma's favorite composer , in Bernard Herrmann style , and imitating former hits , along with appropriate cinematography . There is much for De Palma buffs to savour in this thrilling and atmospheric handling of a complex story with deliberately old-fashioned treatment . A classic in suspense from De Palma , pitching us right into the action from the beginning and baffling most of us to the ending . This is perhaps his most blatant tribute to Hitchcock and especially ¨Psycho¨ , though the master of suspense might shift uneasily in his grave at the flashy sex scenes , the long drawn-out tension , abundant nudism and the four-letter words used for shock effect . There are also tense key images that are brilliantly and originally staged . De Palma was repeatedly criticized for using a stand-by during the Angie Dickinson shower scene , in fact he titled his next movie ¨Body Double¨ as a rebuttal . Angie Dickinson's museum scene is marvellously edited and photographed . Adding special characteristics techniques as ominous camera movements . The mechanics of suspense are worked quite well by the filmmaker and many frighten the easily scared quite adequately , but De Palma has made a habit of dwelling on their more sordid side-shoots .

It contains colorful and evocative cinematography by cameraman Ralf D. Bode , as well as perceptible , impressive musical score by composer Pino Donaggio . Very good and graphically mysterious direction from Brian De Palma . ¨Dressed to kill¨ is Brian De Palma's homage to Hitchcock and the reason for the chief amusement turning out to be inquire what scenes taken from Master of suspense . That's why takes parts especially from Hitchcock . The picture is brilliantly directed by Brian De Palma . This ¨Dresssed to Kill¨ -along with ¨Sisters¨ , ¨Body Double¨, ¨Blow out¨- resulting outwardly another ode to Hitchcock with the accent on the killing , but on most occasion is really thrilling . Rating : 7/10 . Above average, it gets some riveting basic ideas and fascinating images . Nowadays , being a highly considered film ; that's why it is deemed by many to be one of the Brian Palma's best.

A great suspense movie with terrific slow camera-work adding to the dramatics makes this a treat to watch and enjoy. Director-writer Brian de Palma does a super Hitchcock-imitation (many called it a "ripoff") with this film and the 2.35:1 widescreen DVD is a must to fully appreciate the camera-work (and several scenes with people hiding on each side which are lost on formatted-for-TV tapes).

The downside of the movie, at least to anyone that has some kind of moral standard, is the general sleaziness of all the characters, including the policeman played by a pre-NYPD Dennis Franz (who has hair here!).

The opening scene is still shocking with a fairly long shower scene of Angie Dickinson that is quite explicit, even 25 years after its release. The film has several erotic scenes in it as Dickinson (if that is really her on the closeups) and Nancy Allen are not shy about showing their bodies.

There is not much dialog in the first 20 minutes and no bad language until Franz enters the picture after the murder. The first 36 minutes are riveting and even though it's apparent who the killer is, it's still very good suspense and fun to watch all the way through, particularly for males ogling the naked women.

When you compare what Brian De Palma was doing in the 80's to what passes for entertainment today, his films keep looking better and better. "Dressed To Kill, "Blow Out", "Body Double", "Scarface" and "Carlito's Way" are all superb works of a cinematic craftsman at the peak of his powers. The guy had a long run of better than average films. This is pure Hitchcock with an 80's dash of lurid perversion, an affectionately told tale of lust and murder with plenty of twists, huge helpings of style, a stunning Pino Donaggio score, and a trashy, giallo-inspired plot. De Palma's love of complex camera-work and luscious, blood-smudged visuals helps overcome the logical holes while the terrific performances of Dennis Franz, Keith Gordon (a good director in his own right), Nancy Allen (De Palma's wife at the time) and Michael Caine make every scene special. Let the virtuoso take you on a surreal, scary, erotically charged odyssey and you'll enjoy every frame of "Dressed To Kill".