IMDb रेटिंग
5.6/10
5.7 हज़ार
आपकी रेटिंग
एक युवक जिसे बचपन में उसकी मां ने जलाने की कोशिश कि थी वो महिलाओं को अपने घर ले जाता है ताकि वो उन्हें ज़िन्दा जला सके.एक युवक जिसे बचपन में उसकी मां ने जलाने की कोशिश कि थी वो महिलाओं को अपने घर ले जाता है ताकि वो उन्हें ज़िन्दा जला सके.एक युवक जिसे बचपन में उसकी मां ने जलाने की कोशिश कि थी वो महिलाओं को अपने घर ले जाता है ताकि वो उन्हें ज़िन्दा जला सके.
Charles Bonet
- Ben
- (as Charlie Bonet)
Robert Carnegie
- Bobby Tuttle
- (as Robert Osth)
फ़ीचर्ड समीक्षाएं
I'll never understand people who complain that a horror movie is too gruesome or horrifying. It's like a person saying he/she didn't like a comedy because it was too funny.
The negativity towards DON'T GO IN THE HOUSE is odd. Yes, there is ONE moment where it's particularly gruesome and lurid but I've seen mainstream movies (LETHAL WEAPON 2 or TOTAL RECALL) where the super violent action was more nauseating to me than an entire film like DGITH. I suspect that a lot it has to do with the fact that DGITH is a low budget movie, with unknowns and made by unknowns, and those suffering from an elitist complex will renege anything if it doesn't look a certain way or stand-up to their (prefab) expectations. The great thing about DGITH is that it doesn't gloss over the violence. The film is grim, dour and depressing, as it SHOULD be.
Another notch against DGITH is that the story follows the depressing actions of the killer, who's the only main character of the film. And like so many horror films with the main character being the killer himself, few people identify with (or what to identify with) the killer, and because of this knee-jerk reaction towards the way the film portrays the killer, many dismissed it without even trying to see it for what it is. Ironically, the film is dismissed for what it is (and isn't) as much as the character it portrays is dismissed in reality for who he is. Oddly enough, I thought his friend was more annoying than the killer himself.
DGITH is not the greatest movie ever made. But it does what it intended to do: it unsettles and it's grim and unpleasant, with its post-Vietnam war tone. There's NO black humour in the film, and a lot of films these days like to include touches of black comedy here and there in serial killer stories. But I'm glad there aren't any touches of black comedy in DGITH. Its straightforwardness is actually what sets it apart from most films of its kind.
The only big mistake in the film is the tacky "surprise" ending that has nothing to do with the rest of the movie. Otherwise, the film is solid and packs a mean punch. And I dig that disco music!
So, if you don't like your horror movies with a depressive tone. If you don't like movies that don't look splashy or stylized, then DON'T GO IN THE HOUSE is not a movie for you. Personally, I think it's light years better than the overrated MANIAC (1980).
The negativity towards DON'T GO IN THE HOUSE is odd. Yes, there is ONE moment where it's particularly gruesome and lurid but I've seen mainstream movies (LETHAL WEAPON 2 or TOTAL RECALL) where the super violent action was more nauseating to me than an entire film like DGITH. I suspect that a lot it has to do with the fact that DGITH is a low budget movie, with unknowns and made by unknowns, and those suffering from an elitist complex will renege anything if it doesn't look a certain way or stand-up to their (prefab) expectations. The great thing about DGITH is that it doesn't gloss over the violence. The film is grim, dour and depressing, as it SHOULD be.
Another notch against DGITH is that the story follows the depressing actions of the killer, who's the only main character of the film. And like so many horror films with the main character being the killer himself, few people identify with (or what to identify with) the killer, and because of this knee-jerk reaction towards the way the film portrays the killer, many dismissed it without even trying to see it for what it is. Ironically, the film is dismissed for what it is (and isn't) as much as the character it portrays is dismissed in reality for who he is. Oddly enough, I thought his friend was more annoying than the killer himself.
DGITH is not the greatest movie ever made. But it does what it intended to do: it unsettles and it's grim and unpleasant, with its post-Vietnam war tone. There's NO black humour in the film, and a lot of films these days like to include touches of black comedy here and there in serial killer stories. But I'm glad there aren't any touches of black comedy in DGITH. Its straightforwardness is actually what sets it apart from most films of its kind.
The only big mistake in the film is the tacky "surprise" ending that has nothing to do with the rest of the movie. Otherwise, the film is solid and packs a mean punch. And I dig that disco music!
So, if you don't like your horror movies with a depressive tone. If you don't like movies that don't look splashy or stylized, then DON'T GO IN THE HOUSE is not a movie for you. Personally, I think it's light years better than the overrated MANIAC (1980).
It doesnt get much more grim than Dont Go in the House folks. And I'm not just talking about Donny Kohler's choice in music "When we get home....when were alone" . There is something profoundly artistic about this film whether it be intentional or not. The bleakness and raw style,or lack of style in definetely not for everyone. here is no safe cutaways to humor,just gritty.realistic film.
Crackles,pops,film grain and all. DGINH runs a little long in the tooth but for me it just adds to the realism. Its interesting to hear that Tarantino backs this one up. One last thing,If you think this movie is a hack job and that no one came out of this ,you'd be wrong. Good ol' Donny Kohler(Dan Grimaldi) went on to fame in Law and Order and the Sopranos.
Crackles,pops,film grain and all. DGINH runs a little long in the tooth but for me it just adds to the realism. Its interesting to hear that Tarantino backs this one up. One last thing,If you think this movie is a hack job and that no one came out of this ,you'd be wrong. Good ol' Donny Kohler(Dan Grimaldi) went on to fame in Law and Order and the Sopranos.
No !! I was never set on fire by my mother.
Back in 1981 (when I was 17) video recorders came on the market here in England and we teenagers got our grubby hands on loads of movies that were not just "adults only"; they were more violent/explicit than the cinema versions. The media quickly dubbed them "video nasties". I took out Don't Go In The House and found it (obviously horrific) but good 'trashy' entertainment. Sadly, for me, it was the 1st video ever to get tangled up in the VCR. My dad untangled it, watched part of it himself and that was the end of MY unsupervised video viewing :) It's not a very good film but certainly watchable and does, actually, give an insight into what motivates the crazy minority. 4/10
Back in 1981 (when I was 17) video recorders came on the market here in England and we teenagers got our grubby hands on loads of movies that were not just "adults only"; they were more violent/explicit than the cinema versions. The media quickly dubbed them "video nasties". I took out Don't Go In The House and found it (obviously horrific) but good 'trashy' entertainment. Sadly, for me, it was the 1st video ever to get tangled up in the VCR. My dad untangled it, watched part of it himself and that was the end of MY unsupervised video viewing :) It's not a very good film but certainly watchable and does, actually, give an insight into what motivates the crazy minority. 4/10
If you like down and dirty feel bad movies like Maniac or Nightmare, Don't Go in the House is more of the same. It's less gory and explicit, but the mean spiritedness and ick factor is still present throughout.
It's well made with a great central performance by Dan Grimaldi as the mother obsessed serial killer who likes to lure women back to his house, tie them up, and torch them with a flamethrower.
It's well made with a great central performance by Dan Grimaldi as the mother obsessed serial killer who likes to lure women back to his house, tie them up, and torch them with a flamethrower.
Like disco and hate your mother? C'mon in! Otherwise, DON'T GO IN THE HOUSE
क्या आपको पता है
- ट्रिवियाThe actresses who played the burns victims were dancers chosen because they were the same height as the actresses playing the victims, but significantly slimmer in build. This is because when the human body is subjected to burns it shrinks due to a loss of fluid.
- गूफ़When the first victim, Kathy Jordan, is in the steel room, you see Donny pour the accelerant on her torso and she is visibly wet. The next scene shows her dry again on the torso.
- भाव
Donny Kohler: You hear that old lady, i'll punish you again.
- इसके अलावा अन्य वर्जनThe original UK cinema version was cut by the BBFC and the film later found itself on the DPP 72 list of video nasties. The 1987 UK video release was heavily cut by 3 minutes 7 secs and extensively reduced shots of nudity and graphic closeups from the scene of the chained woman being burned alive.
- कनेक्शनFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 1 (1996)
- साउंडट्रैकDancin' Close to You
Produced by Murri Barber
Composed by Ted Daryll
Performed by The Daryll/Barber Band
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Don't Go in the House?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,50,000(अनुमानित)
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