The Day Time Ended

The Day Time Ended is a late 70's sci-fi b-movie that tells the story of a family who find themselves dealing withseveral close encounters and who are (Complete with their house) ripped through space and time repeatedly.

Consisting of the usual quality cgi and some stop motion creatures the idea behind the movie is sound but the execution is pretty disastrous.

The plot is a mess and is more than slightly difficult to follow, for this reason caring about characters felt like a chore and the whole movie missed its mark badly.

I see what they were going for I truly do, but somewhere along the way somebody suffered with writers block and out popped this half baked effort.

The Good:

A couple of interesting ideas

The Bad:

Plot makes very little sense

Nothing flows

Things I Learnt From This Movie:

Aliens can vaporize metal in a second but take several minutes to get through a wooden door

Yes, The Day Time Ended does indeed lent itself to many possibilities. Unfortunately, they tried to fit all of them into this one film, and yet despite the many different ideas, creatures, and going on present, there really isn't much of a story to speak of. It's as though the folks behind The Day Time Ended were making these things up as they went along. Some of the acting is fine, while some of it was poorly executed. The special effects weren't really all that effective. The story just didn't have any cohesion and as such never gain ed any momentum to draw the viewer in. Despite the efforts of some of the players here it just didn't amount to enough to recommend.

Hurray, this film exists. I always remembered a film from my childhood that had two stop motion monsters fighting outside a house and there being strange lights. For years I wondered if it actually existed at all, and then I happened to get it on a pack of 50 films! I was not even trying to find this one, I just always wanted to see a couple of the films on this pack and figured a lot of extra movies would not hurt. So I ended up finding this one, and it only took the first time seeing the house in the middle of nowhere for me to recall the film I saw as a child.

The story in this one is just about nonexistent. People drive out to their solar powered ranch home and they come under attack from aliens and other weird things. Every description says they are transported to prehistoric times, but I have never seen the monsters this film features in any science books as dinosaurs. The aliens are sometimes friendly, sometimes play with your mind and sometimes fly around in vacuums that emit death rays.

The acting in this thing is kind of bad. The grandfather is okay at times, but his facial expressions do not fit the situation and the daughter's fretting was getting on my nerves. The grandmother looks like she is in genuine pain when she and the grandfather go to bed and the father trying to get back home is an obvious plot padding device for an extremely short film. To bad no one gets killed in this one.

So no gore, no nudity, basically no nothing. A bunch of cheap effects and a couple of interesting scenes here and there. There is a scene that reminded me of Kingdom of the Spiders, and it turns out there is a tie to that film. It also has a Laser Blast feel to it, but I could not find any ties to that film. The ending is way to happy, the whole thing has a television vibe to it as it almost seems to be a pilot for a television show that never made it beyond its pilot. Still, it is nice to know it exists as an actual movie and not just in my mind. A kid may enjoy it, I remember liking it, but that is because of the monsters that are not dinosaurs.

I recently returned to this film after having watched it 12 years ago on VHS. (This time, I watched the 4:3 frame DVD included in the Brentwood 4-DVD collection "Time Travelers," which, apparently, is the best of the transfers out there; I've read the standalone transfer isn't as good and contains atrocious artifacts.) Anyway, I remembered originally liking the film for its peppy pacing and its honest intentions. I was pleased to see those elements still intact. The film whipped along a brisk pace, the characters were likable and acted well enough, and the late 1970's "desert house of the future" provides a pretty unique setting.

As is evident by the reviews already listed here on IMDb, it seems you are either a fan of the film or feel compelled to hound it for its technical shortcomings--shortcomings, by the way, which are many. (Let's at least be honest while we temporarily kneel at the alter of director John "Bud" Cardos.) I understand the stop motion prehistoric creatures are animated by none other than icon Dave Allen, and there are precious matte paintings by film artist extraordinaire Jim Danforth, but let's face it. The low budget nature of the flick really shines through (in a bad way) during the effects-heavy scenes—which account for about half the film. As many reviewers have pointed out, "The Day Time Ended" does at times feel like a very-poor-man's "Close Encounters of the Third Kind." Considering this film was screened 2 years after "Close Encounters," the Spielbergian influences can't be hidden. You've got low-flying, multicolored UFOs whipping down deserted highways that stretch through the mountains. You've got the little child (inevitably kidnapped) who is inexorably drawn to the aliens and their technology, etc. (By the way, if this film reminds anyone of "E.T.," remember you are a few years too soon—that film wouldn't be made for at least another two years after "The Day Time Ended.").

Correct me if I'm wrong, but this film was made on the cusp of the made-for-video revolution (my books say 1979, not 1980), so I'm not certain about its actual theatrical release. The film feels as though it was prepared for a major release—though its short running time just barely makes it full-length. Overall, the production values hint at something larger than later Full Moon-era Richard Band releases (Puppetmaster 1, 2, 3, 4, 5, and 12) which were clearly made for the video-shelf-small-screen. But like many of Richard Band's releases, the ambidextrous Band does the music himself. His orchestral flourishes really aren't all that bad.

But speaking of bad, something VERY bad happens around the 60-minute mark. The film's plot—what little was established—falls completely to shreds. As the family is attacked by every SPFX artist on the set, the story is, literally, tossed into the vortex. By the end, the family (which has been torn asunder in time and space with much crashing of cymbals and whirling of stars) suddenly and inexplicably reunites at the edge of a crystal city glimmering in the distance. They all sort of shrug their shoulders, hop on their horses, and head to their "new home" (a pretty, futuristic matte painting by none other than Jim Danforth). Problem is, none of the family members seem particularly bothered by any of it. They're not bothered by the fact that their house—indeed their entire world and its civilization—has vanished. Heck, they've got each other, and, who knows, "Maybe this was all meant to happen," as Jim Davis, the family patriarch, says. Yeah, right! In fact, this saccharine reunion takes place so quickly after the family members are separated in the "timespace warp," that the viewer never really gets a chance to worry about what is happening—you end up not caring about their plight, or their new circumstances, at all. Of course, you might say, "What do you expect from a below-B science fiction flick?" The problem is that for the first 60 minutes of the film, the characters are believable, likable, rational folk beset by otherworldly forces, and they react accordingly (most of the time). Unfortunately, those established characters inexplicably evaporate at the end, and the story and characters really fall apart as they mundanely saunter their way into the future. This comes damn, damn close to wrecking the entire film.

Of course, this isn't the first time I've seen John "Bud" Cardos do this kind of thing. Maybe it's his shtick—wrecking a film just during the last few minutes.

As others have said, this is a film without a plot. It's one of those things where you put a family in a house in a remote place and start doing things to them. There are all sorts of things but nothing is ever explained. There is a big fight between two claymation monsters, but what do they have to do with the swirling lights that keep showing up, or the gunlike thing that points at people. We meet a couple of little creatures at the beginning but then we never see them again. And what does a triple-nova have to do with anything? The closing statement by grandpa is made without any knowledge of anything. And where are they going? And why them? And where is everyone else? I know it has something today with a time vortex, but the principle characters just bumble around. They don't really learn anything. Or do they? They don't bother to tell us.