Caligula

Some describe CALIGULIA as "the" most controversial film of its era. While this is debatable, it is certainly one of the most embarrassing: virtually every big name associated with the film made an effort to distance themselves from it. Author Gore Vidal actually sued (with mixed results) to have his name removed from the film, and when the stars saw the film their reactions varied from loudly voiced disgust to strategic silence. What they wanted, of course, was for it to go away.

For a while it looked like it might. CALIGULA was a major box-office and critical flop (producer Guccione had to rent theatres in order to get it screened at all), and although the film was released on VHS to the home market so many censorship issues were raised that it was re-edited, and the edited version was the only one widely available for more than a decade. But now CALIGULIA is on DVD, available in both edited "R" and original "Unrated" versions. And no doubt John Gielgud is glad he didn't live to see it happen.

The only way to describe CALIGULIA is to say it is something like DEEP THROAT meets David Lynch's DUNE by way of Fellini having an off day. Vidal's script fell into the hands of Penthouse publisher Bob Guccione, who used Vidal's reputation to bankroll the project and lure the big name stars--and then threw out most of Vidal's script and brought in soft-porn director Tinto Brass. Then, when Guccione felt Brass' work wasn't explicit enough, he and Giancarlo Lui photographed hardcore material on the sly.

Viewers watching the edited version may wonder what all the fuss is about, but those viewing the original cut will quickly realize that it leaves absolutely nothing to the imagination. There is a tremendous amount of nudity, and that remains in the edited version, but the original comes complete with XXX scenes: there is very explicit gay, lesbian, and straight sex, kinky sex, and a grand orgy complete with dancing Roman guards thrown in for good measure. The film is also incredibly violent and bloody, with rape, torture, and mutilation the order of the day. In one particularly disturbing scene, a man is slowly stabbed to death, a woman urinates on his corpse, and his genitals are cut off and thrown to the dogs.

In a documentary that accompanies the DVD release, Guccione states he wanted the film to reflect the reality of pagan Rome. If so, he missed the mark. We know very little about Caligula--and what little we know is questionable at best. That aside, orgies and casual sex were not a commonplace of Roman society, where adultery was an offense punishable by death. And certainly ancient Rome NEVER looked like the strange, slightly Oriental, oddly space-age sets and costumes offered by the designers.

On the plus side, those sets and costumes are often fantastically beautiful, and although the cinematography is commonplace it at least does them justice; the score is also very, very good. The most successful member of the cast is Helen Mirren, who manages to engage our interests and sympathies as the Empress Caesonia; Gielgud and O'Toole also escape in reasonably good form. The same cannot be said for McDowell, but in justice to him he doesn't have much to work with.

The movie does possess a dark fascination, but ultimately it is an oddity, more interesting for its design and flat-out weirdness than for content. Some of the bodies on display (including McDowell's and Mirren's) are extremely beautiful, and some of the sex scenes work very well as pornography... but then again, some of them are so distasteful they might drive you to abstinence, and the bloody and grotesque nature of the film undercuts its eroticism. If you're up to it, it is worth seeing once, but once is likely to be enough.

Gary F. Taylor, aka GFT, Amazon Reviewer

This film, as with all, has good points and bad points.

In general, I feel that the good ones far outweigh the bad.

The film simply gives the story of the rise and death of Emperor Caligula in a very straight-forward manner. Indeed, it can be seen as shocking, but I think that this is a side-effect of it's desire to be realistic, rather than a deliberate act on the part of the film-makers.

The cinematography and camera work is awful. The huge sets seem at times almost claustrophobic which is an absolute crime considering the magnificence of them. There is also too much emphasis on Caligula himself, to the detriment of revealing some important traits in other characters, making them seem somewhat shallow at times.

The sex scenes are very well placed within the context of the film. I thought that only two scenes stood out as being unnecessarily overt, but for the most part, the explicitness is on the fringe of the focus of each scene, while also playing a major part in the atmosphere.

Never once did I feel that any dialogue was out of place, nor did the acting strike me as being bad.

By far the biggest problem with this film is the fact that the sexual content is widely advertised and therefore anticipated before viewing. This may cause people to focus dominantly on those scenes without really looking at the film as a whole. For me, it enhanced the film. Not in a particularly titillating way, but in the fact that there was no compromise during scenes of sexual acts. Roman orgies are regarded to have been extremely opulent and promiscuous - I found it refreshing to see one as it may have actually been rather than lots of fully-clothed laughing fat men pouring red wine over their faces and eating grapes while draped with female automatons.

In summary, Caligula definitely has it's place in film history due to it's controversy, but if you look beyond that controversy, you should find a rather good film which neatly tells the story of how power can turn someone into a madman.

Let's not kid ourselves here, all ye art students, film-school nerds, and other self-loathing "cinema l'arte" snobs: had this exact same movie been released under the banner "directed by Pier Paolo Pasolini" you would have loved it - sorry: CLAIMED to have loved it - and praised it to high heaven, espousing its virtues in long essays, justifying its extreme sex and violence through some b.s. semantic pseudo-intellectual movie-critic-jargon mumbo-jumbo.

Go on, admit it. No-one will laugh. We promise.

This movie has been unanimously dismissed as exploitative trash and of no cinematic value by "notable" movie critics.

After having seen the full two-and-a-half hour version: a) I can certainly see why THEY would choose to view it that way b) I totally disagree The fact that "Caligula" was financed by Penthouse (gasp!) and directed by Tinto Brass (oh no!) is what this is all about.

An excellent cast includes McDowell (an ideal choice for Caligula - or any devious lunatic, for that matter) and Mirren (at the height of her enormous sex-appeal). There is terrific music from Khachaturian, an interesting story, some suspense, etc. A strong stomach is needed to watch this gore-fest, though.

A corny, historically inaccurate, fairy-tale-like piece of crap like "Gandhi" gets world-wide recognition, while a brutally realistic film about another historical figure gets the finger. Go figure.

This movie gets way too much hate. It is not even close to being one of the worst movies I've seen.

Malcolm Mcdowell is fantastic as always. It is worth seeing just for his performance alone.

I was also really impressed by the costumes, I thought they were gorgeous. My favorite was the one Caligula wears near the end which is a gorgeous metallic green. You can tell the effort put behind not only the wardrobe but the hairstyles and the sets, they are some of the best aspects of the film. The costume designer Danilo Donati actually won some Oscars because of his work in other films.

Now, everybody who dislikes the film do so because of the very explicit porn. I agree most of the time is excessive and goes on for way too long, I think because of the nature of the story and character a certain amount of explicitness works, but for the most part I find it too be too much and too long.

If you take away the porn, this movie would be far better received. There's an actual story and it has great performances for the most part.

It is not perfect however, I do feel the movie stayed one note from beginning to end, doesnt feel like a 3 act story but it was worth it in the end. I am really looking forward to watching the new version that premiered at Cannes this year, hoping it becomes available to the general public very soon.

I watched this movie the first time the night-before last.. and watched it again last night and again tonight.

This movie is far from pornography... only a few scenes are hardcore, and only a couple of these are even barely erotic. It does not exactly function as an historical epic, either.

The film quality and lighting would make it appear to date from the 1960s.

The script is mediocre. More drama could be added, however we do have to bear in mind that the Romans followed the school of Stoicism.

The acting (including Malcolm McDowell's) is nothing outstanding, with the exception of Peter O'Toole's Tiberius Caesar. He displays tragedy and lunacy, evoking reactions of disgust, sympathy, pity, and compassion. I found myself much more intrigued by his character and wishing the movie was about his decline from wisdom to near-madness, rather than Caligula. It also caused me to desire to learn more and research the actual life of Tiberius.

The film neither condemns, nor condones. That is probably how it should be.

Where this film succeeds monumentally is the costuming and unabridged realism. This is the first film I've seen to have a character wearing a toga like the one Caligula's sister (a design many Roman women actually wore) wears in the opening scene. The depiction of slaves and the acts of love and brutality are well-done. It is not erotic, it is not horrifying. With the hardcore scenes excised (the version i saw was the complete version), I believe this movie should be shown in every high school World History class. For centuries, Western culture has censored and toned-down representations of its Pagan past. The filmmakers must be applauded for attempting to make an honest epic.

I've become very hard to please when it comes to movies. The last movie I actually liked to a strong degree was Amadeus, which I saw two years ago. Despite its flaws, with its sheer amount of action and atmosphere, I believe this movie deserves a 10.