Bye Bye Brasil

More than a discussion on which are the best Brazilian films ever, "Bye-bye Brazil" is certainly one of the most important films made in Brazil. It is a deep sink in Brazilian soul and a portrait of serious changes in Brazilian society in late 70's. Modern vs traditional, pride vs vulnerability, love vs need, arts vs market, big town vs deep country, it is a very layered and encompassing film, abroad movie far from formulae and fancy, a must see for everyone who are interested in understanding and knowing Brazil.

By far Bye Bye Brazil is an essential Brazilian picture, perhaps among the top-ten of modern era at least, it owes too much for an awesome premise allied a well-drafted screenplay grounded in an illiterate language of the priceless main character Lorde Cigano (José Wilker) an epitome of the Brazilian trickster, together with a tawdry-hot lady Salomé (Betty Faria) and their faithful black sidekick Andorinha (Principe Nabor) traveling into smallest cities in the largest northeast of the Brazil, when they randomly meet a silly accordion player Ciço (Fabio Jr.) and his pregnant wife Dasdô (Zaira Zambelli).

They usually jumping into another town, unfortunately the time in changing with the advent of TV, also the harder drought in that surroundings did not allowed sell any ticket for money, instead they had to received some goods from the scarce audience, thus Lorde Cigano hears some news about a new road labeled Trans Amazon recently built linking into far off Altamira city a sort of the gate of the Amazon properly where according the source lays out the future of the country, beyond the far frontier where the money is, in this longest journey they stumble with the real natives, reaching in a crowed and cluttered city they didn't find any fortune whatsoever, although the turning point of their lives, then after more downs rather ups they split at last.

This fantastic picture conceived by the avant-garde director Cacá Diegues, exposes the real Brazil in turning of the seventies a changing period of time, a self-portrait of Brazilian people as a whole, it was produced by the old Brazilian clan of filmmakers Luis Carlos Barreto Productions with vast expertise in own cinema as DONA FLOR E SEUS DOIS MARIDOS, INOCÊNCIA, VIDAS SECAS, O HOMEM QUE DESAFIOU O DIABO just to name a few, a notoriously a true Brazilian triumph.

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First watch: 1995 / How many: 3 / Source: TV-DVD / Rating: 8.5.

It is a precious gem. The story of the Caravana Rolidei, a group of poor traveling circus performers, is as fresh today as the first time I saw it. The caravan travels in the Brazilian countryside in a time where television is taking over and making all other sorts of entertainment obsolete. Very touching, very Brazilian, very easy to find in your video store.

Bye Bye, Brasil (1980) is a letter to Brazilians, literally. In the end of the film a phrase appears: "Ao povo brasileiro do século XXI", which means: "To the brazilian people of 21st century". I understand that there are two meanings for this phrase. First, Carlos (Cacá) Diegues, director and writer, meant that in the 21st century technological devices regarding movies and shows would be different and more common in Brazilian houses, so the movie is a historical log of the transition from radio to TV in poor zones in Brazil. Second, he was being ironic in terms of social issues. He knew that Brazil haven't progressed as much as people expected in these matters. So he predicted that what the movie explores: dishonesty, corruption, illiteracy, prostitution (as a social consequence), land problems and other themes would continue. The film is a parameter. Unfortunately, he was/is right and that's why the movie hits hard sometimes. The social critics are made naturally throughout the narrative, through the main characters and other people that appear in their journey. Though there is this strong drama side, there is also another one... There are many funny moments and memorable jokes, essentialy, because of José Wilker's character, Lorde Cigano (Gypsy Lord), who is the leader of the Caravana Rolidei group (like a mini circus). Wilker totally steals the attention with his charm, charisma and rascal way of being. By the way, this is a very common representation of Brazilians in Brazil and abroad, which is also a social issue and is probably an implicit critic by Cacá.

Everything about this film is well thought out, the plot and the screenplay, as I previously showed, the clothes and sets are very realistic (on location shooting) as well as the acting. I highlight, besides Wilker, Betty Faria, who created a very complex and interesting character.

Although the movie is a letter to Brazilians, I totally recommend this movie for foreigners. I think that, in this globalized 21st century world, we can understand a lot each other reality and comprehend messages like Diegues' one.

It shows a Brazil from the inside, a very touching film that we see the life choices of small mambembes style artists that circulate in their own network and alternative of presentations. A movie with our way and our little tricks, wonderful!

The filmmaker is the brilliant maceioense Cacá Diegues, made, among others, Xica da Silva in 1976, on slavery in Brazil. The protagonists are the experienced Jose Wilker (The Black Cover Man of 1980) and Beth Faria (For All: The Trampoline of Victory of 1997). There is also the young actor and cantr Fabio Junior.