Battle Beyond the Stars

BATTLE BEYOND THE STARS, Roger Corman's 'take' of the STAR WARS saga, is a film justly recognized as a cult classic. Shot in his new studio ("The paint was still wet," Corman has joked), in just five weeks, on a budget that would have paid for one of George Lucas' effects, the end result is proof that with the right talent, anything is possible!

A remarkable array of future industry giants participated in the creation of the film; the screenplay was co-written by John Sayles, whose breakthrough film as a maverick writer/director, RETURN OF THE SECAUCUS 7, would be released the same year...young model builder James Cameron impressed Corman so much that he was promoted to Art Director for the film, and it would be the first step in a career that led to TERMINATOR, ALIENS, and eventually, the most Oscar-honored film since BEN-HUR, TITANIC...James Horner, with only three prior film credits, gave Corman the STAR WARS-quality music he wanted, with an orchestra a fraction of the size of John Williams' London Philharmonic; Horner would eventually score two STAR TREK films, and a wide variety of other 'prestige' projects, culminating with two Oscars for TITANIC, and a place as one of America's finest film composers. BATTLE BEYOND THE STARS would have a 'look' and a 'sound' unlike any 'B'-movie ever made.

Based on Akira Kurosawa's THE SEVEN SAMURAI (which was also the source for the classic western, THE MAGNIFICENT SEVEN), Sayles tried to keep the film as faithful to the original as possible (a tiny, defenseless village hires warriors to defend them against a band of outlaws), even naming the beleaguered people the Akira, as a homage to the director. As warriors from different races ally to face down the nearly invincible forces of Sador (veteran actor John Saxon), Corman paid tribute to John Sturges' western, as well, casting Robert Vaughn in virtually the same role as he'd played in THE MAGNIFICENT SEVEN. Other terrific actors round out the cast; Richard Thomas, still appearing in 'The Waltons' at the time, played young Shad, the film's central character; George Peppard, who was about to achieve a MAJOR career resurgence with 'The A-Team', became boozy Earthman 'Cowboy'; 'B'-movie queen Sybil Danning portrayed Valkyrie-like Saint-Exmin; veteran TV and film 'tough guy' Morgan Woodward was wonderful, if unrecognizable as Cayman of the Lambda Zone; and Darlanne Fluegel, beginning a long career as a popular character actress, was cast as Shad's love, Nanelia. Corman then cast two long-time friends and Hollywood legends in cameo roles; Jeff Corey as blind Zed, who encourages the Akira to fight; and 89-year old Sam Jaffe as the robotics expert who introduces Shad to Nanelia.

A note about director Jimmy T. Murakami...a veteran animator, BATTLE BEYOND THE STARS marked his directorial debut, and he does an exceptionally good job, considering his budget restraints. After working on HUMANOIDS FROM THE DEEP, he married an Irish girl and settled in Europe, limiting his subsequent film career to an occasional project that interested him. Roger Corman's 'family' of filmmakers were NEVER dull...

While some of the FX are shaky, the overall production is very impressive, and holds up remarkably well, today. Roger Corman has called BATTLE BEYOND THE STARS one of his favorite films, and he has every right to be proud...the movie is a terrific SF adventure!

Now this is interesting. The movie is another producer's spin on Star Wars; Star Wars obviously being made by George Lucas. The name 'George Lucas' being synonymous with 'epic-scale effects budget.' Battle Beyond the Stars was produced by Roger Corman. The name 'Roger Corman' being synonymous with 'shoe-string budget.'

Let me break from my usual critique style to go over some of the plot - Sador (John Saxon) feels the need to conquer, and he's so powerful that he decides to conquer an essentially helpless (not to mention useless) civilization. But instead of conquering, he courteously shows up to conveniently schedule his conquest a week from now in case they want to mount some sort of defense. (Where's Arnold when you need him? 'I'll be back!')

In response, Shad takes a road trip (space trip?) in Nell the only ship on the planet to round up some misfits (mercenaries--same thing) who happen to be in the neighborhood. Everyone is interestingly (clichély) unique and has their own reasons for wanting to fight, not to mention the actors have a wide range of performances ranging from sliced ham to frighteningly Shakespearian seriousness. And, ah to hell with it, you get the idea. Point is, I have every reason to really hate the plot, hate the characters (Good God, I've hated characters for much much less), hate this movie . . . but I dunno, I don't really mind it.

Through all its narrative faults, Battle Beyond the Stars happens to hit the right goofball mixture of elements from a surprisingly good score by young 'Jamie Horner' to notably weird spaceships and decent effects (for an early 80s low-budget flick) to wacky and tame characters that somehow summons a funky B-movie charm. For the life of me, I can't hate this movie despite the plot that begs me to bash it to oblivion with the Stellar Converter.

The spaceship, Nell, proved to be the highpoint of the film . . . not because of the ship's design, rather because of its personality (no really.)

I've always wanted to see a spaceship with an attitude (the Star Trek equivalent of Kit from Knight Rider?) A perfect counterpoint to the naivety of Shad, flawlessly delivered by Richard Thomas. If I weren't constantly laughing at the characters cluelessness, I'd want to slap that kid around, and I'd sure as hell wouldn't want to charge him with saving my planet. I'd like to die with my dignity, thank you.

Battle Beyond the Stars has a number of positive attributes (especially considering the budget and experience of most people involved on the film at the time), it has a number of reasons to be proud, and it most definitely has a number of charms that surpass its truckload of flaws. I consider Battle Beyond the Stars the spending benchmark for all sci-fi flicks. I mean, if Corman can entertain me with Hollywood pocket change, Lucas, the Wachowskis, and the other heavy spenders better blow my socks off with their ungodly sized budgets . . .

Of all the post "Star Wars" films, this one is decidedly the best of its ilk. The dependable storyline, stalwart acting and sometimes humorous special effects (LOVE the female-designed spaceship!) all make for an entertaining film. For all the flak it has received (even getting a "Dog of the Week" label from Siskel and Ebert upon its initial release), it has for all intents and purposes kept itself in the memories of all who have seen it and is most definitely a fantasy that is worthy of seeing again and again.

I really enjoy these types of films. When they work it's because of their sheer flamboyance. They aren't afraid to steal from any source, EVERYTHING goes into the pot as long as it's got sparkle, splash, and action. This particular film works real well and I absolutely fell for it when I heard a phrase of music lifted directly from "Alexander Nevsky". It's pure, simple (repeat, simple) fun. The producers of "Battlefield Earth" could have learned something about making entertaining SF movies from repeated viewings of "Battle Beyond the Stars."

Let's pretend we've never heard of Roger Corman nor The Magnificent Seven etc.

As a kid, that was me. I heard about this movie through my friends, when I was about 9 or 10. To us, this was another great space epic, along the lines of Star Wars. It had good effects, plenty of laser blasts and bad guy with a massive ship that could destroy planets. Awesome!

Many years later, I bought this on DVD and, to my pleasant surprise, found that it hadn't aged too badly. The low budget is very apparent but the movie is slickly edited such that it perhaps feels richer that it should. This is however it's biggest drawback because the character development is poor in places and the stars play second-fiddle to the ships and the costumes they inhabit. Gelt and Space Cowboy are perhaps the most fleshed-out of the pack, the remainder either being weak or there to make up the numbers.

The true star of the show is James Horner. It's a great score and all the best moments of Star Trek 2 are audible here first.

It's an inventive film, even if the invention is mainly facsimile, and an entertaining one. In the archives of sci-fi, there's no contest between this and its obvious "raison d'être" influence, as to which film is the better, but it's a noteworthy addition from the same era, what I consider to be the golden-age of special effects.