Apocalypse domani

Vietnam vet Norman Hopper (John Saxon) has suddenly begun to relive the nightmare of war in his dreams. He receives a phone call from an old army friend, Charlie Buckowski, that he rescued in Nam, Buckowski and another man Tom Thompson had been found in a Viet Cong prison with a craving for human flesh and both had since been in a mental hospital for psychological analysis. Hopper turns down the offer of meeting his old mate as he is struggling with demons of his own, he believes his wife may be an adulteress, he is also attracted to the very young girl next door and more importantly he is stressed at his increasing craving for raw meat and blood. Buckowski goes on a shooting rampage and kills a few people and is locked up again, but then escapes along with Thompson and he urges Hopper to help them escape the city. Saxon a fluent Italian speaker and a veteran of many Italian films, jumped at the chance of working with the great Margheriti and was immediately impressed by the directors rapport with actors and his talent behind the camera, Saxon was also attracted by the seemingly novel idea that war might be spread by a virus, he was shocked though when during filming he suddenly realised that the virus was a cannibalistic one and he refused to be in any of the scenes containing such acts. For those who like the adventure aspect of a jungle set Cannibal film, this might disappoint slightly, except for a few flashbacks this is entirely set in Atlanta and plays more like a Nam Vet action film with some gore on the side. Still though, the characters are interesting and time is given to their development, Saxon impresses as the troubled Hopper, which is hardly surprising, but he may have been helped somewhat by his depression at the time, due primarily to financial problems he had after the break-up of his marriage. His fellow actors including John Morghen recount that he was rather aloof and distant and not much fun during filming. Margheriti was renowned for his period set Gothic costume dramas and Cannibal Apocalypse was a big change of style for him, gone are all his trademark stylings and in come the more appropriate washed out colours and a steely grey look of the city. The gore is for the most part pretty tame by genre standards but its still effective. The faux disco score was tacky as hell and at times seemed inappropriate to the visuals, but this is still a fun film, and is recommend to fans of the genre

Maybe the fact that this particular cannibal movie wasn't directed by one of the usual suspects (Lenzi, Deodato) is what makes it so tolerable. Saxon plays a soldier who goes back to some south Asian country to rescue his POW buddies. He doesn't seem too bothered by the fact that when he finds him, they're eating human flesh, or that one of them bites him, and infects him with some kind of cannibal virus. Fast forward a number of years, and Saxon is gettin a hankerin for some human meat. This all happens about the time that his buddies decide to break out the mental hospital they're in. It all ends up with Saxon and his buddies infecting a bunch of people, and running from the law in the sewers. Cannibal city, baby.

Radice getting his abdomen blown clean out with a shotgun is reason alone to watch this movie (if you can figure out how they did this effect, let me know). The rest is pretty standard, as far as movies go, but it is a lot better than most cannibal movies. At least it takes place in the city and not in some jungle. Worth a look, if you're a cannibal or John Saxon fan.

While on a mission to rescue two servicemen captured by the Viet Cong, "Captain Norman Hopper" (John Saxon) is bitten by one of these men when he attempts to pull him from the pit. Afterward both of the men are committed to a psychiatric hospital while Captain Hopper is allowed to return to civilian life. Unfortunately, it doesn't end there as one of the men named "Charlie Bukowski" (Giovanni Lombardo Radice) is temporarily released and not long afterward suddenly goes berserk which results in the deaths of at least two people. Then upon being returned to the psychiatric hospital he and the other serviceman by the name of "Tom Thompson" (Tony King) manage to escape along with a nurse named "Helen" (May Heatherly) who was bitten by one of them and shares the same craving for human flesh as they do. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this turned out to be a fairly decent type of "zombie film" even though it didn't necessarily fit the technical parameters for that particular sub-genre. The acting was decent and the plot moved along quite well. In any case, for what it's worth I liked the movie and I have rated it accordingly. Slightly above average.

Cannibals in the Streets occupies that peculiar middle ground where ambitious exploitation cinema meets budgetary reality, resulting in a film that's neither memorably trashy nor genuinely effective. This 1980 entry into Italy's zombie boom feels like a workmanlike effort from a director clearly more comfortable behind the camera than wrestling with coherent storytelling.

The film's greatest asset lies in its grimy urban atmosphere. Margheriti and his cinematographer capture a decaying cityscape that feels authentically post-apocalyptic, with shadowy alleyways and abandoned buildings providing a suitably oppressive backdrop. The practical effects, while uneven, occasionally achieve moments of genuine visceral impact - particularly in the film's more intimate attack sequences where close-quarters camera work heightens the claustrophobic terror.

John Saxon delivers a committed performance as the weary scientist, bringing gravitas to material that doesn't always deserve it. His weathered presence anchors scenes that might otherwise drift into unintentional comedy. Elizabeth Turner, as the resourceful journalist, demonstrates solid screen presence despite being saddled with dialogue that veers between exposition-heavy and laughably stilted.

Where "Cannibals in the Streets" stumbles is in its pacing and tonal consistency. Margheriti seems uncertain whether he's crafting a serious horror film or embracing the genre's more exploitative elements. This indecision results in sequences that feel disconnected, with momentum frequently grinding to a halt for unnecessary subplot diversions. The film's final act, while featuring some of its most intense moments, feels rushed and somewhat arbitrary in its resolution.

The score deserves particular mention for its effectively minimalist approach, using synthesized drones and sudden musical stings to create unease without overwhelming the sound design. However, some dubbing issues typical of the era occasionally pull viewers out of crucial dramatic moments.

Renting this movie I thought it would be the usual cannibal carnage only set in the city and it was but with a surprising difference it had a zombie type virus in it as well.Two of my favourite genre's in one and I thoroughly enjoyed it.Its about a group of vietnam vets who return to America with a cannibal virus and anyone they attack also become cannibals.It stars John Saxon,Tony King and Giovanni Lombardo Radice(my favourite actor)as the vietnam vets. I recommend this movie to any cannibal and/or zombie movie fan so check it out if you can find it.