Nine to Five

From the sparkling acting debut of Dolly Parton to the comic genius of Dabney Coleman 9 to 5 is one of the best acted comedies of the 1980s. Jane Fonda and the brilliant Lilly Tomlin round out the lead cast with hilarious performances in this screwball revenge comedies that was one of the first films to champion "girl power". Even the smaller characters like Marien Mercer (as Missy Hart)and Elizabeth Wilson (as office snitch/bitch Roz)get in good one liners and laughs. Rent this movie. No wait - BUY this movie. You can watch it again and again.

I'll take the blame for this: not only am I forty years late to the party, but I'd also underestimated the star power of Dolly Parton; a natural performer who's integral to the success of this movie. On its own, 9 to 5 is a decent comedy, led by the more-than-capable Lily Tomlin, but Parton infuses her scenes with a bubbly independence that really helps sell the feminist message. Dabney Coleman is the consummate company sleaze, the tinpot schemer helming this faceless conglomerate; ideal for the target of such a workplace revenge fantasy.

In less capable hands, this may have fallen flat. But I enjoyed myself and have a newfound (overdye) reverence for The Queen of Nashville.

While watching Nine To Five, I couldn't help but think about the Billy Wilder classic film, The Apartment. Part of the plot of that film was Fred MacMurray, a more polished version of Dabney Coleman from this film who also used his office and position of authority to behave like a real pig. I thought about poor Shirley MacLaine who tried to commit suicide and eventually found love with Jack Lemmon, but both faced an uncertain future albeit with each other.

Shirley and the other of MacMurray's victims should have seen this film and taken a lesson from Jane Fonda, Lily Tomlin, and Dolly Parton who start as strangers and end up as allies and who find a way to get even with Dabney Coleman for using and abusing his employees.

All three women are different, different in real life and playing different types of characters in the film and at the beginning not really liking each other because they don't know each other. Tomlin is the efficient office manger who makes Coleman look good because he takes credit for her work. Fonda is a new employee who had to go back to work because her husband left her. And the beautiful and curvaceous Parton is Coleman's secretary who Coleman is trying to jump her form and the folks in the office think he already has.

But eventually these women make common cause and what they do to Coleman is an inspiration to working women everywhere.

As good as these women are the film would go nowhere without Dabney Coleman who makes a specialty of playing men you love to hate whether in comedy or drama. He's as big a sexist pig as MacMurray and a whole lot funnier.

The supporting cast has some real interesting roles as well. Elizabeth Wilson plays the office snitch and anyone who has ever worked in an office you can count yourself lucky if there are only one of those in your place of work. And they don't have to necessarily be women. I also liked Marian Mercer as Coleman's completely clueless wife. And movie veteran Sterling Hayden comes on in the end as the chairman of the board of the company who in his own earnest, but clueless way settles all their problems.

To Dolly, Jane, and Lily who took action for put upon employees everywhere, we did love you in this film.

I can't help but think that if some of the folks churning out the bad-ass "girl power" nonsense of the naughties were to look back at films like this; they might see a clear demonstration of what real girl power actually is... Jane Fonda, Lily Tomlin and Dolly Parton are three working women at various stages of the corporate food chain - presided over by their womanising , parasitic boss Dabney Coleman. Initially suspicious of each other, they unite over some of Tomlin's teenage son's weed and decide to take matters into their own hands. What follows is at times a laugh-out-loud comedy as they manipulate and reek revenge on their hapless, helpless boss. It could never be called subtle, but it does illustrate clearly that wits and guile are more than enough to achieve their aims without the need for long fight scenes; flashing their flesh and/or continuous bad language. The title song isn't bad, ether...

"Nine To Five" is one of those classic 80s comedies which was what made the decade so fun as far as movies go. Jane Fonda plays Judy, a recently divorced housewife who lands a secretarial job at a corporate office. Lily Tomlin is Violet, the beleagured supervisor at the office who shows Judy the ropes on her disasterous first day. Dolly Parton is Doralee, a secretary whom everyone at the office thinks is using her - ahem - "assets" to get ahead by sleeping with the boss.

Soon these three become best friends and team up after they've gotten fed up with their chauvinistic and smarmy boss Mr. Hart, played to the hilt by Dabney Coleman. Sure, it does delve into zany corniness, such as the scene where they all get high on pot and share their fantasies about how each of them would like to knock off the boss (the funniest is Violet's "Snow White" coffee one, which uses cartoon animation and live action) or the scene where Violet thinks she accidentally poisoned Mr. Hart's coffee with rat poison and tries to steal his supposed dead corpse out of the hospital! This is the kind of movie where you check your brain at the door and take it for what it is.

There are some great one-liners like the one where Fonda tells her ex-husband, who thinks she's having a kinky S&M affair with Mr. Hart, something along the lines of, "If I want to do M&M's, that's fine with me!" The office they work in is reminiscent of the one in "The Apartment". Three very clever characters, great comedic acting from Parton as Doralee and Tomlin as Violet. Jane Fonda, who I never cared much for, was good as the naive Judy. Sterling Hayden has a great cameo at the end as the "Chairman of the Board". A funny revenge comedy about Every Office, U.S.A.. You gotta love the theme song, too. Most recommended!