Hammer House of Horror

This TV-series contains 13 episodes of 52 minutes, and all of them are worth to watch. Of course, not all stories are even, there are tops and flops. But all in all, there is no episode that is really bad.

First, the three weakest stories. The fourth episode, "Growing Pains", tells an interesting story about the ghost of a dead boy coming back from the grave to haunt his parents who haven't had enough time to look after him. But too slow paced and a tame ending make this episode rather a letdown. The ninth episode "Carpathian Eagle" boosts a very interesting serial killer story with a twist (and Pierce Brosnan in a small role as a victim), but it's also too slow paced and predictable towards the end. The weakest of all episodes is number ten, "Guardian of the Abyss". It's a not very original story about a Satan's cult, only the final twist is nice to watch.

But there are some exquisite horror stories in the series. For example, episode two, "The Thirteenth Reunion". It's a creepy story about a cannibalistic secret society, highly recommended. As is the sixth episode, "Charlie Boy", the goriest episode with the highest body count about an African voodoo fetish with deadly powers. Or the seventh, "The Silent Scream" starring Peter Cushing as an ex-concentration camp guard who makes a grueling experiment with an ex-convict. Psychologically very unnerving. "Visitor from the Grave", the eleventh episode, has also some creepy moments that are perfectly timed. But the most haunting story is the twelfth, "The Two Faces of Evil", which will make You shiver for quite a while. Atmospheric horror at its best.

The first episode, "Witching Time", starring Ian "Zombi 2" McCullogh, is mainly remarkable for being the only one with a happy-end. "Rude Awakening", the third, is the most (dark) humorous one with Denholm Elliott playing the lead role gleefully funny. The fifth episode "The House That Bled to Death" makes a seven year old girl suffer some really bad shocks, while episode eight, "Children of the Full Moon", tells a nice variation of the classic wolf man story. The final episode, "The Mark of Satan", is an interesting study of a man's paranoia and its unpleasant consequences.

For being a TV-series, the episodes boost surprisingly subversive and violent moments. They are mostly highly entertaining and creepy. Recommended to all who like to shiver while they're watching movies.

Could you believe that after so long, the Hammer Company could come back and release a show that had as much quality content as the original Twilight Zone? For those who have not seen this, the closest that I can come to describing this gems is to compare to the 1 hour episodes that Rod Serling put out. Even that doesn't do them justice.

There are thirteen episodes in all. The cover lists Peter Cushing, Denholm Eliot, and Pierce Brosnan, but there are stand-out performances by many more in each episode. Jon Finch (Hitchcock's Frenzy) starts off as director editing his film at home when a fierce storm draws near... From the first minute of the first episode, it is apparent that this series was something special. Good direction, tight casting, and fast paced stories are the norm. This is not to say that all will interest, and some have common themes to other episodes, but all are enjoyable. Picture a standard film, and cut out a half an hour of the excess, and you've got these.

Certainly worth the investment, these episodes can be collected in one box set, which is quite well done by A+E. Werewolves, demons, witches, voodoo dolls, and for good measure a demented Nazi can all be found within. Horror fans, and those who miss good television, should take a look at Hammer. I assure you, you will not be disappointed.

The last official 'Hammer horror' film - 'To The Devil A Daughter - was released in 1975. That seemed to be it. Five years later, this I.T.V. series appeared. Despite the title it was actually made by I.T.C. Entertainment ( 'Lew Grade's House Of Horror' didn't have the same ring, I suppose ). The thirteen episodes were a mixed bag, many relying on gore and nudity for their shock value, rather than well written stories. Easily the best was 'The Silent Scream' starring the late, great Peter Cushing. Great final shot! 'Witching Time' was pretty memorable too ( because Patricia Quinn and Prunella Gee both got their kit off ). But there was little of the essence of the movie series that had scared audiences for two decades. The strongest influence came from 'Thriller', an anthology made by A.T.V. in the early '70's. 'Guardian Of The Abyss' was the most Hammer-like episode, bearing a resemblance to 'The Devil Rides Out' ( 1968 ) based on the famous Dennis Wheatley novel.

Curiously enough, this is only Hammer's second foray into Wolf Man lore after THE CURSE OF THE WEREWOLF (1961); intriguingly, it's mixed here with a VILLAGE OF THE DAMNED (1960)-like brood of evil children – while the sinister procreation plot is a clear nod to ROSEMARY'S BABY (1968). An unsettling mood pervades this particular episode (helped by its central location, an English country-house situated deep into the woods) – even if, when finally glimpsed, the werewolf make-up is kind of goofy! The bewildered hero is played by Christopher Cazenove, his business partner by Hammer veteran Robert Urquhart, while Diana Dors is the deceptively genial housekeeper of the eerie mansion – who, apart from looking after the children by day, has the task of initiating the werewolf's female victims (the latest being Cazenove's wife) into their new 'role'. The final twist – concerning a woodsman Cazenove meets when he goes looking for his missing wife – is predictable, but nicely handled all the same. As has been the case with some other episodes in the series – which, I have to admit, has taken me by surprise overall – this presents a far more chilling, and subversive, concept (bestiality) than is usually associated with Hammer Films!

Hammer House Of Horror, with its Spinal Tap's 'Stonehenge' soundalike theme tune, casts of soon-to-be-famous actors and commendably nasty flair for nihilism and genuine nastiness slithered onto British television (on Saturday nights, too!) in 1980 and carved indelible scars in the collective subconscious of an entire generation. Sure, not all the episodes were up to the same standard, but the ones that worked - well, they were classics.

THE HOUSE THAT BLED TO DEATH is one of the most memorable episodes, and rightly so. I think this would have made a decent feature-length film. An apparently unsuspecting family moves into a house with a grim recent past and quickly realize that all is not as it should be. A series of horrible incidents (animal lovers should not even consider watching this episode) culminate in the notorious blood-soaked birthday party and the family moves away, but even that isn't the end of their problems. This episode has one of the most shocking and disturbing final scenes of the whole series and would make a nice companion piece to Romano Scavolini's NIGHTMARE (1981), released the following year. SILENT SCREAM is another excellent series entry, with Peter Cushing at his creepy best as a seemingly innocuous pet shop owner who turns out to be a former concentration camp guard with a penchant for unpleasant experiments involving "prisons without walls". The finale is extremely creepy and haunted my dreams for a long time when I was a child. THE TWO FACES OF EVIL goes all out to disturb, with creepy electronic music, claustrophobic camera angles, dopplegangers, nausea-inducing shocks and another troubling ending. It's the closest the series comes to straight horror for its own sake, and should NOT be watched alone!

After the excellent opening salvo of three brilliant episodes, the rest of the series can seem like a disappointment, but CHARLIE BOY, WITCHING HOUR, GROWING PAINS, THE MARK OF Satan and VISITOR FROM THE GRAVE are all fine stories (the latter boasting a completely wacko final scene that will have you muttering "what the hell was THAT?!"), RUDE AWAKENING is as bizarre as anything the late Dennis Potter ever came up with, THE CARPATHIAN EAGLE boasts the gorgeous Suzanne Danielle, THE THIRTEENTH REUNION is well-acted and macabre if a little predictable, and the remaining few episodes don't quite come off. Nonetheless, it's a pleasingly varied series that's consistently entertaining, and a reminder of a time when television treated adults like adults and had yet to dumb down to the levels of dreck like Freddy's Nightmares.