Winter Kills

Richert's film of Condon's novel is both provocative and funny, and a tribute to the remarkable creative talents of all involved when you become aware of the incredible events that complicated the completion of the production. The convoluted conspiracy premise is generally so well known to most American audiences that it can properly be relegated a back seat to the audacious set pieces and the constant flow of edgy, brilliantly mean-spirited dialogue. Bridges and Huston are flawless here, and their scenes together are amazing. A stunning satire and a bold and daring piece of filmmaking for it's time and for today, too! The special edition DVD is supplemented by a second disc enlightening the viewer on the troubled history of the production. The film received a brief and limited release, so this widescreen Panavision version is an extrememly welcome presentation.

Nick Kegan (Jeff Bridges) is the younger brother of the former US president, who was murdered in strange circumstances decades ago in unsolved circumstances. He is son of a wealthy man (John Huston) who has the power to make fortune and destroy careers. When a badly wounded man confesses to being the author of the assassination, providing irrefutable evidence, the truth about what happened ends up involving Nick in unprecedented danger. Later on, Nick is connected to John Cerruti (Anthony Perkins), the mastermind behind the Kegan empire. Nick is chauffeured to Pa Kegan's desert estate, where he is greeted by the Japanese butler, Keith (Toshirô Mifune). Along the way, Nick searching for the real assassin and stumbling across the bloodstained the tag of any similarity hardly stands up. Later that evening, Nick sees his emotionally unstable mother, Emma (Dorothy Malone), and is rebuked by his father for leaving the ship. They are the power !. Protected by violence and ruled by corruption !. The Rise and Fall of an American Dynasty !. From the author of The Manchurian Candidate !. In a world gone sane...we need a movie as wild and entertaining as Winter Kills !. Even in the best of families...Winter Kills. Nick Kegan's brother was the President of the United States. Nick is next in line... if he lives that long. Last week, even the maid tried to murder him...Something funny is happening in WInter Kills Take it seriously! . Who really killed our president? They own oil...banks...beautiful women...even presidents. One man will inherit it all. If he lives. Some people say he stole the presidency of the United States for his son. He claims he bought it, fair and square...

Distinctively black comedy suffers a hilariously paranoid adaptation of American public life, dealing with with a presidential assassination with clear connotations to that of Joseph F Kennedy. The interesting story of a man caught up in a situation he can't grasp, a situation with which the viewer might well sympathise . A young Jeff Bridges stars in this thriller, action and suspense film with hints of black comedy, along with other classic film stars. In the movie , a series of twists and turns occur with a succession of increasingly bizarre situations, scenarios and characters, resulting in a story of a complex conspiracy that ended the life of President Kegan, with a puzzle of various clues that eventually unfold. Interpretations are pretty good. Jeff Bridges as as the lost brother who has been drifting through life ever since his older sibling was assassinated 15 years early; John Huston as his eccentric father who wants to draw Nick back into the family by claiming a conspiracy; Anthony Perkins in a sinister and enigmatic character, and Elizabeth Taylor went unbilled , in for a brief wordless cameo role as a former movie star called Lola Comonte who served as procuresss for the late president . Other acting that achieves believable chracterisation are those of Eli Wallach, Sterling Hayden, Dorothy Malone, Tomas Milian, Belinda Bauer, Ralph Meeker, Toshiro Mifune, Richard Boone, David Spielberg, Brad Dexter, Joe Spinell, among others. Winter Kills(1979) is an adaptation of the novel of the same name by Richard Condon, mainly known for his works of political fiction. One of his most notable works is "The Manchurian Candidate." which was made into a big movie in 1962 and starred Sinatra, Laurence Harvey and Angela Lansbury, as well as ¨Prizzi's honor¨ directed by John Huston himself.

This motion picture with a helter-skelter narrative was unevenly directed by William Richert, but well worth watching. Richert's direction negotiates the plot's many pleasurably sharp bends with such skill that one emerges a little dazed, more than a littled amused, and nagged by a worrying sense that it could just all be true. Flopped at the boxoffice, but was re-edited with the original ending restored and re-released in 1983. William Richert was a bold, brash uncompromising figure in the tradition of Orson Welles and John Cassavetes; William Richert burst on to the Hollywood scene near the end of the storied 1970s, first as a screenwriter and then as director of the dazzling conspiracy opus Winter Kills. A critical triumph abandoned by its studio, the movie set the tone for Richert's career to come-a quartet of highly original, idiosyncratic American features that have maintained an almost clandestine existence, subject to poor distribution and myriad unauthorized versions, directing a few films, such as: A Dancer's Life (1972), The American Success Company (1979), A Night in the Life of Jimmy Reardon (1988) and The Face of Alexandre Dumas: The Man in the Iron Mask (1998).

Lamentably uneven film roughly paralleling the Kennedy killing. By the finish, it's hard to tell if the intent is to parody an assassination conspiracy or to offer up food for thought. Of course, the two can be combined, but if so, the results here are sloppy, more head-scratching than suggestive. Much time is spent with Nick (Bridges) chasing shadows, that amount to conspiracies behind conspiracies.

Okay, shadows can make for fascinating progression, not knowing who's involved and who isn't. This sense of dislocation was probably best conveyed in 1974's chilling The Parallax View. But here, such suggestive moments are undercut by exaggerations, such as the incredible shooting of the three men in the car, or the ragged development of who Yvette actually is. To me, the only explanation for the frequent piling on of events is that someone was reaching for an element of parody, despite the seemingly dead serious parts.

Now I can well understand why the production here wanted to raise questions about the Lone Assassin official theory. It certainly hasn't withstood the test of time, as even a few key frames of the Zapruder film show. Moreover, 1978's House Committee on Assassinations found upon reviewing the evidence that Kennedy "was probably assassinated as the result of a conspiracy". But then the whole matter was dropped without follow-up. Ironically, I can also understand why officials don't want to pursue the matter. After all, who knows where it might lead or what crises an honest investigation might produce.

Anyway, Bridges turns in a riveting and energetic turn as the beleaguered president's brother. If spoof was the movie's intent, Bridges should have been informed since he plays it absolutely straight throughout. Also, veteran director and actor Huston towers as the shady and mysterious patriarch of the clan. Note too, how many veteran Hollywood names settle for brief appearances in an independent production, even super-star Elizabeth Taylor. Perhaps they too were unhappy with the Warren Commission Report and wanted to help boost critics who were gathering steam at that time. Of course, the movie debunkings would culminate in 1991's JFK.

Though this 90-minutes has its moments, entertaining and suggestive, it's too uneven and inconsistent to really register as either parody or expose.

Winter Kills once was available on videotape; no longer. That's a pity because it's a stylish, fun-packed phantasmagoria about American power as expressed through American politics. (Since the source material was written by Richard Condon -- of Manchurian Candidate and Prizzi's Honor fame -- the points are not subtle; merely irresistible.) Based loosely on the Kennedy saga (as what isn't these days: look at Dominick Dunne's oeuvre), the film casts Jeff Bridges, at his most young and vital, as the baby brother of a slain president. Trying to track down clues to the assassination, he embarks on one of those labyrinthine quests undertaken by the likes of the poisoned protagonist in D.O.A. or Mike Hammer in Kiss Me Deadly. Of course, the clues boomerang back, leading him into the viperish nest of his own family, especially his father, a randy old psycho played to the hilt by John Huston. But even this filthy rich patriarch doesn't work the strings anymore; they've gone corporate, become systemic, and are pulled by a bland bureaucrat played by Anthony Perkins. This movie is a mad midway ride, overflowing with cameos that pop up like death's-heads in the funhouse. Watch for Liz Taylor, as a fabled madame, silently mouthing a profanity.

"Winter Kills" is based on a novel by Richard Condon ("The Manchurian Candidate") about a man who confesses to having killed the President on his death bed. The President's brother (Jeff Bridges) witnesses the confession and stumbles upon a conspiracy plot involving more murder and silencing.

This movie somehow slipped under the radar years ago. Whereas "Manchurian Candidate" got the attention it rightfully deserved, "Winter Kills" was killed by its controversy and production faults.

It was allegedly filmed in 1975 and only released in 1979, although I can't find any evidence to back this up. What I do know is that it was given an X rating in the UK, and when a movie in the UK gets an X rating, you know something's wrong.

I'm not sure why it received such a harsh rating but evidently that had something to do with its box office failure. I suppose its themes (clear allusion to the JFK assassination) were too heavy - not to mention the violence was rather explicit.

Seen today, this movie is an underrated gem. John Huston delivers a great performance as Bridges' father, while Bridges is equally great. The music in the film is eerie and tense - without it, I doubt the film would be quite as good as it is.

It was directed by William Richert (who played the gay Bob Pigeon in "My Own Private Idaho") and he does a fine job. The movie builds its suspense well; the only segment I didn't like too much was when Bridges goes to visit his father for the first time. I felt it went on too long and was out of place.

Other than that, this is a very good film and a sadly underrated conspiracy theory movie that never got its chance to make a mark.