वॉरियर्स

Several scenes alone are worth the price of admission. What a burst of visual imagination assembling New York's gangs in a single place with an elevated Cyrus presiding at the center. It's a great piece of staging as the camera pans over the throngs of cheering youth decked out in their gang colors, enough to give the cops and everyone else the terminal shudders. Then again, how much worse would they be running the city than the gang of white-collar billionaires usually in charge. I sympathize with Swan when he surveys his dilapidated home turf saying it's a heck-uv-a place to have to return to. Seems to me he's got at least as much class as any New York politician. It's not the gangs that give rise to gangs, it's the people in charge who create the hopeless conditions.

Great color photography as Swan and the Warriors repeat an ancient Greek legend by battling their way home across miles of hostile territory. I like the realistic way macho insults are used to shame the reluctant into aggressive tactics—much the way the army does. Then again, boys will be boys, ready for a little side action, even when it's not the smart thing to do as several of the troops find out. The combat scenes may not be very realistic, but they are well choreographed. Another bit of clever staging-- the Rogues (I think) standing outside the Men's Room stalls and you know something's going to happen, but what? Then it's blitzkrieg with some slick choreography.

Smart bit of scripting to insert the two upper-class couples into the subway across from Swan and his cheap-looking girl (Mercy). It's a clash of classes, like the city itself. Notice Swan's hard-eyed stare and how he keeps Mercy from primping herself to look more presentable to their social betters. Swan knows the score. It's all about dignity, no matter where you come from or how you look. And despite all the fighting, I think that's what the movie's really about—dignity among the city's social rejects, how to get it and how to keep it. That way you know that even if you never get beyond your home turf, you still qualify at a basic level. That's also why at movie's end, we know Swan will never reach a place like the mayor's office. But that's okay because they know and we know-- he and his men do qualify. Good flick.

Just a couple of points to add to the general accolades above:

Here in England the BBC have twice shown a version of The Warriors with a prologue scene, edited from the released movie but restored to a point prior to the opening 'Wonder Wheel' shot. It shows Cleon (an otherwise very underused character), sitting on the Boardwalk in the late afternoon sunshine waiting for his eight footsoldiers to show, while his girlfriend pleads with him not to go to the Bronx. When the others arrive and line up he designates their roles, including the "Swan: War chief and second in command" alluded to later in the movie. Ajax gives an early sign of his belligerent nature, voicing his disapproval with bringing a boombox-guy and a graffiti-artist: "They'll only slow us down", but seems happy to be labelled as "Heavy Muscle" along with Cochise. Much of the dialogue from this scene is re-used in the credit-sequence, with the shots of Coney and the gathering forces intercut with short interchange between Warriors. However, the prologue scene ends unforgettably with a crane-shot of the nine striding up the Boardwalk and into the distance, casting long shadows on the decking and with Cleon's girlfriend trailing in their wake. Over this, a slow sixties surf-tune booms out as the waves wash against the shore. Bloody wonderful.

Unfortunately I have never found a store-bought version which includes this material - DVD community, do you know?

Another thing I heard was that the original idea was that the movie was set "Sometime In The Near Future", but Walter Hill dropped the idea of having a caption stating as much at the start of the film. This explains some of the discrepancies with the actual New York gangland, being more about delinquent youth and 'Colours' than Organised Crime syndicates and shiny suits.

Third - a fantastic action movie full of colour, vim and attitude, but which also never fails to break my heart every time I watch it. There are a couple of scenes like this - mostly Deborah Van Valkenburgh's - but the main one is with Swan and Mercy on the Subway as the High School 'Preppies' complete with ruffled shirts and massive lapels sit down opposite, their laughter and smiles soon fading as the contrast becomes blindingly obvious to them as well as us. Walter Hill plays this scene perfectly: with no dialogue as such, and with Swan and Mercy not even looking at each other as he takes her hand from her hair and places it firmly by her side. Och, goosebumps even thinking about it!

Finally, having also read the original 'Anabasis' (I had to) when I was studying Ancient Civilisations of the Med at University, as a piece of pure drama The Warriors could shove a bat up it's ass and turn it into a Popsicle. Can You Dig It?!

This is not my kind of movie ,but "the warriors" sustained my interest till the very end.The characters are not very interesting but the sensational use of night landscapes is absolutely mind-boggling,with those desert streets,those saving subway stations and those parks where it's dangerous to venture after dark ,as Simon and Garfunkel sing.More than the retreat of the 10,000 after Cyrus 's death,the long trip back to Coney Island makes me think of an Odyssey in miniature ,with its descent into Hell (the subway tunnel),its mermaids (the girls who invite the warriors) and its Circe (the woman in the park). The DJ ( we only see her lips) provides the antique chorus and gives the movie an eerie touch.Recommended

Interesting, action-filled, gang-drama.

A delegation from a gang, the Warriors, goes to a meeting of all the major gangs in New York. The convener of the meeting, Cyrus, wants to unite all the gangs into one huge crime army. However, he is shot and killed by a disgruntled gang member and the Warriors are blamed. Now they have to fight their way home...

Regarded as a bit of cult classic, the Warriors isn't brilliant, but it is quite entertaining. Decent plot - though some of the traps and twists can be spotted a mile off - and good action scenes.

Performances aren't bad - the machismo, swagger and, to an extent, overacting are laid on thick but this suits the characters and movie.

I was working in a movie theater when The Warriors first came out, and remember well the flick and the hype surrounding it. Here's a few notes to clear up some misconceptions that many other commentors seem to have.

The flick was NOT ever intended to be an accurate portrayal of New York gang life, although there were some realistic elements. At the time it was generally accepted that it took place in the future, although nothing in the movie supports this. At best it can be considered an urban fable that takes place in a sort-of-imaginary world. You know, like Pulp Fiction (you think 90s LA gangsters dressed like that??).

Second, the film itself was not accused of inciting violence. Problem was, it was a VERY popular film with gang members, who would show up in force. Two rival gangs would show up at the same theater, and... you can figure the rest out yourself. One guy was killed on the first weekend the movie was playing in New York; after that, the distributor hired off-duty police for security at every theater across the country that showed the flick. In the small-town Midwest where I lived, this served more as advertising hype than anything else.

Finally, it was widely known back in the day that The Warriors was based on the ancient Greek nonfiction tale Anabasis, written around 370 BC by the Spartan general Xenophon (it's also published under the title The Persian Expedition). In this classic tale, a battalion of 10,000 Spartan mercenaries join the Persian emperor Cyrus for a war in Asia Minor (i.e. Turkey). Cyrus's army is defeated, the Spartan leaders are captured, and the remaining force must make their way across country, fighting various hostile tribes along the way, experiencing their own internal power struggles, until they reach the safety of the sea. I'm shocked that only one reviewer seemed to be familiar with this; in the 70s almost nobody talked about the movie without mentioning it.

Great flick, by the way, and it holds up extremely well over time. I'm sure the remake will suck.