वॉरियर्स

This is not my kind of movie ,but "the warriors" sustained my interest till the very end.The characters are not very interesting but the sensational use of night landscapes is absolutely mind-boggling,with those desert streets,those saving subway stations and those parks where it's dangerous to venture after dark ,as Simon and Garfunkel sing.More than the retreat of the 10,000 after Cyrus 's death,the long trip back to Coney Island makes me think of an Odyssey in miniature ,with its descent into Hell (the subway tunnel),its mermaids (the girls who invite the warriors) and its Circe (the woman in the park). The DJ ( we only see her lips) provides the antique chorus and gives the movie an eerie touch.Recommended

I just finished watching The Warriors again and it always brings me back to that time. A time where you relied on friends and a brotherhood to keep you safe. A time where we took care of our own. I was born in Brooklyn and I remember going to the theater in Williamsburg with my older cousin to see this movie. Back then they had double features. We stayed and watched The Warriors for the second time. To me it is a simple movie of survival against all odds with no one but your brothers watching your back. Even the crime syndicate had rat's snitching on each other back then. Look at the end of the movie and see how the Rouges reacted even when faced with their destiny. They all stuck together. This is by far one of the best films of that era. And still today on DVD it is as fresh as the day it was released. I even turned my best friends wife into a fan. I truly believe this movie can reach all types of people. Kudos to the writers and producers and actors and everyone involved in this film.

Interesting, action-filled, gang-drama.

A delegation from a gang, the Warriors, goes to a meeting of all the major gangs in New York. The convener of the meeting, Cyrus, wants to unite all the gangs into one huge crime army. However, he is shot and killed by a disgruntled gang member and the Warriors are blamed. Now they have to fight their way home...

Regarded as a bit of cult classic, the Warriors isn't brilliant, but it is quite entertaining. Decent plot - though some of the traps and twists can be spotted a mile off - and good action scenes.

Performances aren't bad - the machismo, swagger and, to an extent, overacting are laid on thick but this suits the characters and movie.

"Listen boppers", this is a great gang flick that has a small crew chased down by every gang in NYC after they are wrongly accused of killing Cyrus (the local crime boss) at the Bronx Zoo. The Warriors have to make it from the Upper Bronx to Coney Island with every gang in town trying their own unique ways of knocking them off. Baseball mimes, Roller Skating posses, chick gangs, and of course, the "Riffs" do their darnedest to knock off the resilient Coney Island gang before they can make it back to their stomping ground. A local radio announcer (the woman from "Where in the World is Carmen San Deigo?") narrates their progress downtown, tipping off rivals and setting up further confrontation. A great movies for all ages.

Explaining what makes "The Warriors" a good movie and one that is so enjoyable to watch is simple. It's the style.

The style announces itself loudly in the opening scene/credit sequence. Each credit appears in the custom text style then recedes into the depth of the screen like a departing train disappearing down a tunnel. Characters engage in excited exchanges about a deity-like leader, Cyrus, who commands the city's most powerful gang, the Grammercy Riffs.

Everyone is heading to see him deliver a speech. And, boy, what a speech it is. He captivates the crowd of thousands by using his striking charisma and booming baritone.

Then the gathering is abruptly interrupted by an act of violence for which the Warriors are falsely blamed. Acting on this inaccurate information, all gangs seek to capture and/or kill the Warriors. Now the Warriors must brave the dangerous streets on a 28-mile journey to safety.

Queue the action sequences. We see a lot of fights and running. A LOT of running. It's all delightful and stylish.

Director Walter Hill boldly leaves his fingerprints everywhere, shaping the aesthetic and creating something unusually special.

He creates a world of gang warfare that has undertones steeped in reality, but none of the characters of the world they inhabit ever feel real. The movie much more closely resembles a comic book. At times this is played subtly, and in other scenes Hill makes this readily apparent by pausing certain frames on screen to make them look like boxes from a comic book.

Dialogue continues the comic book theme. Characters say strange things that no one in real life would ever utter. The camera even moves in an unnatural manner. The action sequences contain exquisite energy, yet they feel completely rehearsed. Viewers are constantly fed reminders that they are watching a movie. It's never meant to be a realistic experience.

None of that is to say that this movie isn't enjoyable or that it is poorly made. It's purely a stylistic choice that Hill makes, and it's an overtly intentional one.

Within the first few minutes, you will have a pretty good sense if this movie is for you. If you like the vibe early, you'll enjoy the movie. At the very least, this one is worth a shot.