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Tess

  • 1979
  • U
  • 3 घं 6 मि
IMDb रेटिंग
7.3/10
19 हज़ार
आपकी रेटिंग
Tess (1979)
Official Trailer देखें
trailer प्ले करें2:29
8 वीडियो
99+ फ़ोटो
दुःखद रोमांसपीरियड ड्रामाड्रामारोमांस

एक मजबूत इरादों वाली युवा किसान लड़की दो पुरुषों के स्नेह को आकर्षित करती है.एक मजबूत इरादों वाली युवा किसान लड़की दो पुरुषों के स्नेह को आकर्षित करती है.एक मजबूत इरादों वाली युवा किसान लड़की दो पुरुषों के स्नेह को आकर्षित करती है.

  • निर्देशक
    • Roman Polanski
  • लेखक
    • Thomas Hardy
    • Gérard Brach
    • Roman Polanski
  • स्टार
    • Nastassja Kinski
    • Peter Firth
    • Leigh Lawson
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    19 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Roman Polanski
    • लेखक
      • Thomas Hardy
      • Gérard Brach
      • Roman Polanski
    • स्टार
      • Nastassja Kinski
      • Peter Firth
      • Leigh Lawson
    • 109यूज़र समीक्षाएं
    • 75आलोचक समीक्षाएं
    • 82मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 3 ऑस्कर जीते
      • 16 जीत और कुल 17 नामांकन

    वीडियो8

    Official Trailer
    Trailer 2:29
    Official Trailer
    Tess: Offering Help (French Subtitled)
    Clip 2:07
    Tess: Offering Help (French Subtitled)
    Tess: Offering Help (French Subtitled)
    Clip 2:07
    Tess: Offering Help (French Subtitled)
    Tess: Apology (French Subtitled)
    Clip 3:43
    Tess: Apology (French Subtitled)
    Tess: We Bore A Child (French Subtitled)
    Clip 2:22
    Tess: We Bore A Child (French Subtitled)
    Tess: You Look Like Cats Afraid Of Water (French Subtitled)
    Clip 2:23
    Tess: You Look Like Cats Afraid Of Water (French Subtitled)
    Tess: Don't Be So Coy (English Dubbed)
    Clip 3:45
    Tess: Don't Be So Coy (English Dubbed)

    फ़ोटो166

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    + 159
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    टॉप कलाकार47

    बदलाव करें
    Nastassja Kinski
    Nastassja Kinski
    • Tess
    • (as Nastassia Kinski)
    Peter Firth
    Peter Firth
    • Angel Clare
    Leigh Lawson
    Leigh Lawson
    • Alec d'Urberville
    John Collin
    John Collin
    • John Durbeyfield
    Tony Church
    • Parson Tringham
    Brigid Erin Bates
    • Girl in Meadow
    Jeanne Biras
    • Girl in Meadow
    John Bett
    • Felix Clare
    Tom Chadbon
    Tom Chadbon
    • Cuthbert Clare
    Rosemary Martin
    Rosemary Martin
    • Mrs Durbeyfield
    Geraldine Arzul
    • Child
    Stephanie Treille
    • Child
    Elodie Warnod
    • Child
    Ben Reeks
    • Child
    Lesley Dunlop
    Lesley Dunlop
    • Girl in Henhouse
    Maryline Even
    • Girl in Henhouse
    Jean-Jacques Daubin
    • Bailiff
    Sylvia Coleridge
    Sylvia Coleridge
    • Mrs d'Urberville
    • निर्देशक
      • Roman Polanski
    • लेखक
      • Thomas Hardy
      • Gérard Brach
      • Roman Polanski
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं109

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    फ़ीचर्ड समीक्षाएं

    10Galina_movie_fan

    Tess of the d'Urbervilles: A Pure Woman Faithfully Presented

    Roman Polanski's film Tess, (1979) adaptation of Thomas Hardy famous novel of the 19th century "Tess of the D'Urbervilles" , won many prestigious awards, including three Oscars of six nominations and every award for Best Cinematography it was nominated for. If any film deserves recognition for its beautiful, lyrical, sensual yet melancholic and poetic visual presentation, "Tess" is it. The movie might be Roman Polanski's finest achievement, and this statement comes from a viewer who is in love with all Polanski's films starting with his debut "Knife in the Water". "Tess" is one of the best adaptations of the classic novel I've seen and it lives, breathes and moves freely. It never rushes to tell its long story but tells it with rare finesse, compassion, and love for the heroine, a gentle creature who had been insulted, humiliated, and ultimately destroyed.

    The success of the movie starts with the choice of the actress for the title role. Tess as played by 20 years old Nasstassia Kisnki is beautiful, sensual, shy and full of life and hope for love. The life of Tess unfolds in front of us from her teenage years as an innocent country girl until the powerfully tragic final scene at the magnificent Stonehenge. The film is almost three hours long but I never was bored, on the contrary, I felt compassion for the girl and anger toward the men that used and corrupted her, ruined her hopes for love and happiness, and toward the society that mercifully discarded of her. Tess is one of the best movies I've seen. It is stunning, subtle, emotional, tragic, and unforgettable.
    8Steffi_P

    "Members of the suffering body"

    Considering that the cultures of nineteenth century Europe were supposedly so rigidly moralist, it is perhaps surprising that many of the great novels from that era are themselves attacks upon the rigidity. Or perhaps that is only the ones we remember, the ones that have survived as classics. After all, it is easier for a contemporary reader to imagine being stifled by or fighting against such strict order than to be comfortable and complicit in it. And these are the novels that have made the most powerful and enduring adaptations to our contemporary medium of cinema.

    Surely the most outstanding thing about this adaptation of Thomas Hardy's Tess of the d'Urbervilles is its magnificent appearance. The cinematography or Geoffrey Unsworth and Ghislain Cloquet is breathtakingly beautiful, at times referencing various paintings of rural England, with some incredibly natural looking twilight scenes. The art direction and costume design is fabulous too, echoing the tones and textures of the countryside. The design follows such a tight colour scheme, beginning with a motley of off-whites, giving way to greys and browns in the latter half of the picture, and finally a deep crimson. And yet it all looks so natural and unforced.

    Director Roman Polanski makes this a rich canvas for his camera. As usual his emphasis is upon confinement, often framing people so the tops of heads are cut off, making the image look short rather than wide. And yet this is a picture very much of the outdoors. Polanski shoots the interiors with briefer shots, more frequent camera moves and many close-ups, and as such the indoor spaces seem the most transient and indistinct, which really helps us get a sense of Tess's feeling of not belonging. Throughout the picture the director encourages slowness, stillness and long takes for key scenes, which brings out the best in the acting performances.

    German-born Nastassja Kinski at first seems like an odd choice to play the titular Dorset lass. Her attempt at the accent is a bit wobbly at best (although still impressive considering she is not even English), but really her performance is about more than that. She has that peculiar quiet delicacy that the character requires, and just below the surface of her performance lurk all those suppressed emotions, just visible enough that we believe her final actions. The only other standout is Peter Firth. It works very well the way he appears so mature and manly in his earliest appearances, and then when his feelings towards Tess change, he becomes like a spoiled child. Above all, both performances are calm and subdued.

    And subdued calmness is what really marks this movie. Voices are barely distinct. The Philip Sarde music score, containing just a hint of Elgar and Vaughn Williams, is as rich and beautiful as the imagery. It is this non-verbal eloquence that prevents Tess from becoming dull or stilted. The adaptation barely communicates directly with its audience, with no explanatory narration and overt exposition. We are left to infer much, such as the baby which suddenly appears without us even having been aware of the pregnancy. The picture has all the subtlety of a good silent movie, giving us its thoughts and feelings through the purity of its images, and as such very much removed from the word-based format of a novel. And yet Tess retains all the power and meaning as a piece of storytelling.
    Chrysanthepop

    She's Sleeping. Just A Little Longer

    Polanski's 'Tess' is rich with images and poetry. To start with, the director really does make use of the countryside and life in the country during the late 1800s. Those themes are presented as characters themselves. And, coupled with the fitting score it gives a feel of what the time may have been like. Along with some fine cinematography, many of the shots linger on the beautiful and yet sad countryside.

    The pacing is exceptionally well maintained. 'Tess' is longer than the traditional 100 minute flick but not for a moment does it feel as though it's lagging or dragging in pace.

    Another strength of the film is its subtlety. For example, to the director's credit, there's an outstanding sequence of how murder is implied just with a few drops of blood. Even the finally sequence (beautifully done) implies Tess's fate (before the epilogue clarifies it). 'Tess' touches on some heavy themes such as sexism, poverty and betrayal but it doesn't preach about them. Rather it tells the story of a strong-willed, devoted and kind woman who was faulted for being beautiful.

    Moreover, the characters are brilliantly layered. The screenplay has safely avoided caricatures). A very young Nastassja Kinski is incredible in one of her early roles. Her restrained performance and gestural expressions are remarkable. Peter Firth does a fine job too. They are supported by very good performers.

    This is easily one of Polanski's finest: his most subtle and poetic films. A treat to watch.
    8lotus07

    Polanski's Period Piece

    SYNOPSIS A poor girl in late 1800s England is used and abused in her search for love, affection and devotion.

    CONCEPT IN RELATION TO THE VIEWER True love is an allusive thing and the rules and morals of an upper class society makes some men into real jerks. Sometimes following your heart can be a difficult road with a lot of dead ends and pitfalls.

    PROS AND CONS I watched this film back in college when it first came out. I was a fan of Roman Polanski's work and this was his first film after 'Chinatown', which is one of my all time favorites. I recall that this was a long (almost 3 hours) film that was very slow and beautifully shot. Since I was more interested in car chases and explosion in my youth, I didn't recall this as being a very good film.

    Since age tempers a lot of our youthful interests, the second viewing of this film was a much different experience. This is a slow film but it has to be. Life was much methodical and personal in the rural countryside of Victorian England. The script and acting are very intimate and you really get to know the characters as the story unfolds on the screen. The subtle tone of this film is amazing and the level of detail actually makes you believe you are in 1890s England.

    The two lead characters played by Nastassja Kinski (Tess) and Peter Firth (Angel) do an exceptional job. Kinski's character is extremely shy and withdrawn. Firth is also engaging in his subtle portrayal of a preachers son trying to find the meaning of life. It is obvious from watching the film that Polanski was infatuated with Nastassja Kinski. He lingers on her in many shots and for good reason. She portrays the perfect heroine, virginal, pure and very beautiful.

    The cinematography in this film is even more beautiful the second time around. The surreal scene of a fox hunt emerging from the mist in front of Tess as she walks down a deserted country road is mesmerizing on several levels. The end scene at Stonehenge with the rising sun casting long shadows as the final credits roll is truly breathtaking. There are countless other scenes like this that give the film and almost dreamlike quality.

    In the end the viewer feel sorry for Tess as she is led away. She is more a victim of circumstance and the callousness of others than of her own doing. But the world of rural Victorian England was not a nice place, especially if you were poor, naive and very beautiful.
    nwakego

    a reflection on fate

    This has been my favourite movie since I first saw it in the late 1980s, and I have viewed it probably once a year since that time. My videotape copy was fading and failing, so I was lucky to replace it recently with the Japanese DVD version.

    When you compare it to other films made in 1979, it is amazing how little it has "aged". Of course, it is an historical drama, with a "timeless" setting. And yet the cinematography is so assuredly wonderful that the movie is almost as if set in amber.

    Many have commented on the score, and it is a pity that this is no longer in issue. Still, there seem to be enough people like myself who are fans of this film, perhaps there is enough of an interest?

    While the A and E version was an above-average production, I think Polanski's beats it on almost any characteristic. Polanski's film is a series of tableaux, very few of which do not work well. (One that I find a little bit stupid is the scene where Tess sleeps out in the forest and the deer comes to visit her. Gimme a break!). There are many scenes which, if left in still, look like 19th century portraiture, a la Mary Cassatt or Edgar Degas. The scene where the pedlar comes across Tess at the Crescent Hand! This guy has just stepped out of another century. This is a stunningly visual movie, and perhaps the reason it is so easy to watch time and time again. The dialogue, too, full of the cadences of West Country speech (still there, but disappearing) are an evocation of a lost age. These are hinted at in the scenes showing the modernization of England (the train bringing the milk to market, the threshing machine) which is changing their lives. Tess, and her aristocratic background, are an anachronism, particularly compared with the worldly (and successful) Stokes.

    I enjoy the rhythm of the movie, which is rural and slow. Time is marked in slow and languid drips, such as we see with the milk at the dairy farm, and finally with the blood at the boarding house. This is classic story-telling, replete with foreshadowing (particularly Tess' temper and pride). What I enjoyed most is the symmetry of the story-telling, which make it more myth-like, particularly the juxtaposition of the two opening and closing scenes (the dancing of the village girls at sunset, and Stonehenge--which legend has as a circle of giants dancing and frozen by Merlin--at daybreak). Other examples are Alec Durberville's "saving" Tess from a fight with her "rival" and Angel choosing Tess over her rivals on the flooded road.

    As you can see, Tess is a movie that replays itself in my mind. Polanski's effort reflects on what I think is one of the greatest 19th century English novels (in my mind, rivaled only by "Middlemarch"), and is a great springboard to further consideration of art and life.

    संबंधित रुचियां

    Heath Ledger and Jake Gyllenhaal in Brokeback Mountain (2005)
    दुःखद रोमांस
    Emma Watson, Saoirse Ronan, Florence Pugh, and Eliza Scanlen in Little Women (2019)
    पीरियड ड्रामा
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    ड्रामा
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    रोमांस

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film's opening dedication at the start of the film states: "For Sharon". Roman Polanski dedicated this movie to his late wife, Sharon Tate, who was killed in 1969 by the Manson Clan. Before Tate's death, she had read the film's source novel by Thomas Hardy and was convinced that her husband would one day make a great film based on the novel, with the hope that she would star in it. Movie was released to the theaters exactly 10 years after her untimely death.
    • गूफ़
      At the beginning of the final sequence, set at Stonehenge, someone's head can be seen at bottom-left.
    • भाव

      Tess: There are no stars tonight. Perhaps we could have made our souls take flight together.

    • इसके अलावा अन्य वर्जन
      The film was first released to German cinemas uncut with a running time of 184 minutes. As the audience reaction was far from overwhelming the distributor decided to re-cut and re-release the film in a more "accessible" 134 minutes version. But at least one of the original prints had survived and was shown here at the local art house years later.
    • कनेक्शन
      Featured in The 38th Annual Golden Globe Awards (1981)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is Tess?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 31 अक्टूबर 1979 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • फ़्रांस
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Cô Gái Đức Hạnh
    • फ़िल्माने की जगहें
      • Locronan, Finistère, फ़्रांस
    • उत्पादन कंपनियां
      • Renn Productions
      • Timothy Burrill Productions
      • Société Française de Production (SFP)
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    बॉक्स ऑफ़िस

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    • बजट
      • $1,20,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,00,93,330
    • दुनिया भर में सकल
      • $2,01,01,247
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 3 घं 6 मि(186 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 2.35 : 1

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