डोरोथी, एक रहस्यमय लड़की द्वारा एक मनोरोग से बचाए जाने के बाद, किसी न किसी तरह से ओज़ को वापस बुलाया जाता है जब एक व्यर्थ चुड़ैल और नोम राजा वो सब कुछ नष्ट कर देता है जो जादुई भूमि को सुंदर ... सभी पढ़ेंडोरोथी, एक रहस्यमय लड़की द्वारा एक मनोरोग से बचाए जाने के बाद, किसी न किसी तरह से ओज़ को वापस बुलाया जाता है जब एक व्यर्थ चुड़ैल और नोम राजा वो सब कुछ नष्ट कर देता है जो जादुई भूमि को सुंदर बनाता है.डोरोथी, एक रहस्यमय लड़की द्वारा एक मनोरोग से बचाए जाने के बाद, किसी न किसी तरह से ओज़ को वापस बुलाया जाता है जब एक व्यर्थ चुड़ैल और नोम राजा वो सब कुछ नष्ट कर देता है जो जादुई भूमि को सुंदर बनाता है.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 6 कुल नामांकन
Sean Barrett
- Tik-Tok
- (वॉइस)
Denise Bryer
- Billina
- (वॉइस)
Stewart Harvey-Wilson
- Jack Pumpkinhead
- (as Stewart Larange)
Lyle Conway
- Gump
- (वॉइस)
Stephen Norrington
- Gump
- (as Steve Norrington)
फ़ीचर्ड समीक्षाएं
Return To Oz was the first horror film i ever saw, and i love it today just as much as i did when i was 5. yes, i do believe Return To Oz is a horror, but one that children should see. it is horror just as the brothers Grim are horror. it is horror because everything in the eyes of a child can be very frightening. and yes, i do believe this horror is better than The Wizard of Oz, despite what all my contempories might believe. as a kid, i could not get over the fact the Judy Garland was too old, that they would not stop singing and dancing. come on, this was my childhood, i needed a good rush, not a bunch of eye-candy and disturbing munchkin voices. little dorothy walking down a corridor of decapitated head in ornate display cases, afraid that she might wake them, that the decapitated body would come in search of her in her terrifying gothic splendor-this moment has stayed with me, has always frightened me, but i'm glad that i experienced it, it is healthy for a child to be afraid, humility is something everyone needs to embrace, and this film with its lush terror and build up to a phenomenal climax as apocolyptic as anything today still inspires me toward something the silly set pieces and hammy emotion of Wizard of Oz, cannot do. Return to Oz is a lost masterpiece, terrifying, energetic, creative, and wonderful.
There have been many people since this film came out who have tried to compare it to The Wizard of Oz. I don't think you can compare the two films and neither film is better than the other. They're both fantastic.
This is an enjoyable movie which can be enjoyed time and time again. Dorothy returns to Oz and teams up with Tik-Tok (a robot), Jack Pumpkinhead (a pumpkin man obviously) and the Gump (don't ask)to battle the evil Nome King and Princess Mombi. There's plenty of fun throughout as Dorothy and friends battle the likes of the wheelies and all manner of creatures.
The finale is perhaps one of the best ever for a fantasy film. Yes, it really is that good as Dorothy and friends meet up with the Scarecrow and battle the evil Nome King and Princess Mombi.
The original Wizard Of Oz was a timeless classic still talked about today. It is no exaggeration to call Return To Oz a classic movie either.
This is an enjoyable movie which can be enjoyed time and time again. Dorothy returns to Oz and teams up with Tik-Tok (a robot), Jack Pumpkinhead (a pumpkin man obviously) and the Gump (don't ask)to battle the evil Nome King and Princess Mombi. There's plenty of fun throughout as Dorothy and friends battle the likes of the wheelies and all manner of creatures.
The finale is perhaps one of the best ever for a fantasy film. Yes, it really is that good as Dorothy and friends meet up with the Scarecrow and battle the evil Nome King and Princess Mombi.
The original Wizard Of Oz was a timeless classic still talked about today. It is no exaggeration to call Return To Oz a classic movie either.
Most of the comments on this film seem to be from people who saw this when they were little, and haven't been able to forget it. The imagery of this film lingers long after first view, and its marked stylistic and thematic differences to Wizard Of Oz have a hypnotic effect on a certain type of viewer.
In Return, the central theme is one of deep unhappiness with reality and a wish to return to fantasy, where as Wizard focuses more on the concept of "there's no place like home". I admire and am still deeply effected by this film because, in some ways, it is braver than Wizard. It isn't afraid to deal with the conflict - that the misery of a grey Kansas is very real.
It expresses a rippling dissatisfaction that seems more in keeping with Baum's original works, and is all the more satisfying for it. In particular, I enjoyed the parrallels between the real world and Oz- for what it suggests about our world- and the Nome King's conversation with Dorothy. For a children's film, there is great depth in both, and most of the film can be interpreted on several different levels. The implications of the corridor of heads alone is enough to send any first year pysch/lit student into a whole mess of garbage.
But don't be fooled. This also an excellent children's film, that deserves more attention than it got.
In Return, the central theme is one of deep unhappiness with reality and a wish to return to fantasy, where as Wizard focuses more on the concept of "there's no place like home". I admire and am still deeply effected by this film because, in some ways, it is braver than Wizard. It isn't afraid to deal with the conflict - that the misery of a grey Kansas is very real.
It expresses a rippling dissatisfaction that seems more in keeping with Baum's original works, and is all the more satisfying for it. In particular, I enjoyed the parrallels between the real world and Oz- for what it suggests about our world- and the Nome King's conversation with Dorothy. For a children's film, there is great depth in both, and most of the film can be interpreted on several different levels. The implications of the corridor of heads alone is enough to send any first year pysch/lit student into a whole mess of garbage.
But don't be fooled. This also an excellent children's film, that deserves more attention than it got.
10stufff
The first time I saw this movie I was about 6 or 7. It really scared me, I remember having nightmares of Mombie for weeks... I also remember rewatching it week after week. Now 10 years later I've rediscovered it and it's still chilling. Not because it was meant to be a horror, but because the imagery and plot is so vivid and captivating I can't help but feel like I'm really drawn into another world. Very few movies have done that for me... this is right up there with movies like Willow, Labrynth, and The Neverending Story. If you like musicals, bright colors and munchkin's dancing around, then stay away from this one, but if you want to go on a journey of pure imagination that will leave you breathless on the edge of your seat, rediscover Oz for yourself!
After reading about 40 of the other comments here, all of whom say RETURN TO OZ is dark and disturbing, I will make a different comment. In the early 80s Disney certainly were off the cash trail with a range of films, each expertly produced, that were box office disasters. One may recall SOMETHING WICKED THIS WAY COMES, TRON, THE BLACK CAULDRON, ONE MAGIC Christmas and a few others that had much to offer any thinking crowd,and each had special effects that were quite astonishing. Disney were in a very bleak period and the films, attempting to reflect perhaps a more mature or even grown up perspective chose, oh dear I have to say it: a dark and disturbing theme. At the time of release every critic bleated at the grim and melancholy tone of RETURN TO OZ, and sadly themselves neglected to celebrate the original book look, a choice Disney execs applauded themselves for. One Exec infamously said to us theatre owners: "We're going for the Frank L Baum book illustrations and nothing like that 1939 vaudeville thing". Oh dear, I thought at the time. You mean the world's most popular kids film? Well. $27 million dollars later in production costs returned maybe a quarter in theatre film rentals and RETURN TO OZ for all its merit and lavish production care and superb scary special effects....was consigned to the Disney dud bin. At the time I was irritated by the fixed goony expressions on Jack Pumpkinhead and the Scarecrow (loved Tik-tok, though, a fascinating and completely compelling design and movement piece) This time around I didn't mind it and actually appreciated the fact that they were 'book' expressions. Viewed 20 years later on a Disney DVD of dubious quality, I have to say it is a film more suited to these dark and disturbing times and if released today would certainly get a better reception and better crits...and possibly make a lot of money. I think the world is tuned into this type of family film more now than in the Flashdance 80s. The production values of RETURN TO OZ are simply breathtaking. Scene after scene perfectly realised: the green walled horror of the psychiatric asylum in reel one, the amazing claymation of the Gnome King, and especially the glittering halls of Mombi's castle. One genuinely screamworthy scene in the hall of Heads with a headless Queen rushing about in a nightmarish vision is almost only for adults, so intense is it's genuine horror. The glittering climax of a restored Emerald City is a triumph of green and silver/gold set design, I defy any viewer not to rewind it several times just to see each and every part. Yes nominated for 5 Oscars, it won none and vanished for 20 years. The no-marquee name Fairuza Balk didn't help the public embrace, no matter how exquisite she is. At least she wasn't named Soleil Moon Fry. In the same class as The Dark Crystal and Labyrinth, RETURN TO OZ now deserves its place there as part of a trilogy of superbly crafted fantasy for smart kids and astonished adults. That 'vaudeville thing' it certainly isn't. But not a failure either. The DVD is lacking trailers and production material that should and could be included. Bad Disney! Good film! I also defy any viewer not to shriek with laughter at the Gnome King revealing he is wearing the ruby slippers, a sly joke well presented.
क्या आपको पता है
- ट्रिवियाThe movie is based on the second and third of L. Frank Baum's Oz books: "The Marvelous Land of Oz" and "Ozma of Oz". Elements from the former include the introduction of Jack Pumpkinhead, the witch Mombi and her powder of life, the conquest of the Emerald City, the escape by flying sofa, and the search for Princess Ozma. From the latter comes the return of Dorothy, the talking chicken Billina, the Wheelers, the discovery of Tik-Tok, a princess with interchangeable heads, the introduction of the Nome King, and the ornament room.
- गूफ़Tik-Tok's thinking mechanism is activated by winding the key under his left arm, and his talking is activated by winding the one under his right arm. However, when he asks Dorothy to wind his thinking key before entering the ornament room, she winds the one under his right arm.
- भाव
Jack Pumpkinhead: If his brain's ran down, how can he talk?
Dorothy: It happens to people all the time, Jack.
- इसके अलावा अन्य वर्जनWhen it was aired on the Disney channel, the following were cut: When "Ozma" unties Dorothy from the bed in the doctor's room, the line where she tells Dorothy that the screaming patients are locked in the cellar is cut. When Dorothy first visits Mombi, much is cut. A lot of shots of the heads behind the glass are cut, and so is a lot of footage when Mombi puts on her head. Because of this, a line is cut where she asks Dorothy how she looks, and Dorothy tells her she looks beautiful. In the TV version, it cuts straight to the line, "And just who might you be?" When Mombi wakes up, many shots of the screaming heads and EVERY shot of the headless Mombi trying to get Dorothy is cut. A few seconds of footage of the Nome King's death are cut, including when his eye turns to stone, and some of the "poison" shots.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Oz... un mundo fantástico
- फ़िल्माने की जगहें
- Salisbury Plain, Wiltshire, इंग्लैंड, यूनाइटेड किंगडम(Kansas scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,11,37,801
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $28,44,895
- 23 जून 1985
- दुनिया भर में सकल
- $1,11,40,134
- चलने की अवधि1 घंटा 53 मिनट
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें