The Return of the Living Dead

I saw this film when I was around 9 or 10, and I remember loving it back then. Unfortunately, time has not been kind to most of the movies I enjoyed during my youth. Imagine my surprise when I realized that not only was Return of the Living Dead every bit as much fun as when I first saw it, its actually improved!!

First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.

Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).

James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!

This film is a hidden treasure in a genre all too often plagued by mediocrity.

This movie is like very little else out there. It's a zombie comedy that isn't a full-on splatterfest like most, doesn't offer some overly humorous social satire (there's subtle jabs at Agent Orange and Nazis), and doesn't have a high-concept premise (for a zombie movies that is). What you have is dry as hell, with punk rockers (timely for the time - Repo Man meets zombies?), Nazi morticians smoking pipes and listening to their Walkman while embalming, and Quigley nudity for its own sake, but characters are in on it and equally celebrate and scold her. It has iconic scenes and quotes though I'm sure a lot of people have no idea they're actually from this.

It just works - it's funny, weird, creepy, gory, and always entertaining. A hard mix to pull off and one that happens with success very rarely. It's always said that there's a fine line between horror and comedy - the pros can straddle it like a daring high-wire act and this is one of them. If only the ending weren't so abruptly anti- climactic and there were a few more naked zombie Quigley kill scenes it'd be a perfect cult classic.

Gotta love the very serious Suicide while naked Quigley grinds on him: "No one understands me, you know that." "You think this is a f***in' costume? This is a way of life." "Hey, what's wrong with you, man? Show some f***ing respect for the dead, will ya?" All this because he was called a "spooky motherf***er."

(70%) There's no two ways about it, all fans of zombie horror need to have seen this at least once otherwise they're not a true fan, and they are only pretending. With "Dawn of the dead" in existence this isn't the best zombie movie ever made, but it is one of the most fun examples. The simple, almost comicbook style plot is very well told to maximum effect, the punk rock soundtrack is perfect, the comedy works, and the practical effects are some of the best of the decade. As puck themed zombie horror goes this is the very best bar no exception, and at just over 80 mins long it comes and goes like the fun party that it is.

To this day, I can't believe Dan O'Bannon got away with using "The Living Dead" in his title. George Romero should have sued, and probably did. Nevertheless, this is a classic horror comedy straight out of the 1980s, with gruesome brain-devouring zombies running riot in a small town. Actually, due to the movie's modest budget, the zombies run around a small number series of sets, consisting of a warehouse, both inside and outside, a bridge and a mortuary, inside and outside. There also are a couple of shots dealing with Army personnel. An Abbott and Costello-type pair unleashes a government-developed gas that revives the dead. Even dead parts. A warehouse exec, a mortuary owner and several daffy young people end up in a fight for their lives, while a series of EMTs and police arriving on the scene are quickly dispatched by the ravenous zombies. The hammy acting is strictly from hunger, the dialog largely improvised, and the clumsy blocking and static photography (mostly medium shots) are like something from a 1932 talkie. But the zombie attacks are ferocious and go way beyond anything Romero attempted in "Night." Also, zombies getting on the ambulance and police radios to order up more help in their sepulchral voices is beyond hilarious. You also have the ravishing Scream Queen of her day, Leanna Quigley, spending most of screen time nekkid. It also is a riot to see familiar grocery store hawker James Karen in a prominent role here. Plus, much has been said over the years about the individual hired to play the rotting basement zombie, and he is indeed absolutely marvelous. Good for a laugh, and great for trotting out every Halloween.

I love this film to living death ... Every actor got the right part, and they all got the part right. High camp, higher parody, positively hilarious scenes so well set up that a mere facial gesture delivers the punchline, sometimes only a few beats of music delivers. In the midst of all this ripping off of Romero's "Night of the Living Dead", it borders on worship of its inspiration. Pathos holds hands with hilarity, genuinely creepy scenes bleed into high gear humor. I haven't found a misstep. There is a high quotient of "Oh s**t" scenes and they all work. The undraped Quigley is neither gratuitous or prurient; just imagine the movie without her character; loses much. This is a delicious, feverish living dead romp that plays out to one crackerjack musical score. Everything meshes, everything works. How do you fault a film that gets it all right? This title will survive a long long time.