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पर्पल रोस ऑफ़ काइरो

ओरिजिनल टाइटल: The Purple Rose of Cairo
  • 1985
  • U
  • 1 घं 22 मि
IMDb रेटिंग
7.6/10
58 हज़ार
आपकी रेटिंग
पर्पल रोस ऑफ़ काइरो (1985)
Pre, "Coming Soon"
trailer प्ले करें1:34
1 वीडियो
78 फ़ोटो
कॉमेडीट्रेजेडीफ़ैंटेसीरोमांसव्यंग्य

साल 1935 में न्यू जर्सी में, एक फिल्म का पात्र स्क्रीन से निकलकर वास्तविक दुनिया में क़दम रखता है.साल 1935 में न्यू जर्सी में, एक फिल्म का पात्र स्क्रीन से निकलकर वास्तविक दुनिया में क़दम रखता है.साल 1935 में न्यू जर्सी में, एक फिल्म का पात्र स्क्रीन से निकलकर वास्तविक दुनिया में क़दम रखता है.

  • निर्देशक
    • Woody Allen
  • लेखक
    • Woody Allen
  • स्टार
    • Mia Farrow
    • Jeff Daniels
    • Danny Aiello
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    58 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Woody Allen
    • लेखक
      • Woody Allen
    • स्टार
      • Mia Farrow
      • Jeff Daniels
      • Danny Aiello
    • 184यूज़र समीक्षाएं
    • 104आलोचक समीक्षाएं
    • 75मेटास्कोर
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    • 1 ऑस्कर के लिए नामांकित
      • 15 जीत और कुल 15 नामांकन

    वीडियो1

    The Purple Rose of Cairo
    Trailer 1:34
    The Purple Rose of Cairo

    फ़ोटो78

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 72
    पोस्टर देखें

    टॉप कलाकार75

    बदलाव करें
    Mia Farrow
    Mia Farrow
    • Cecilia
    Jeff Daniels
    Jeff Daniels
    • Tom Baxter…
    Danny Aiello
    Danny Aiello
    • Monk
    Irving Metzman
    • Theater Manager
    Stephanie Farrow
    • Cecilia's Sister
    David Kieserman
    David Kieserman
    • Diner Boss
    Elaine Grollman
    • Diner Patron
    Victoria Zussin
    • Diner Patron
    Mark Hammond
    • Diner Patron
    Wade Barnes
    • Diner Patron
    Joseph G. Graham
    • Diner Patron
    Don Quigley
    • Diner Patron
    Maurice Brenner
    Maurice Brenner
    • Diner Patron
    Paul Herman
    Paul Herman
    • Penny Pitcher
    Rick Petrucelli
    • Penny Pitcher
    Peter Castellotti
    • Penny Pitcher
    Milton Seaman
    • Ticket Buyer
    Mimi Weddell
    Mimi Weddell
    • Ticket Buyer
    • निर्देशक
      • Woody Allen
    • लेखक
      • Woody Allen
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं184

    7.657.8K
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    फ़ीचर्ड समीक्षाएं

    10ggallegosgroupuk

    Our Daily Escape

    The only Woody Allen that I hadn't seen. I was waiting for the opportunity to see it on a proper screen in a proper movie theater, with other people you know, like in the previous century. At the end I was convinced to see it in a friend's living room but in one of those super duper mega wide TV screens. What a delight! A movie about the love of something not quite real but that it becomes the more real thing in our lives. The transportation that Mia Farrow goes through while sitting in the movie theater brought tears to my eyes - my friend turned to me in disbelief "Are you weeping? He asked. Well yes, I was. I can't explain it. Have you seen the movie? Sometimes I felt I wanted to sit next to Mia Farrow in see the movie she's watching all the way through. Why not, Jeff Daniels, Mia Farrow, John Wood, Zoe Caldwell, Van Johnson, please! It's so much better in here than out here. You can bet I will see this again. Top notch.
    8ccthemovieman-1

    Nice Mix Makes This Inventive Film Appealing

    This was a unique storyline - a character comes right out of the movie screen to join the "real" world - at the time. I've seen several others copy this sort of thing, although it also was done in some silent comedies, too, if memory serves. Nonetheless, it was done well here and I got a kick out of watching it back in the '80s. It's part fantasy, romance, drama, comedy. Woody Allen, who made this movie, is not on screen.

    I have found (with one or two exceptions) that I like the best when he only narrated, such as in "Radio Days" and "Sweet And Lowdown." I like it when he leaves the acting to others.

    Mia Farrow as "Cecilia" Jeff Daniels does a terrific job in a dual role, playing Tom Baxter and Gil Shepherd. One an actor, the other a "real-life" guy. Mia Farrow is appealing, as she usually was, as "Cecilia." Danny Aiello is another usually-interesting actor who gets your attention no matter who he is playing.

    An inventive film that still holds up today.
    10Doogie D

    Allen's best film to date

    Woody's stories are often derivative, but he's forgiven that, usually, because the results are good and ultimately do deserve his signature. For PURPLE ROSE, he swipes Buster Keaton's gimmick in SHERLOCK, JR., then lets his imagination run free as he did in the best of his NEW YORKER stories. We wind up with the most fascinating and realistic meditation regarding what it is to be an audience, a viewer's relationship to art, art's relationship to reality. The triumph is amazing, because, despite the depth of the symbolism, PURPLE ROSE can also be seen as sheer entertainment; on its surface, it is still one of the most entertaining pictures Woody has ever made.

    Farrow and Aiello are marvelous here; Mia, who is quite underrated, has only been as good once -- in BROADWAY DANNY ROSE. The photography is superb, influenced perhaps by Edward Hopper with generally less obvious light sources.

    Splendid, splendid work.
    9OllieZ

    Fresh and inventive Woody.

    The Purple Rose of Cairo really does rate up there with Woody's best - from Annie Hall, Manhattan to the earlier, more slapstick efforts, such as Love and Death and Sleeper. Cairo happens to be one of the best 80's movies Woody actually made - Crimes and Misdeameanours and Braodway Danny Rose being other greats.

    The reason why I think that Cairo is better than the other 80's efforts is that the idea is really inventive. The movie raises so many questions of reality and fantasy, but does so in a highly surreal fashion. The switching of scenes, from reality to fantasy (movie) made me realise where movies take us as a viewer. Cecelia finds solace in the world of movies and comes up against the decision of which is better - the perfect world of movie, or reality, where things are never certain.

    Jeff Daniels is so enigmatic in this movie. Not only as Tom, the screen legend, but as Gil the actor. Two very different characters, both played brilliantly. Mia Farrow is great as usual, and shows how broad her talent is (Broadway Danny Rose and Radio Days - both very different characters. Danny Aiello is good as the lazy slob-of-a-husband, Monk.

    Like Radio Days, Woody isn't actually on screen (he narrated Radio Days, mind) and in a way this eased me up. Woody is fantastic when he is on screen, but this film benefited from losing his neurotic nature, and instead concentrated on the era, the love of movies and the complex themes of a movie within a movie. I will admit, some neurosis is retained in the dialogue (talk of morality to prostitutes!) - and this added to the surreal nature of the movie.

    This has to be one of my favourite films Woody has directed. Annie Hall probably being my fave, Manhattan, Crimes and Misdeamenours and Sleeper following. Cairo is so constantly fresh and inventive, I couldn't help being captivated during it's short running time. I recommend this to any fan - or any lover of movies themselves. A real treat.
    8ijonesiii

    Another Overlooked Gem from Woody Allen

    THE PURPLE ROSE OF CAIRO is a lovely, funny, and heartbreaking entry from Woody Allen that still remains one of my favorites. This romantic fantasy tickles your funny bone and tugs at your heartstrings at the same time and I go through a myriad of emotions whenever I watch it. Mia Farrow stars as Celia, a depression era housewife, trapped in a dead end marriage to a pig (Danny Aiello) whose only escape comes from going to the movies. She goes to see the movie of the title several times and then at one show, the main character in the movie (played by Jeff Daniels)speaks to Celia directly from the screen saying, "You must really love this movie, don't you?" The character then walks off the screen and into Celia's life, claiming that he loves her and wants to be with her forever. Meanwhile, the actors in the movie on the screen are stuck and don't know what to do because they can't finish the movie without Daniels' character and they are seen conversing with each other about what to do and to the audience in the theater, who for some reason, sit and watch the actors on the screen trying to figure out what to do. Further complications arrive when the character starts walking off the screen in other theaters around the country and the actor who played the character (also Daniels) arrives in town to try to convince his character to go back in the movie. Woody doesn't delve into the territory of fantasy too much, but this one totally works with one of his most intelligent screenplays and winning performances from Farrow and Daniels and the ending is a heartbreaker. A must-see.

    इस तरह के और

    Radio Days
    7.4
    Radio Days
    Broadway Danny Rose
    7.4
    Broadway Danny Rose
    Hannah and Her Sisters
    7.8
    Hannah and Her Sisters
    Love and Death
    7.6
    Love and Death
    Zelig
    7.6
    Zelig
    Bananas
    6.9
    Bananas
    Manhattan
    7.8
    Manhattan
    Crimes and Misdemeanors
    7.8
    Crimes and Misdemeanors
    A Midsummer Night's Sex Comedy
    6.6
    A Midsummer Night's Sex Comedy
    Husbands and Wives
    7.5
    Husbands and Wives
    Everything You Always Wanted to Know About Sex * But Were Afraid to Ask
    6.7
    Everything You Always Wanted to Know About Sex * But Were Afraid to Ask
    Interiors
    7.3
    Interiors

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      After this film was previewed, word got back to Woody Allen that if he just changed his ending, he could have a big hit. Allen declined, saying that the ending is one of the reasons he made the film.
    • गूफ़
      When Cecilia is playing the ukulele in the music store she is strumming along to the song and the song stops. She continues to strum along after the song is over, but there is no sound. The ukulele playing was obviously dubbed in.
    • भाव

      Cecilia: I just met a wonderful new man. He's fictional but you can't have everything.

    • कनेक्शन
      Featured in At the Movies: The Beach Boys: An American Band/Maria's Lover/The Purple Rose of Cairo/The Sure Thing (1985)
    • साउंडट्रैक
      Cheek to Cheek
      (1935)

      Written by Irving Berlin

      Vocal by Fred Astaire

      Played during the opening credits and

      In clip from Top Hat (1935) at the end

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल21

    • How long is The Purple Rose of Cairo?Alexa द्वारा संचालित
    • What film is Cecilia watching at the end?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 19 अप्रैल 1985 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • La rosa púrpura del Cairo
    • फ़िल्माने की जगहें
      • Bertrand Island Amusement Park, Mount Arlington, न्यू जर्सी, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Jack Rollins & Charles H. Joffe Productions
      • Orion Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $1,06,31,333
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,14,095
      • 3 मार्च 1985
    • दुनिया भर में सकल
      • $1,06,31,333
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 22 मि(82 min)
    • रंग
      • Color
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

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