Iga ninpôchô

Ok, this movie rules. The dubbing is great and the story is hilarious. The gratuitous use of blood and decapitated bodies is so funny the gore is lost. Besides, what's better than a good vs. evil story involving a spider tea kettle filled with a magic aphrodesiac, and insane emperor and an evil ninja spirit with one of the best laughs I've ever heard. If you can someway find this movie, check it out.

This movie is totally ridiculous. Also, the hero has horrible teeth. Looks like they jammed a bunch of marshmallows in there. However, the crazy Devil Monks are pretty entertaining. Why they put an afro on the vomiting monk I'll never know, but I'm glad they did. This is a fairly entertaining movie if you like campy, goofy poorly dubbed ninja movies. The fight scenes are only mediocre, but they clearly spent a decent amount of money on this thing, so the sets and costumes are pretty good. Enjoy. Beware the completely retarded ending though.

Watch this movie and every time someone says "what's that?!", drink a shot of [insert your favorite hard liquor here]. You will be REALLY drunk before the movie ends. You will NEED to be really drunk to make it to the end.

The dialogue scenes in this film are so leadenly directed that it will have you screaming at the TV, "Will somebody PLEASE take less than five whole seconds to respond to someone else's line of dialogue?!" This is clearly not just a matter of bad dubbing (which, granted, in this film it is utterly atrocious), but because the director seems to think that he's Ozu or Kurosawa, forgetting that he's making a ninja movie with Sonny Chiba and Henry Sanada.

Not to sneer at Chiba or Sanada. (I adore the 'Streetfighter' series and have watched nearly all of Sonny's other films.) Nor, for that matter, ninja movies. This is a BADLY MADE ninja movie - and there's the distinction.

Oh, sure, at times the utter goofiness of some of the situation is good for more than a few laughs (acid-spewing 'devil monk'; head-switching virgin/courtesan twin sisters; spider tea kettle), but the plot is awfully convoluted (again, I'd be more than willing to allow that the godawful dubbing has likely obscured any subtleties or nuance) and bewteen the action scenes, when every other line of dialogue seems to be someone responding in amazement "what's that?!" (are you people deaf or something? clean the wax outta your ears!), you keep praying that very soon someone will again be decapitated.

And what's up with that ending? The lovers are whisked off...well, I don't want to spoil it for anyone brave enough to watch this thing, but trust me when I say that at the end of this one you'll either be scratching your head in utter befuddlement or jumping up and down, insanely babbling, "What's that?! What's that?! What's that..?!". Or you'll be passed out from too many shots of [insert favorite hard liquor].

The sorcerer Mikio Narita speaks a prophecy: whoso marries the Princess Noriko Watanabe will rule the world. This makes her very popular with the warlords. Narita and his five disciples hire out to Lord Jun Miho, with the plan to make a love potion to make her fall in love with the lord. Fortunately, she has an identical twin whom people don't know about, who has been raised by ninjas. She and fellow ninja Hiroyuki Sanada. A love potion can be made from her tears, so the disciples kidnap her, rape her, torture her and eventually swaps heads with the female disciple. Now the creature with the disciple's head and Narita's heart tells Sanada this, and dies. So he goes to protect the Princess.

Would it be wrong to write "Same old same old"? Magical ninjas, magical pots, gallant, acrobatic ninjas, evil warlords, a bit of death pornography, and evil wizards who spew deadly projectile vomit onto their victims: the amount of baggage that ninjas carry around sounds rather oppressive. Even so, this one chugs right along, thanks to some beautiful camerawork by Fujio Morita, actors who sound like they mean it, and some great set design by Norimichi Igawa and Kazuyoshi Sonoda. I could have done without the vomit, though.

(Please note I somehow own a subtitled, widescreen version of this so can't comment on the dubbing)

This is one crazy, and beautiful looking film. A warlord falls in love with a Shogun's daughter, and somehow is approached by a mysterious (and creepy) wizard called Kishon, whom Sonny Chiba finds hiding in a cupboard. Kishon offers to make the warlord (named Danjo) a love potion, so he can win over the girl and rule the land. Chiba warns the warlord that Kishon is evil and storms off, but the warlord's got the hots and agrees, finding himself now joined by five weird magician types. Now these are some weird looking guys. One is blind and shoots nails from his wrists, another can fly, and one can spew acid from his mouth.

Together, they manage to capture the girl's twin sister, who has just completed ninja training with her boyfriend Jitaro (she walks through a bamboo forest cutting the trees with her fingertips!). They are attacked by the magicians and Jitaro receives a faceful of acid for his trouble. Once back at the warlords house, the ninja girl cuts her own head off (again with her fingers), causing one of the magicians to cut the head off a concubine and indulge in a bit of head swapping (and one of the girls ends up with her head on the wrong way).

I'll go no further with the plot, but let's just say Jitaro is out for revenge, and to protect the other twin, which leads to all sorts of showdowns with the magicians (as they are referred to in the subtitle), which includes be-headings, eye gouging, flying through the air, and a lot of stolen identities. Oh, and at one point the blind guy shoots lasers from his eyes.

This is one bonkers film with plenty to enjoy. It seems to have had quite a big budget too, judging by the sets and the gorgeous cinematography, and I wouldn't be remiss in suggesting that Ninja Wars has art house leanings, as there's a lot of eye-popping imagery on view, and it all seems to be about how you can't simulate true love (that's what I got from it anyway). This is one of those Japanese films where, if someone is beheaded, their body sprays blood like a fountain. It's also one of those Japanese films where I felt I wasn't quite picking up on all the cultural references, and reality is kind of played about with (the last third comes across as a bit disjointed).

Still, this is no Godfrey Ho film. This is something else altogether. Recommended at least in the form I viewed it.