लेजेंड

So tell me if you've seen this one before: Two innocent lovers are corrupted by an evil villain played by Tim Curry in a dark castle where they somehow have to escape but are forever tainted by the experience.

I could be talking about the Rocky Horror Show, but I could also be talking about Legend. Both films are cult classics, and I think the reason why they manage to achieve this is through the time-tested "Garden of Eden/Original sin" plotline. The difference is that Legend lacks all the fun, silliness, and musicality of the Rocky Horror Show. It's all replaced with a dark fantasy setting and supporting actors that look the part.

I saw the US release with the Tangerine Dream soundtrack. The music is not at bad, especially the unicorn theme. Costume design is incredible as one imagines just how long it took for Tim Curry to get his demon head on before every filming session.

Ultimately the writing and pacing is fairly weak and it's not hard to see why it did poorly at the box office. I lived through the 1980s as a child and had never even heard of this film until recently. Now I know why.

There's the original version, released in 1986 and on videotape, and the 2002 Director's Cut, available on DVD. The latter version is one of my all-time favorite movies. It compares quite favorably with Peter Jackson's "Lord of the Rings" and is a modern classic.

The theatrical release of 1986, shamefully butchered (chopped up and badly re-edited) by the mindless suits at Warner, and with its original Jerry Goldsmith score replaced by the rather trite Tangerine Dream soundtrack, is the version most people have seen. It was released on videotape as a children's movie. What it is, and was intended to be, is a fairy tale for adults. In fact, it's too intense for really young children.

It's hard to say that the '86 version deserves any more than the "6" it's rated at on its IMDb main page. It is a disappointment, primarily because it's now impossible to watch without think how much better it could be. The feeling and tone of the film were ruined by its treatment.

The Ridley Scott Director's Cut, released in 2002, is a completely different movie. If you haven't seen this version, you haven't seen the movie. It deserves a score of 9 or 10.

It doesn't look like a movie made 20 years ago. Scenes which are vital to the tone of the film and the meaning of the story have been restored. The sumptuous original soundtrack, recorded with a full orchestra, has also been restored, and this adds more to the film than can be put into words.

About the performances: A very young Tom Cruise is excellent as the hero. Tim Curry as the Lord of Darkness is awesome; his costume and voice alone are worth the cost of renting or buying the DVD. Mia Sara is absolutely stunning as Lily. She actually plays two different versions of her character, both wonderfully. This was her first role, a risk for Scott on such a big budget film, and she turned in the performance of her career. She's never been better, or looked more beautiful, than in this movie. The elves and fairies, both good and evil, are incredibly real-looking and believable. The costumes are perfect, and the sets are breathtaking, literally. One of the largest indoor sets ever constructed - a huge fantasy forest - was built for this movie.

If you haven't seen this version, rent it. If you have kids, buy it for them; they'll watch it over and over. My daughter and her friends watch it repeatedly, she's probably seen it 50 times.

The Lord of all that is Darkness (Tim Curry) tries to take over the world by slaying two unicorns. He is distracted by the temptation of innocence, which comes in the form of pretty little Princess Lily, played by Mia Sara in her film debut. The Dark Lord decides he would like to have his way with virgin princess, while her true love Jack (Tom Cruise) tries to rescue her and save the world.

Long, dark, murky, loaded with black humor and undeniably well crafted. A beautiful film to look at that is hopelessly chopped up in the American version which replaces Jerry Goldsmith's original music with music by Tangerine Dream.

Cruise is alright as the hero, as alright as he's ever been anywhere else. Mia Sara is very lovely as the virgin princess whom this film revolves around. Curry sounds like he's having fun as the villain.

I will join the chorus... This is a beautiful, and thoroughly enjoyable fantasy film as long as you watch it in digital widescreen and do not bother with the 1hr 30min version. The Director's Cut(better known as the European release) is worthy of an IMDb rating of 8. The American theatrical release is worthy of a 6.5.

This is a fairly straightforward fantasy conceived and directed by Ridley Scott, one of the greatest mainstream directors of our time. The story follows a young man who lives in a forest (Jack, played by Tom Cruise) and a spirited young princess (Lily - Mia Sara) who is in love with him. The lord of darkness (Tim Curry) has sent forth his minions to capture the last two remaining unicorns so that he can banish light from the world forever. Unicorns are attracted to innocence, and so they find themselves in Jack and Lily's company just as the dark lord's play begins to unfold. Before long, Jack and his magical forest friends must save Lily, the one remaining unicorn and the world from the grasp of the dark lord at any price.

Even the lengthier director's cut goes by just a little too quickly. But it's pace is not comparable to the incredibly hasty studio chop-job of the American release. The story is epic, but the medium is not. All considered, however, the production team did a great job given the length limits afforded for the film.

Cruise does pretty well with a role that must have been a little hard to interpret. Jack must behave as a hero, a young man who has learned most of his lessons from nature, and a teenager to varying degrees throughout the film. Mia Sara is delightful a Lily. Tim Curry and David Bennent (Honeythorn Gump) get pretty close to stealing the show. In all, the acting is fine, but the star of the film is really the camera.

Scott has often proved his ability to create immersive experiences in worlds which are somewhat alien (no pun intended) to his audience. Legend does this perhaps as powerfully as his most far-out films (Alien, and Bladerunner). The cinematography, editing, and special effects are exceptionally good, and make the fairly average plot glow. Each scene is a work of art.

Highly recommended for fantasy fans, Ridley Scott, Tim Curry and Mia Sara fans and those interested in artfully presented effects. Recommended for fans of Pan's Labyrinth and Mirrormask. Weakly recommended for Tom Cruise fans.

I've read a lot of opposing views here and there are valid views on both sides. I guess it boils down to what your imagination can be hopefully transfered to film for you enjoyment.

I've seen my fair share of fantasy films in my life and Legend probably reached to that part of me quicker than any film of that genre than has been done before and since. Lord of the Rings surpasses it on many levels...but Legeng still has the ability after all these years to make me think of pure fantasy, and that's what I believe this film is about. Good vs evil is what most films are about, but Legend is what fairies and goblins and a mystical forests are!

Visually I doubt you can find much better even 20 odd years later! Good vs evil in a setting that is set in a purer forum. Character development here are not too strong, but they're not meant to be. They are strong enough to portray love vs evil vs good and bad, and they do it well in the context of the story. Tom Cruise did a good Job as the Nieve and yet courageous Jack, Lily was a the prize of his longing and it came across as undeniable. Mia Sara as lily is the stuff of youthful longing.

Tim Curry played the spoiler and he did it to the point of stealing all of the film. He is the stuff of fantasy. The costume was spectacular, and his portrayal of the character was commanding...And over the top cause that what he does well!

I enjoyed the directors cut film more as it is longer and tells the story just a little better, but I enjoyed Tangarines Dream's score more as it captured the mood of fantasy ( for me) as set in a mystical place! Jerry Goldsmith had some very good moments, but TD for me layed out a fairytale with my eyes closed better.

But at the end you either see this for the pure fantasy it is about or you see it as something deeper that it doesn't pretend to be. It's much purer in it's view on good vs evil and to my taste it hits on every level of that platform. And not to mention it's ability to make for a great dream filled with hope and danger.

Pure fantasy...and should be viewed with that intent.