Ginga-tetsudô no yoru

Kenji Miyazawa intended "Ginga tetsudo no yoru" as a book for children. But in it are truths that everyone big and small look to find. No one is comfortable with death. Everyone searches for answers. As I read the book before seeing the movie, I was amazed to see how accurately and wonderfully the director and animators were able to capture the feeling of this fantasy. It may be too arty for some, but I feel that more often than not, viewers will come away with a deeper sense of what death can do for life and what life can mean if given a chance.

As for the cat characters, this seems to be a consistent image that surrounds Miyazawa. Some of the stories he wrote were populated by cats that would take human roles. Interestingly enough, in Kenji Miyazawa's biographical anime (Shoji Kawamori's Spring and Chaos) Miyazawa is portrayed as a cat. Maybe the cats exist to shield children from the pain that these harsh truths might bring. But not shield too much

Sometimes it is easy to look at a work like Night on the Galactic Railroad and say, this is just a fantasy. Perhaps Miyazawa wanted us to think that, maybe at first anyhow. But the true beauty behind this animation is that by creating a fantasy world so wild and vibrant, it forces us to see who and what we really are.

This is a review of the English-dubbed version, and I'm sorry, but the voices aren't a great fit to the characters. However, the film as a whole is intriguing and beautiful. It also gets a little unsettling at times, but in a good way.

One shortcoming common to all versions, however, is the lack of facial individuality of the characters. They don't show much in the way of expressions and when they do, they are a bit samey.

But this is still something I'd recommend on the whole. A leisurely trip through a very strange galaxy.

In my opinion, "Night on the Galactic Railroad" is an outstanding piece of animation.

Many reviewers will note, and accurately so, that this movie is both heavy and slow as melted gold. It's true: in our current world of sound bites and media clips, fast action and short attention, this movie stands alone. This is especially so when the movie is compared to other anime, a category under which fall some of the fastest and slickest movies in the world. If nothing else, "Night on the Galactic Railroad" gets points for sheer originality and ingenuity.

Gisaburo Sugii (the director) has taken Kenji Miyazawa's children's story and created for it a living atmosphere. While highly detailed backgrounds are nothing new for anime, "Night on the Galactic Railroad" combines its finely crafted images with a brilliant use of frame shots, pacing, and audio montage to create a surreal and ethereal viewing experience.

While often advertised as a children's movie, "Night on the Galactic Railroad" most certainly does not tell a very light story. With both religious and nihilistic imagery, Sugii presents us with a powerful treatise on death and life. However, even if you do not appreciate the story itself, the beauty in the dream-like artwork and animation cannot be denied.

If this is the kind of movie that you'd just as soon sleep through, then you're missing out on some amazing cinema. Admittedly, most people these days would probably rather numb their brains in front of the "Tomb Raider" movie, than sit through the likes of "Don't Look Now" or "Blow Up." But, who knows....

If you want to be pulled into a beautifully crafted and mesmerizing world, then watch "Night on the Galactic Railroad."

The best thing about this movie is the dreamlike quality of it. Lots of fiction texts--novels, comicbooks, movies, whatever--take place in the world of dreams, but this is the first movie I've seen that really felt like it. Things happen one after the other in a drifting, diffuse pilgrimage on a train that goes to the end of the universe: migrating herons that fall to the earth and turn into candy, apples that reproduce themselves, an Italian village populated by cats. Being that they're passing through the night sky, some of the stations are named after constellations, and some are just...places. It's like reading The Old Man and the Sea--you feel like you're there for days and wake up to find that it was only a few hours. To me, that's a measure of a really good story.

One of the funnier bits was when the human characters appeared and didn't bat an eye at sitting next to anthropomorphic, pastel-coloured cats.

If you enjoy picking apart movie texts, you can always have a fun argument with your friends about the religious motifs that pop up in an oddball way throughout the story. Were the filmmakers taking stabs at Christianity, or just appropriating its symbols for the story's own kind of mysticism (a la Neon Genesis Evangelion, maybe)?

Night on the Galactic Railroad isn't your traditional family film. It deals with some incredibly deep themes, as well as having a slow meditative pace. We follow a young cat (changed from human in the original book) called Giovanni. Giovanni has no time for himself. His father is away, his mother is sick, and when he isn't at school he has to work. One evening the family's delivery of milk never comes, so Giovanni goes to get it. He rests on top of a hill before being confronted by a train. He gets on and finds his friend Campenella. From there the duo encounter a number of passengers each with a strange story to tell. This film is certainly all about the metaphysical. Each story strengthens the themes of religion and sacrifice. It gets highly emotional at times. The imagery is often surreal but always memorable. The animation is calm in both colours and movement. This film is presented in chapters, which I think may be a better way to digest it. It's something no country but Japan would try, and the ending is so powerful it really does make the journey worth it. Mature and thoughtful, if sometimes a little slow.