F/X

"F/X" beats most Hollywood action films. It stands out with a slick basic idea developed to a proper script that offers twists and surprises all the way to the end, but luckily not as much as "Mission: Impossible" did.

Bryan Brown is just the right man for the part of Rollie. He and Brian Dennehy make a great pair, although they don't appear together until the end of the film.

Refreshingly original and highly recommendable.

F/X is a great movie because of the idea of a special effects artist trying to get himself out of a mess. It deals with F/X man Rollie Tyler (Bryan Brown) as expert craftsman . FBI agents (Cliff De Young, Mason Adams), ask Rollie to help him to make a setup for hide a mobster named DeFranco (Jerry Orbach) about to enter the Witness Program of Recolocation and Protection . As he accepts thirty thousand dollars by execution the phony work . And the operation was going well when Tyler allegedly kills the mobster . When the agency double cross him on the staging the fake assassination Rollie finds himself embroiled in a deadly cover-up and he uses his special effects to trap the corrupt agents . Obviously FBI is involved with gangster's death, but when the things get worse he calls on Andy (Martha Gehman). The whiz Rollie and Andy team up once more to use their special effects to find those responsible for the death of gangster . Rollie must use his movie magic and wits to discover the true guilty and survive . Meanwhile an obstinate detective named Leo McCarthy (Brian Dennehy) and his helper (Joe Grifasi) are investigating the deeds. As far as the story goes , it involves a bigger scale of corruption in the law enforcement circle .

Entertaining but typical 1980's-type action thriller that has great potential as is fast-paced and well acted film . It has Inspector Dennehy and FX wizard Brown in fine form , and good secondaries Diane Venora, Joe Grifasi , Cliff De Young, Jery Orbach , some involved on corrupt business ; furthermore Angela Basset film debut . Some parts were predictable , but for the most part, it was nicely-paced with some good intrigue and mystery . There are some very exciting scenes as well as some ingenious special effects, including the initial setup that figures prominently in the argument. The cinematography and editing are functional . Action is pretty nicely done and fast moving with some engaging gimmickry . The motion picture is professionally directed by Robert Mandel (The substitute, School ties). Decent if somewhat belated followup to this 86 surprise hit was realized in 1991 titled ¨FX2¨ that does have suspense , however, the entire thing is nowhere near as engaging or thrilling , it was directed by Richard Franklin with similar players and followed by an amiable TV series .

"F/X: Murder by Illusion" is a well-written, intriguing film from the pens of Gregory Fleeman and Robert T. Megginson. Their sharp narrative constantly keeps you guessing throughout the 109 minute running time. Special effects (F/X) are always entertaining, as is the cast including Bryan Brown and Brian Dennehy, who are always believable, in a clever, quick-witted movie.

Robert Mandell never lets anything get out of hand, which he very easily could have given the nature of the film. Original music by "Rocky" composer Bill Conti is also very effective. I am looking forward to seeing the sequel.

Wednesday, June 26, 1991 - Video

This is very much an 80's action flick. It's got the tough cop who doesn't play by the rules. The unexpected hero. Car chasing, shoot-outs, and a theme song concocted to perfectly match with the movie it's for running over the end credits. Not every last one of those are good, though they tend to be entertaining. Fortunately, this one is both. And quite original and creative, too. Brown stars as Rollie Tyler, a special effects genius who is hired to help fake the death of a mobster, Orbach, who's going into a witness protection program. However, something goes wrong, and our lead now believes that he accidentally did kill him. The plot holds several surprises and twists, and it's carefully written enough to keep you guessing, without being pretentious or overly difficult to follow, and the pieces of the puzzle fit together nicely after you've seen them all. This has great pacing, it never slows down or is in a hurry. The suspense is quite excellent, and you may find yourself on the edge of your seat numerous times. This is 100 minutes of pure fun, and it never fails to deliver. The humor almost invariably works. Acting ranges. This has incredibly memorable moments, and dialog you can quote. The DVD only holds a theatrical trailer. I recommend this to any fan of this type of film, and/or anyone involved in making it. 7/10

I missed this movie when it was originally issued, and after all I read and heard about "Cocktail" (in which Bryan Brown starred a couple of years later) I had no desire to seek it out. But upon just surfing to cable's AMC channel one weekend morning, and finding it having just begun - I watched for a couple of minutes and found myself absorbed in it. After looking at some of the previously-posted comments in this section of IMDb, during commercials, I was even more interested.

First, my regard for Brown is heightened. Anyone married to Rachel Ward, for 23 years, has to have a lot going for him - even beyond what you see on-screen. And actors with British/Australian accents all provide effective "men-on-the-run, harried, danger-beset" characterizations. The acting here is all good. The late Trey Wilson, as Denehy's unctuous NYPD colleague evokes memories of his small-but-key, scene-stealing roles in "Twins" and "Raising Arizona." Cliff De Young, as the even more unctuous pursuer/would-be killer of the endangered Brown, could (from this and prior roles) be Hollywood's solution to replace Dabney Coleman as the quintessential, smarmy, "horse's ass," now that Dabney is getting well-along in years. As with all his roles, Mason Adams gives a good performance - but I can never watch him without expecting that any moment he is going to take a Smucker's jar from his pocket and begin a spiel.

Brian Dennehy is always fun to watch, and his "gruff-but-still-likable" persona was never better-suited to a role than here - he's the only one (except for one assistant) who has a clue, literally and figuratively, of the shenanigans occurring and besetting poor Rollie (Brown). Give this film a solid "8." Enjoyed the final minutes and the ending. I'm looking forward to getting a copy of the sequel.