अपनी भाषा में प्लॉट जोड़ेंA boy obsessed with '50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it... सभी पढ़ेंA boy obsessed with '50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it and build themselves a spaceship. Now what?A boy obsessed with '50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it and build themselves a spaceship. Now what?
- पुरस्कार
- 1 जीत और कुल 6 नामांकन
फ़ीचर्ड समीक्षाएं
And then there are director Joe Dante's touches. Dick Miller - whom Dante always casts - plays a cop who discovers the boys' spaceship. Robert Picardo (another frequent Dante player) voices one of the aliens. And of course Dante has many allusions to '50s B-movies. Maybe "Explorers" isn't anything special, but it's still pretty fascinating.
Although, once the kids get through the testing phase of the force field, and build the ship from old carnival rides (tea-cup thingie)--the movie takes another turn. Although still fun, the writer and/or director seem to lose track of the original flare, and the movie begins to wander off into a more childish, meaningless Hollywood push-out.
Over all, the film is very entertaining. I just Netflixed it so that my girlfriend could see it, and I could reminisce. It is one of my favorite childhood movies (along side the original Neverending Story).
--MR
It's rather notorious for having one of the worst third acts because it started so wonderfully. Ethan Hawke and River Phoenix teamed together, the cop that wasn't a bad guy, etc etc.
Then-- they met the aliens. Terrible terrible.
Hawke's performance when they're on the alien ship is very authentically "this sucks." It's sad, but it's how we feel too. And his performance is so spot on, I'm skeptical studio interference impacted this movie as much as the director claims.
It's not just the alien sequence is so tonally inconsistent, the pop culture references the aliens use are 20 to 30 years to old for the target demographic. I was about the age of these kids when it came out, and even now am hopelessly bored during the sequence because though I generally recognize the pop references, it's only in a clinical way.
I will give it one prop though-- the alien ship act is so bizarre, when they come back to earth, it really feels like they've been somewhere, for a much longer time than they actually were.
Probably still worth watching - that is, if you prepare yourself for a climax that really sucks!
क्या आपको पता है
- ट्रिवियाThe film was in a prolonged editing phase when the studio moved up the release date. The theatrical release was the result of accelerated editing and was not finished to the director's satisfaction. The studio told the director Joe Dante that he was finished and they were going to go ahead and release what he had at that point.
- गूफ़On the maiden voyage of the Thunder Road, right after the sphere-field activates, the camera cuts to the front of the ship for a brief second and a half, and we can see the boys, mainly River Phoenix in the middle, waving their hands very enthusiastically and out of character for the scene. It's possible that this was an outtake that was cut into the film by mistake. Joe Dante has always said that due to studio pressure, the film released is basically a rough cut.
- भाव
Heinlein the Mouse: [pressing buttons] I would like... cheese... go... to... hell...
- इसके अलावा अन्य वर्जनSome international video and television versions omits several musical cues from the soundtrack including a moment where Jerry Goldsmith's score accompanies the Mr. Ed theme sung by Wak and the 80s music Wak listens to on Darren's Walkman (in these versions, you can't hear the music at all). Several score cues are also missing aboard Wak's spaceship and in the first third of the film. It is unclear where this is a mastering issue or a music rights issue.
- कनेक्शनEdited into The Phoenix Portal (2005)
- साउंडट्रैकAll Around the World
by Robert 'Bumps' Blackwell (as R. Blackwell) and Monica Millet (as M. Millet)
Performed by Little Richard
Courtesy of Speciality Records, Inc.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
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- 920 D Street, Petaluma, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Lori Swanson's house)
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बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $98,73,044
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $36,07,340
- 14 जुल॰ 1985
- दुनिया भर में सकल
- $98,73,044
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1