Death Warmed Up

So says one of the characters in this odd little number from New Zealand. It took me a little while to realise that the leading man was played by the same Michael Hurst, who is better known for playing Iolaus in the long running Hercules TV series.

There seem to be a myriad of other films that this one has either borrowed from of been influenced by. Mad Max, Night (and Dawn)of the living Dead, Island of Dr Moreau or any other mad scientist movie. The actual story structure is somewhat disjointed, as we never really find out why the mad doctor wants to transform ordinary men into 'demented mutated killing machines.' Is there a world wide shortage of demented mutated killing machines? I don't think so if the news is anything to go by.

It does make sense that he does programme our hero to kill his parents who are standing in the way of his experiments but why let him live afterwards to come back for revenge? The whole island laboratory to do his crazed work on is straight out of 'Dr. No.' But with less sense or reason.

Not totally explained why the hero turns up on holiday with his friends after been released from the insane asylum, just happens to be the same island where his nemesis resides.

But enough of sense and logic, the actual film is decent watching and holds the interest till the end and at around 75 minutes on the DVD I saw, it doesn't outstay it's welcome. Plenty of gore scenes for those who like that stuff, maybe the villain just liked doing brain work as his motive for it all.

The ending is rather pointless as my fellow reviewer pointed out and it does seem they just ran out of ideas and decided to go out on a supposed shock ending.

Just two last points to make, there was a Pakistani shopkeeper who was a very bad racial stereotype and there for 'comicial' effect. Not sure if it wasn't a white actor blacked up either, it was that unpleasant.

Also at the beginning when he is supposed to be younger and running around in short trousers, he just looks ridiculous. I know Michael Hurst isn't the tallest bloke around but he just looks like an overgrown schoolboy or the lead singer in AC/DC. And there are gay overtones when he is in the shower afterwards as well but that plot line is just left hanging.

Overall, a strange but otherwise interesting film.

I was told about this site from a friend. I'm the guy who played SPIDER. As someone commented, no eyebrows. We did it way back when we were all in our twenties. It was a great amount of fun to do. The creative team came from both film and theatre industry. I'd just finished a pirate movie with Tommy Lee Jones, Michael O'Keefe and Jenny Seagrove and a lot of theatre. Michael (Hurst) was also a fellow theatre actor and we went on after this to do a couple of stage plays together. As was also noted, Michael went on to do 'Hercules'. At the time, Fangoria was the genre magazine of choice, and, with David (Blyth) and Murray (Newey - RIP) and the script by Michael Heath, with the 80's sex chic of the nurses, designed by Micahel Glock, we hit Auckland with all the energy that a 4 week shoot can muster. It's amazing to read comments from watchers/viewers some, what? 25 years later! Don't get too analytical....we just went for the jugular and hoped that somewhere along the line it'd all make sense! Along the way we shot stuff in a deserted and rather creepy abattoir, the tunnels on the island off Auckland city, and got right into ridged knives with back splatter.

I bought this on Amazon.Com, and watched it last night, not knowing at all what to expect. And I must say, I liked it.

Ten years ago, Michael was hypnotized by a very unstable doctor into killing his own parents. Then he is locked up in the mental institution for it. In the present (or the present time of the movie) Michael, his girlfriend Sandy, and their friends Lucas and Jeannie head to an island for a vacation, where the doctor has moved his work to, and has started a new experiment in reprogramming people's minds. And Michael wants revenge for what was done to him, planning to kill the doctor. But they still plan to have a fun vacation, too. (I told you the movie was strange.) Anyway, when they get there, they see how the doctor has taken over the island, and then get themselves involved in some risky business to find the doctor, which leads to chases, attacks, and some all-around good scares.

I wasn't sure I liked this movie, but now I think I did. Some of it was weird, and I didn't understand every aspect, but it was still exciting. The chase scene in the tunnels was great, as was the attack on the pub. The characters were all likable, and the acting was surprisingly good. Of course, there's no denying that this is a B-movie, but it's well done. Towards the end, it gets sort of weird, and actually sort of tense, because you don't know if Michael is crazy or what, because he is pushed to the edge in this movie. But luckily, he isn't the only one in the spotlight. Everyone seems to be a star. Sandy, his girlfriend, is a great character, even though she manages to really set in with the waterworks towards the end of the movie. I think she cries for five minutes straight.

The actual ending is odd, but really good. I didn't understand what the deal was with Michael at that point, but it was still pretty cool, and the slow-motion of Sandy running seemed to have a weird effect. Overally, a pretty good movie. I'd recommend it, but don't try to understand it all.

Seven years after gunning down his parents, Michael Tucker (Michael Hurst) is released from his padded cell and goes looking for revenge on the man responsible for turning him into a killer: deranged scientist Dr. Archer Howell (Gary Day), who now runs an island-bound institution where he operates on the inmates, turning them into crazed zombies.

I remember thinking that New Zealand horror Death Warmed Up was a pretty weird film way back when it was first released on VHS, with its all-over-the-place plot, oddball characters and gaudy, '80s 'plastic and neon' aesthetic; thirty years later, and the film's new-wave punk style and aimless story-line seem even more bizarre. There's a little fun to be had with the gore—an exploding head, some bloody squibs, random brain surgery, an impalement etc.—and we also get some gratuitous nudity and sex, but on the whole, this is way too shambolic to be considered anything but a failure.

Interestingly, Death Warmed Up was made three years before Peter Jackson's classic debut, splatter-fest Bad Taste, making me think that the Lord of the Rings director saw this back in the day and thought to himself, 'I can do better than that!'. And you know what? He could!

3.5/10, generously rounded up to 4 for Ranji Gandhi (Jonathan Hardy), the Indian character who looked and sounded like something out of '70s TV series Mind Your Language.

Ever go to one of those all-you-can-eat buffets that has virtually every kind of food imaginable, and you go in thinking it's going to be an excellent experience, a few of the foods you sample are fairly good, but you're left afterwards with a huge bellyache and the check? That's the way I felt after watching 'Death Warmed Up', from my now-infamous Mill Creek 50-film 'Nightmare Worlds' pack--it has a few interesting ideas, and some decent, though dated, atmosphere, but director Blyth doesn't know how to put it all together. In the right hands, this could have worked, but it definitely doesn't, and that's a shame, because it had potential...'it coulda been a contender!' The two young female leads that play Sandy and Jeannie are beautiful, there's good chemistry between them and the two male leads, particularly in the scene where they're on the ferry going to the island. The completely gratuitous nudity and softcore sex was a great bonus. In an interview that was a DVD extra for 'The Fog', Jamie Lee Curtis explained that she enjoyed starting out in horror and that it was a useful genre for an actor in that it gave one a wide range of possible behaviours to both utilize and show, and, by the end, Michael and Sandy proved to me they were good actors. It's just too bad they were in a nondescript, clunky script that had no idea what it was doing or where it was going. 'Death Warmed Up' is one of those films that doesn't have a climactic finale, or end, per se, it just simply stops or dies, as if the filmmakers simply had no ideas left and simply stopped when they ran out of film.

THIS is the type of film that should be remade, not the wildly successful and great film that has no need to have a different interpretation or chance at life, but the misfires or the should-have-beens--to show the world that these ideas had validity and meaning after all.