Creator

Creator is one of only a handful of films that I would call original. The characters are complex and three-dimensional, genuine and intriguing (some of the best performances I've ever seen, especially Peter O'Toole). The story, too, is genuine, using everyday people and circumstances to approach powerful themes. What I appreciate most, however, is that the film is deep without being pretentious, and philosophical without losing its entertainment value. Creator is often underrated, probably because it strays from the structure that man moviegoers have come to rely on in a feature film, but it deserves a lot of credit, and is one of the most creative, insightful, and overall extraordinary films I've ever seen.

This is a movie which manages to capture the feeling of love. It is a movie that shows decent and loving people being extremely human with each other. There is a kindness that permeates throughout the movie which makes it a pleasure to watch.

The movie creates a warm feeling inside like very few other movies can. Cousine, Cousine (French version) is another movie that also reaffirms the joy of being human, even though the characters and story may not be totally believable.

The main characters in the Creator are people you want to be friends with. The movie uses humor and some great and thoughtful lines to remind the viewer that life really is about love.

Even the music by Giovanni adds to the feeling of warmth that is constant in this movie.

As other people have said I can tell you from experience that this is the type of movie you show a potential mate and see how they react.

One of my very favorite movies.

I don't rate films often, but the rating (5.8) seemed so low to me that I had to offer a comment or two. This film is a true gem, and one of the best films I have ever seen Peter O'Toole act in. David Ogden Stiers is great as a "bad guy" who isn't bad at all. Virginia Madsen is absolutely gorgeous (it has been years since I last saw this film but I still remember that shower scene). Even Hemmingway, who I don't usually like, puts in a good performance. This is a very touching romance story, that also deals a lot with letting go, but not giving up. It also doesn't get too preachy about the morals of genetic engineering. I did keep thinking through the film that even if he could bring his wife back it still wouldn't be the person he loved so much, no matter how much he wanted that. A great film that deserves a better rating.

This movie is truly one of my favorites of all times. It is sweet and it is hopeful and it makes you think. Actually, the issues addressed in it are quite timely. Would you clone a dead loved one if you could? These are issues that we ourselves will have to be facing and making decisions on in the not so distant future.

Virginia Madsen is nice as the love interest. Vincent Spano wonderfully plays Igor to Peter O'Toole's Frankenstein, while maintaining a mind of his own. Mariel Hemingway is delightfully nutty and light as Meli, the coed nymphomaniac. Interesting surprise from her during a touch football game too. And those of you who are M*A*S*H fans will love David Ogden Stiers as the foil for Peter O'Toole's "mad scientist" hijinx.

This movie is refreshing and dramatic and subtle. I love it, I will always love it! And it still moves me after almost 2 decades!

BTW-Those of you who appreciate soundtracks will love this one! The "String Trio Rock" by Mark Cargill is interspersed throughout. It will stay with you even after the movie is over!

peter o'toole is never an ordinary man in film. i just don't think he can be...and that's not a criticism. there's always something too luminous, too twinkling, too smart and witty. he's at his best in roles like this that let him play someone a little smarter, brighter, more attractive than anyone else. as a nonconformist "mad scientist" so obsessed with recreating his long-dead wife in his backyard lab, o'toole practically dances through the film, his generosity of spirit and warmth making the other characters come alive and his similar generosity of talent allowing room for younger actors to catch that spirit and run with it, if only for a little while. okay, so vincent spano has never been good in anything but a john sayles film, and the wife plot seems to peter out, and mariel hemingway, while delightfully trampy from time to time, seems to be trying too hard...but just watch the scenes where o'toole, chewing on his oversized cigar, playfully undermines his stuffy colleague (a funny, menacing david ogden stiers) or the scenes when tragedy strikes his young apprentice (spano) and he reaches out with the most effective looking comfort i've seen. when the boy emerges from a hospital door and looks to him and o'toole just opens his arms as wide as a church door. creator's not a great movie by any means...but you've probably not seen it and an unseen o'toole performance, especially one this warm and winning, is like a gift.