Compromising Positions

Hard to believe it from this black comedy, but director Frank Perry used to excel with stories about headstrong women shaking off the chains from their men and finding answers on their own. Therefore, it's rather sad to see Susan Sarandon so open-mouthed and hesitant here, kowtowing to a perfectly dreadful Edward Herrmann in the opening scenes of "Compromising Positions". After her lascivious dentist is murdered, Sarandon goes against hubby's wishes and helps detective Raul Julia solve the case. It's too late; too much compromising has been done on Perry's part and whatever visual interest there is early on has sputtered. Is there nothing more depressing than a deadening plot taking place in dullsville surroundings? Perry used to stage high-wire acts in the hearts of high-strung, big city women. Here, he plants his camera on mowed lawns and points it at front doors. The dentist is the lucky one. *1/2 from ****

Frank Perry, a middling director I know best for DAVID AND LISA, MOMMIE DEAREST, comes up with a far more comic product in COMPROMISING POSITIONS. A generally humorous screenplay by Susan Isaacs helps, especially with with some clever twists and the relationship between Julia and Sarandon; cinematography is competent enough, with some interesting angle shots in the tooth extraction room at the start; and some telling closeups of Susan Sarandon, whose eye-rolling greatly contributes to the film's offbeat oddball atmosphere. The church scene where many woman cry over the romeo dentist's passing is memorable.

Sarandon dominates the film - she is a real pleasure to watch - and Raul Julia, Joe Mantegna, Judith Ivey and Josh Mostel provide more than adequate support.

No masterpiece, but completely enjoyable until the final quarter, at which point it becomes rather bland. The scene where a cop car drives up and the cop distracts the baddie is just too pat and (in my opinion) does not fit in with the rest of the movie, but that scene is not enough to condemn the film. 7/10.

Susan sarandon, who started out in the soap operas and was janet in "rocky horror"! When someone gets moidid in a small town, the whole neighborhood is talking about it. Apparently the victim was quite the ladies man, and was always on the make. So housewife and mom judith decides to try to figure out who-dunnit. But now she's a suspect herself! It's okay. Major over-acting by julia and herrmann. A bit slow in the middle. Some familiar faces... joe montegna, judith ivey, anne desalvo, ed herrmann, raul julia. Story based on the novel by susan isaacs. She also wrote "hello again", about the death of a spouse. And that also starred judith ivey, and it also had director frank perry! Perry was nominated for "david and lisa"... has anyone ever heard of that one? He also directed mommied dearest. Raul julia died young at 54.

I liked the movie but not Edward Herman's chauvinistic role. What I really didn't like is Raul Julia aka Sgt Suarez constantly hitting on Susan Sarandon when he knew full well she was married, not to mention it was unprofessional. It just didn't make any sense or add to the plot since there was no way she would leave her husband even if he was a jerk.

It would have been better if Edward Hermann was in cahoots with the dentist Joe Montegna where he killed Montegna for whatever reason. Then her husband would go to jail and she could have an excuse to be with Suarez.

Nevertheless I loved her neighbor played by Judith Ivey. She stole every scene she was in.

A good script (with adult themes) and an excellent cast make this a most enjoyable caper-comedy about the secret life of an upscale dentist. What this one does with vegetables gives one pause about eating salads anywhere but home, as Judith Ivy (particularly good as an oversexed suburban housewife) dryly points out in one of the funniest lines in the film. The movie is fast-paced with very good direction and production values. Maybe not quite a "10," but close to it.