Clue

I've been annoyed at most of the bad reviews I read of this movie, because none of them understand what it's all about. It's true; the script is not actually that great. What makes it great is how everything is delivered. The cast is fantastic in playing each part as a cliché, even when the lines are far from it. Curry plays the role with so much ham that it's understood why the script is like this. This is a play, not a movie. I can understand not being in the mood for this film. But I can't understand not appreciating these fantastic performances. Another person pointed out that this film needs to be seen in widescreen. This is correct-the movie reaches another level of greatness by seeing it in proper aspect-ratio. And I've never seen Colleen Camp looking this fantastic.

Clue is a laugh riot from start to finish. The cast is great with the obvious star being Tim Curry. The plot is well thought out and is rather original. Clue is the perfect mixture of comedy and mystery. The best treat is that this movie has three completely different and hilarious endings. This is a must see.

When I started watching "Clue" I was amused by the fact that it was based on the famous game of the same name. Two or three actors that I liked are also listed in the cast, so I thought I might give this a shot, if only for curiosity value. Well, what do you know, "Clue" is one of the most fast paced and wittiest play-like comedies ever committed to film! Somehow the makers really managed to make this an original crime/comedy that spoofs all the Agatha Christie whodunnit-movies and blending it effortlessly with references to the the game. The script is so witty and clever it seems like a modern Oscar Wilde-adaptation. The actors and actresses help making it come to life. Even though I was mainly watching this for Christopher Lloyd (who starred in "Back To The Future" that same year, which is kinda hard to believe if you compare his looks in the two movies), Tim Curry (whose performance here seriously rivals all his other great roles like Frank 'N' Furter and Pennywise The Clown) and Michael McKean (great as ever), the whole cast really blew me away, because it had such a great on screen-chemistry together.

Up until the ending (the three different endings, that is), "Clue" is one hell of an entertaining ride that doesn't bore you for a second. This one is a real sleeper, one of the greatest and most overlooked comedies of the 80's. If you get a chance to watch it, definitely do so!

CLUE has been one of our family's favorites for years. It's one of those irresistibly zany comedy-mysteries that, even though I have a copy of the film, I'm happy to watch it if I stumble across it on TV (don't touch that dial! :-)). Despite a few groaners among the gags (how many times did they need to sniff for doggie-doo in the beginning?), there are enough witty lines ("Communism was just a red herring!" and "Flames...on the side of my face...", among others, are frequently quoted in our home) delivered sparklingly by the top-notch cast amid enough madcap scampering about to make CLUE very watchable on a lazy afternoon, or even a not-so-lazy one, for that matter. Tim Curry (who deserves to be in more good movies) steals the show, particularly when he reenacts the entire movie in about 15 minutes during the climax, accompanied by John Morris's rollicking music. The film was released with three different endings, each of which has been shown on cable--the one that recalls MURDER ON THE ORIENT EXPRESS is my favorite. Give CLUE a shot...in your living room...with the DVD player!

There aren't any films that have been based on board games. This was a childhood favourite of mine (both the game and the film).

There's something really satisfying about seeing good actors being silly. Tim Curry, of course, is a class act - a master in scenery-chewing who's right at home in this particularly manic role. Madeline Kahn always reminded me of Imelda Staunton with her perfectly- timed facial expressions; and Michael McKean is excellent as usual.

This film is more manic than the similar - but more sophisticated - Murder By Death (1976), and from my wife's reaction when watching it, I'm sure a lot of my fondness of it comes from enjoying it as a child... but I still say if you can stand the rather hysterical performances you'll be in for a treat - lots of great one-liners and memorable moments (Jane Wiedlin with the briefest of cameos as a singing telegram in particular). The alternative endings, too, are an enjoyable gimmick.

yetanotherfilmreviewblog.tumblr.com