The Black Cauldron

There were many good things going on in the Black Cauldron. First, there were NO SONGS, which really helped move things along. Second, the villain was truly frightening, the supporting cast was a lot of fun, and the movie's breakneck pace held my interest and entertained me throughout. But, there were some bad things as well. Taran wasn't really a character at all. Every important thing that happened to him was by luck or accident. And at the end of the story he's right back where he started. Also, the plot was little more than a succession of action sequences, with little sense holding it together. The heroes simply fell out of one situation into the next, perhaps the result of squeezing two full-length novels into one movie. And don't get me started on the ending. Our hero stumbles through the picture so that -- his furball sidekick can become the true hero of the piece. Yech. Still, I was entertained, and I'd see it again. But for those looking for the REAL Black Cauldron, read "The Chronicles of Prydain" by Lloyd Alexander. You'll be glad you did.

"The Black Cauldron" is not a typical Disney animated feature. For one thing, it's not a G-rated musical. In fact, it was the first-ever Disney feature to receive a PG rating. The story comes from the works of Lloyd Alexander, in the spirit of J.R.R. Tolkien. In it, Taran, a young pig-keeper must protect Henwen, a prophetic pig who can divine the whereabouts of a powerful weapon known as the Black Cauldron. The demonic Horned King is after this bastion of black magic to create an invincible army of the undead. This movie boasts impressive art shot in 70mm widescreen format, art which includes the contributions of a young Tim Burton. Sadly, this feature did poorly in theaters, possibly being too frightening, or going over the heads of Disney's usual target audience. Just the same, "The Black Cauldron" deserves a good look!

"The Black Cauldron" provides us with "Exhibit A" of the disorganized nature of the Disney organization from the mid-1970s through the mid-80s. The company's feature films were attracting smaller and smaller audiences, and no real creative force had emerged since Walt Disney's death in 1966. By the mid- to late-70s, it was clear that new ideas needed to be tried. The phenomenal success of "Star Wars" appeared to offer a sure-fire way to box-office success: sci-fi/fantasy movies. At the same time, Disney Studio's full-length animated features continued their descent from the heights scaled in 1959's "Sleeping Beauty", at first downscaling the subject matter, then progressing to less and less impressive animation, and finally combining the first two trends with boring storytelling (see "The Fox and the Hound" - 1981).

It was in this context that pre-production began on "The Black Cauldron" in the late 1970s. From an artistic standpoint, its goals were two-fold. First, the film was to recapture the lead in animation quality that Disney had traditionally held, while the second goal was to incorporate the advances in animation and subject matter made in the 1970s (i.e., playing "catch up"). Some early decisions were good: the source material was top-notch. Lloyd Alexander's "Chronicles of Prydain" are fantastic works of fantasy for the young adult - I loved them as a middle-schooler in the mid-80s, and the choice to film the story in 70mm widescreen harkened back to the glory days of "Sleeping Beauty." Unfortunately, not much else worked. The studio's writers did a terrible job of condensing the first two books of Alexander's series, and we end up caring little for the characters that emerge, or for the plot as it unfolds. Also, the movie's tone is uneven. Overall, the work is very dark and un-Disney, which would've been fine had it been executed better. Further, the grimness of the plot doesn't mesh with occasionally clumsy and earthy attempts at humor, and the character animation fluctuates between sober naturalism and exaggerated, cartoonish mannerisms (stretching ears, gaping mouths, etc.) Still, some of the shots are stunning and rank among the best in the history of hand-drawn animation (e.g., multiplaned exterior shot of the Horned King's castle, beautiful backgrounds within the same, Hen-Wen's capture by the Horned King's creatures). The result of this mish-mash was a box-office flop ($25 million to make, $5 million in ticket sales upon its 1985 release).

In short, see this film for its often-impressive animation and intermittent charm. Be sure to get the newly-available widescreen version on DVD. Bemoan the end of the era of stunning hand-drawn animation (Disney has closed up its shop; "Home on the Range" was its penultimate hand-drawn feature). Don't expect a classic, but appreciate the vision of its artistry - even if the final product didn't quite mesh satisfactorily. "The Black Cauldron" is a noble failure.

"The Black Cauldron" certainly doesn't fall into the genre of animated Disney family favorite, but instead feels much like the more grim and complicated fantasy films that were made in the eighties. Does it stack up to such films as "Return To Oz" and "The Dark Crystal"? Well, although not as complex as the aformentioned, this film is not without its charm.

The story of Taran, the pig-keeper's journey from gawky boy to gawky boy-hero apparently works better as told through the course of five books, and indeed it is the plot that feels put together, with a lot cut out of it for it's slim 1:20 running time. Also suffering because of the short time is any character development, or a reason why the charcter of Dallben (an old minstrel) are in the film at all. However, this film still has a lot going for it.

The film has a wonderful pacing to it with some fantastic action scenes. It is adventurous and fun. An engaing film for any fantasy fan. What really makes the film though is it's terrifying and dastardly villain, The Horned King. He is basically a Skeletor knock off with absolutely no sense of humor. He looks like he stepped right out of an Iron Maden album cover, and that is a monumental good thing. The true threat felt by the presence of this decidedly un-Disney character keeps the tension of the film high.

It is this contrast, between the unconventionally ghoulish villans (definatly enspirered by Bakshi's animated adaptation of "Lord of the Rings") and the stock Disney characters makes the audience care more-so for the cutesy characters than usual. This is especially true for the cutsey character of Gurgi, who is much more tollerable than almost all other Disney sidekicks and especially more tollerable than a certain J*r J*r B*nks that we have all been over exposed to lately.

So I would recommend "The Black Cauldron", it's a fun and well animated adventure film. Compleatly scary and strange for Disney to make, but still very very good for other reasons nonetheless.

I must say first that my opinion on this film is slightly biased. I was one of the handful of people to have seen this film on its initial theatrical run. I was also 11 and a boy (a target audience of this film). I owned the Gurgi and Hen Wen plushes, got excited by the preview on the "Pinocchio" video, etc.,etc.

After seeing the movie, I remember being entertained (maybe not enthralled) by the film and was saddened by Gurgi's sacrifice at the end.

Years passed. And passed. And passed. And people seemed to have forgotten "Black Cauldron" in the wake of "Little Mermaid" and her successors.

I must admit that I became somewhat obsessed with finding out why Disney thought of the film so poorly and why everyone gave me "blank stares" when I mentioned it. To say the least, I longed for a video release of the film.

A year or two ago, I got my wish, and now that I'm older and "wiser" I'm able to make a better judgement of the film. Is it Disney's worst film ever? Absolutely not. "Black Cauldron" is probably the finest animated film of the 1980's ("Little Mermaid" not withstanding). It IS a scary film for young kids (hence the PG rating) but I think audiences today are able to deal with that more than they were back in 1985 (just look at "Dinosaur," "Road to El Dorado," and the upcoming "Titan AE" which are all rated PG). The story may not be up to Disney standards, but for a film of its genre (i.e fantasy) it has a very compelling and understandable story. The animation has its highs and lows. But this film was made by a large number of people over a long period of time, so it is inevitable that there should be some fluctuation in quality.

Lastly, I too have read Lloyd Alexander's books, and I too adore them. No, Disney's film does not even begin to compare to the books, but what movie does?

On its own terms, "Black Cauldron" stands as a remarkable achievement in animation, and a film for those people who don't just think cartoons are "babysitters for kids."