अपनी भाषा में प्लॉट जोड़ेंIn ancient India, a courtesan falls for a married but poor man while evading a royal pursuer. Their forbidden romance intertwines with political intrigue when he aids an escaped prince, lead... सभी पढ़ेंIn ancient India, a courtesan falls for a married but poor man while evading a royal pursuer. Their forbidden romance intertwines with political intrigue when he aids an escaped prince, leading to false accusations and a fight for justice.In ancient India, a courtesan falls for a married but poor man while evading a royal pursuer. Their forbidden romance intertwines with political intrigue when he aids an escaped prince, leading to false accusations and a fight for justice.
- पुरस्कार
- 3 जीत और कुल 2 नामांकन
Anuradha Patel
- Aditi
- (as Anooradha)
Shekhar Suman
- Charudatta
- (as Manjunath Shekhar Suman)
फ़ीचर्ड समीक्षाएं
Directed by Girish Karnad, this movie is a pure delight to watch. Within a comparatively small budget, the director, has managed to recreate the period atmosphere of the Gupta age complete with lavish sets and costumes. Competent performances by all and some incredible music by Laxmikant Pyarelal's songs like Saanjh Dale, Man kyun Behaka, Neelam pe naleh chhaye have been wonderfully choreographed. What made this movie thoroughly enjoyable were the delightful characters: Courtesans, Musicians, Burglars, revolutionaries etc all cleverly inter-woven in this wonderful story of Vasantsena, played by Rekha, seen through the eyes of Vatsyayana the author of "Kamasutra".
Rekha's performance as Vasantsena is marvellous. It is a classic movie about eroticism told in a non-titillating way. For example in the scene where Vasantsena takes off her ornaments with the aid of Charudutt is one of the most poetic eroticism I have ever seen.
Enjoy...
Rekha's performance as Vasantsena is marvellous. It is a classic movie about eroticism told in a non-titillating way. For example in the scene where Vasantsena takes off her ornaments with the aid of Charudutt is one of the most poetic eroticism I have ever seen.
Enjoy...
I saw this movie yesterday and felt that the roles of Amjad Khan were underdeveloped, both as the narrator and as Vatsyayana. He is introduced as narrator but does not do anything after that. He then comes up as Vatsyayana but is lost after a few scene. I thought Vatsyayana could have been a recurring motif for the movie- just to highlight the eroticism of the times in the Gupta age, called the Golden Age of India.
Acting wise, Rekha is superb, nearly phenomenal! Debutant Shekhar Suman displays the nervousness of a now-poor man who is being seduced by a famous and rich courtesan- but he lacks screen presence, an obvious side effect. As a rookie and that too in front of Rekha, he would naturally have been nervous! The most curious case was that of Shashi Kapoor's Sansthanak- a role he would never have played anywhere else and something that Akhilendra Mishra's (aka Kroor Singh of Chandrakanta) of today would feel more comfortable playing! Still his acting needs to be commended- I noticed only really late that this was SHASHI KAPOOR!
Overall, the feeling was that while it was good, it could have been even better.
Acting wise, Rekha is superb, nearly phenomenal! Debutant Shekhar Suman displays the nervousness of a now-poor man who is being seduced by a famous and rich courtesan- but he lacks screen presence, an obvious side effect. As a rookie and that too in front of Rekha, he would naturally have been nervous! The most curious case was that of Shashi Kapoor's Sansthanak- a role he would never have played anywhere else and something that Akhilendra Mishra's (aka Kroor Singh of Chandrakanta) of today would feel more comfortable playing! Still his acting needs to be commended- I noticed only really late that this was SHASHI KAPOOR!
Overall, the feeling was that while it was good, it could have been even better.
When i saw Utsav i felt so proud of being Indian. Today ours is a conservative country but in the gupta period we were so liberal about sex. The Gupta era has been masterfully captured in this movie. The only bad thing was that the film has a slightly slow pace. The song "Man kyon behka" is excellent. The Sets are seductive and the cinematography is impressive.
The period painted by the director, art director and the cinematographer is utterly convincing. You simply surrender.
Sharad Joshi's dialogue is delightful. Music is just as convincing for the period.
Great movie making.
I had been longing to watch this movie for several reasons. One - it was from Shashi Kapoor (noted for sensible productions like Junoon, Kalyug, 36 Chowringhee Lane, Vijeta etc). Two - Girish Karnad helming the affairs who is quite able in his own right. Three - the songs which I literally grew up with (watching over and again in Chitrhaar, and cursing!). Four - the original choice for the lead pair was Amitabh & Rekha which transformed into a lacklustre Shekhar Suman & Rekha. Nonetheless, its "Utsav - Celebration of art" and it truly lived up to the expectations. Noteworthy is that everything in the movie was classified as an art including robbery & sex.
As mentioned earlier, music was one of the strong motivations to watch the movie and needless to say the songs are top- notch. Its noteworthy to mention that Lakshmikant-Pyarelal were in top form (a la Himesh Reshamiyya) when Utsav was released and the music of Utsav was completely different to their genre and yes, a bit hit. Lyrics by Vasant Dev are exceptional. Probably after Satyam Shivam Sundaram, one gets to hear such poetry in its purest form.
The only shortcoming was was language which I felt that there was enough room to improvise as it did not maintain consistency. In Hindi cinema after Navrang, perhaps one get to hear such pure dialogues and lyrics.
The sets are massive and attempt to create the Gupta age is noteworthy.
Vasantsena - nobody except Rekha.
Samsthanak - the character per se was a mockery and needless to say ill- suited Shashi Kapoor.
Annu Kapoor, Satish Kaushik, Harish Patel, Khulbushan Kharbanda, Gopi Desai, Anupam Kher entire NFDC was present except the biggies Naseer, Om Puri & Shabana.
It was good to see innocent Master Manjunath. Reminded me of Malgudi Days.
Neena Gupta suited the fiery Mandolika. Anuradha Patel was quite pretty and well suited for the role of Aditi. Amjad Khan was passable.
Shekhar Suman was the weakest link. How on earth did me manage to lead a lead role opposite Rekha - beats me!
As mentioned earlier, music was one of the strong motivations to watch the movie and needless to say the songs are top- notch. Its noteworthy to mention that Lakshmikant-Pyarelal were in top form (a la Himesh Reshamiyya) when Utsav was released and the music of Utsav was completely different to their genre and yes, a bit hit. Lyrics by Vasant Dev are exceptional. Probably after Satyam Shivam Sundaram, one gets to hear such poetry in its purest form.
The only shortcoming was was language which I felt that there was enough room to improvise as it did not maintain consistency. In Hindi cinema after Navrang, perhaps one get to hear such pure dialogues and lyrics.
The sets are massive and attempt to create the Gupta age is noteworthy.
Vasantsena - nobody except Rekha.
Samsthanak - the character per se was a mockery and needless to say ill- suited Shashi Kapoor.
Annu Kapoor, Satish Kaushik, Harish Patel, Khulbushan Kharbanda, Gopi Desai, Anupam Kher entire NFDC was present except the biggies Naseer, Om Puri & Shabana.
It was good to see innocent Master Manjunath. Reminded me of Malgudi Days.
Neena Gupta suited the fiery Mandolika. Anuradha Patel was quite pretty and well suited for the role of Aditi. Amjad Khan was passable.
Shekhar Suman was the weakest link. How on earth did me manage to lead a lead role opposite Rekha - beats me!
क्या आपको पता है
- ट्रिवियाShashi Kapoor lost big amount of money with Utsav he got into debts. Utsav made Shashi Kapoor bankraft. After about 7 years later, Shashi Kapoor released Ajooba, a totally big budget masala type of film, here slowly Shashi Kapoor recovered his money and got of red.
- इसके अलावा अन्य वर्जनOne musical number has been cut from the domestic (Indian) release, whereas the international version is complete. The song is picturized on Rekha (playing a lower caste courtesan) and Shekhar Suman (playing a high caste Brahmin), where he drinks the water trickling down her neck. The scene was cut after protests by the Brahmin religious zealots.
- साउंडट्रैकMan Kyon Behka Aadhi Raat Ko Mera Mehka
Lyrics by Vasant Dev
Music by Laxmikant Shantaram Kudalkar (as Laxmikant) and Pyarelal Ramprasad Sharma (as Pyarelal)
Performed by Asha Bhosle and Lata Mangeshkar
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Utsav?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 2 घं 25 मि(145 min)
- ध्वनि मिश्रण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें