Tie jia wu di Ma Li Ya

Imaginative action sequences (particularly the clash of two robots, and one involving a flying motorcycle), impressive special effects (mostly just good old-fashioned mechanical stuff), and Sally Yeh's incredible beauty and solid acting make up for a less-than-engaging story in this bizarre Hong Kong action-fantasy-comedy, which I would recommend mostly to experienced HK viewers, and maybe comic book fans. The first 40 minutes or so are kind of hard to sit through, but then some of the jokes start working, the action becomes more frequent, and Sally Yeh begins to play a bigger part in the movie. Actually, she plays TWO parts: a vicious villainess, and a robot that's made by the bad guys to look just like her and eventually gets re-programmed by the good guys to help them out. It also starts developing human emotions, and it's to Sally Yeh's credit that, using only a few expressions, she manages to give this robot a human soul and make you care about her. And did I mention she is just incredibly, pause-the-DVD-to-admire-her-face beautiful? (**1/2)

Never having heard about this 1988 Hong Kong action sci-fi comedy titled "Tie Jia Wu Di Ma Li Ya" (aka "I Love Maria"), and stumbling upon it by random chance here in 2022, of course I had to sit down and watch it, given my love for the Hong Kong cinema.

I have to say that this movie from writers Kai-Chi Yuen and Hark Tsui is corny. Sure, it was watchable, but it was a rather cheesy movie actually. Not the greatest moment in Hong Kong cinema, nor was it a particularly great sci-fi feature.

And I was very surprised to see that the movie had Sally Yeh, Paul Chun and Tony Chiu-Wai Leung on the cast list.

The special effects in "Tie Jia Wu Di Ma Li Ya" are adequate enough for a movie such as this, and taking into consideration the years since it was made.

"Tie Jia Wu Di Ma Li Ya" is a movie that is watchable once, but it hardly has enough contents to its storyline to warrant or support a second viewing. And I know that I am not returning to this movie a second time, because it just was a bit too mundane and bland for my liking.

My rating of directors David Chung and Hark Tsui's movie "Tie Jia Wu Di Ma Li Ya" lands on a four out of ten stars.

Not everyone's cup of tea, but not since Inframan have I see so many tricks pulled out of a bag and thrown up on the screen.

STUPID but FUN. The movie is a little slow in the middle with some pretty childish "humor" but then picks up to keep things up right to the end.

WHERE ARE THE DISTRIBUTORS??? Netflix / Prime would GLADLY put this on the streaming list!

Being an ignorant American I'd like to see them put out a dubbed version - but subtitles are better than nothing.

If this were more popular I wouldn't give it an 8, but like the Oscars, I'm overrating it a point to boost it as I think it's a movie many people "should" see compared to so MANY well promoted titles that won't leave you as entertained as this one.

I LOVE MARIA!

The plot is simple at best, and the humor is often childish, and yet it works. The reason it 'works' is likely the pace. As in a movie like Airplane, you do not have much time to think about each attempt at humor, as there is another one following too close on its heals. The effects were actually quite good for the time and apparent budget. Surprisingly to me, the characters were actually not likeable for the most part. The only likeable characters would be the semi-retired gang boss and the android Maria. If you already like period HK action and comedy, then you will likely like this one. I am not a genre fan and I still liked it after watching it for the first time today.

Never having heard about this 1988 Hong Kong action sci-fi comedy titled "I Love Maria", and stumbling upon it by random chance here in 2022, of course I had to sit down and watch it, given my love for the Hong Kong cinema.

I have to say that this movie is corny. Sure, it was watchable, but it was a rather cheesy movie actually. Not the greatest moment in Hong Kong cinema, nor was it a particularly great sci-fi feature.

And I was very surprised to see that the movie had Sally Yeh, Paul Chun and Tony Chiu-Wai Leung on the cast list.

The special effects in the movie are adequate enough for a movie such as this, and taking into consideration the years since it was made.

This is a movie that is watchable once, but it hardly has enough contents to its storyline to warrant or support a second viewing. And I know that I am not returning to this movie a second time, because it just was a bit too mundane and bland for my liking.

My rating of this movie lands on a four out of ten stars.