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The problem with a film like "A Soldier's Story" is that too many will skip it because it is one of those black social films. They expect a boring bitchy sermon. That's too bad, because they miss out on one of the best ensemble films of the 1980s, not to mention a tough mystery story that navigates deep psychological waters in delivering a message far less rosy and doctrinaire than you might expect.

It is World War II, and just outside a Louisiana army base for "colored" troops, a black master sergeant is shot to death on a deserted road. Whites from the nearby town are suspected. Howard Rollins Jr. plays Capt. Davenport, a black lawyer sent by Washington to investigate. The expectation is he will ruffle no feathers and work instead at being what the base commander calls "a credit to your race." But Davenport quickly makes clear he isn't anyone's token, even if it means pressing white suspects or investigating the possibility that whites didn't kill Sgt. Waters at all.

Today, you see the film and notice Denzel Washington has a major role as one of Sgt. Waters' men. But the star of the film is neither him nor Rollins, but Adolph Caesar as the doomed Sgt. Waters. "They still hate you!" he almost laughs as he is being murdered, and one of the many mysteries sorted out in the film is that Waters wasn't talking to the killer but himself.

Waters is bent out of shape not only over white American attitudes towards blacks, but his own attitude about how a black person can be more acceptable in white society. He expresses admiration for Nazi Germany, noting that they have a commendably direct way at getting at the problem of racial purity. For him, the black race is held down by a certain type of southern black, "geechies" he calls them, who play to white stereotyping by not speaking correct English and so on.

Caesar tackles Sgt. Waters as if his were a Shakespearean role, and in a way it is, Shylock crossed with Richard III, filtered through a multitude of American racial prisms, white on black, black on white, black on black. His every twitch and body shudder come over perfectly, especially when you watch a second time. Even in smaller moments, like when he's getting ready to beat the tar out of Denzel, and is joshing with the other non-coms, he never lets go of that glint in his eye or his hold on the viewer's jugular.

Though Rollins and Washington are both very good in support, even better is Art Evans as Waters' sad flunky, Wilkie, who gives two contradictory depositions to Davenport and the deepest insight as to what made Waters tick. Dennis Lipscomb as Capt. Taylor is also fantastic, a white officer who tells Davenport frankly he doesn't want him investigating the murder because of the color of his skin. Taylor's not a bigot, mind, he just wants justice and fears a black officer won't be able to make an arrest in Louisiana. Taylor's more socially awkward than anything else, and scripter Charles Fuller, working from his great "A Soldier's Play," has a lot of fun with him and his exchanges with Davenport.

When Davenport tells him of an especially cruel trick Waters played, Taylor refuses to believe it. "Colored people aren't that devious," he says, a nice line in that you discover Taylor's racism and his naive decency simultaneously.

In his DVD commentary, director Norman Jewison doesn't mention his earlier "In The Still Of The Night," which is odd given the many parallels between the two films. Both are murder mysteries set in the American South with blacks and whites butting heads. Rollins even went on to appear in "Still Of The Night" the TV series. I don't see this film as a copy of that earlier one, but a variation on the same theme, and in many ways an improvement.

Instead of noble Sidney Poitier, you have a deep raft of black acting talent representing a variety of different attitudes and moral shadings. Real stock is taken, too, of America's racial divide, how people can still feel American enough to want to die for their country even if it won't let them drink from the same water fountain. There's something heartbreaking about the scene where we see the black soldiers celebrating being sent off to combat, in the wake of what happened to WWI hero Sgt. Waters. Will they come back with memories of their own Cafe Napoleon?

There's much to recommend about this film. First it is refreshing to see a story about racism not done in the typical fashion where 'good' and 'bad' are so clearly delineated (ie. this a story about racism within the black community). Socially conscious director Jewison (In the Heat of the Night) also does a wonderful job (with the help of the scriptwriter of course) in authentically capturing the social climate of that bygone era. The acting is superb throughout. The only faces I recognized were Denzel's and David Allan Grier's but the unknowns (at least to me) were more than competent in their roles, especially Caesar's portrayal of the trouble Sgt. Waters. This film is not only fine cinema but it is also important history. Recommended, 8/10.

Commerating the 20th Anniversary of a brilliant classic!

This was one of the most powerful films that came out in 1984. Director Norman Jewison(In The Heat Of The Night)adaptation of the Puliitzer Prize-winning play(by Charles Fuller) and numerous NAACP awards for best achievement in African-American literature,tells about the ramificiations of racism and loyalty through the prism of blacks in the military,revealed through a mystery set in the 1940's deep South. Howard E. Rollins(Ragtime,and from the TV series In The Heat Of The Night)plays a military investigator,Captain Davenport,who is assigned to the murder of a drill instructor,Sergeant Waters,played by Adolph Caesar(The Color Purple),who was in charge of a black platoon during World War II. Under pressure from his superiors to wrap his investigation up quickly,Rollins instead delves deeply into the relationships between the despised drill instructor and his men,uncovering lies and animousity,and confronting the question of what it means to be black in a white man's world. Rollins delivers a riveting,stoic,emotional lead into the role of Captain Davenport while Caesar gives an electrifying performance as the Sergeant. A lot of fresh faces gives brilliant performances throughout the film including one from a youthful Denzel Washington,who makes an early appearance as a soldier with a deep grudge against the drill instructor and a deep mistrust of Rollins' investigator. Look for appearances by Larry Riley, David Alan Grier,Robert Townsend,and Patti LaBelle. A powerfully written story that makes the most of its large and impressive ensemble cast which still is enthralling--some 20th after its release.

MPAA Rating: PG-For Language,Racial Overtones and Comment,Violence.

Norman Jewinson's 1967 "In the Heat of the Night" delved into racial prejudices through the unlikely partnership between a White Southern cop (Rod Steiger) and a Black officer played by Sidney Poitier. His name was Virgil Tibbs and his non-welcomed involvement in a murder investigation revealed interesting facets of his personality not entirely devoid of prejudices. The Best Picture winner spoke many powerful statements about racism, while sticking to the basic formula of a mystery thriller, it wasn't just groundbreaking but entertaining.

I needed to start with a long preamble to assert that Jewison's "A Soldier's Story" certainly carries the same noble intentions but never really manages to elevate itself to the level of its glorious predecessor. The film grabs the viewer's attention thanks to the wonderful characterization of a complex character named Sergeant Waters, played by Adolph Caesar, some stand-out performances from Harold E. Rollins Jr. and a young and promising Denzel Washington, not to mention a well-written screenplay from Pullitzer-winning playwright Charles Fuller (he adapted his own play to the big screen) but there's a problem with the film: it forgot to be one.

We gather that the whole 'whodunit' structure is only an excuse for a character study, but the latter succeeds at the expenses of the former. That's the trick with play adaptations, dialogue is the raw material so they end up loaded with insights that confine to stage lecturing without that emotional kick only the big screen can provide. "A Soldier's Story" reveals some disturbing truths about Black soldiers' mindset in the segregated South and the way self-hatred inhabits the hearts of those torn between duty and their feeling of a tacit oppression but there's never anything crucial at stakes. Even Reginald Rose's play "12 Angry Men" had the life of the accused boy pending on the jury.

But in "A Solider's Story", Waters is dead already. Sure we want to know the truth about his killer, but in fact the real mystery is the victim himself. And Waters is quite a character, I never knew whether to be in awe of or despise him. When we first meet him, he's drowning his sorrow in a Louisiana jazz club, his state of total inebriation betrays a visceral admission of failure, such an overwhelming one that his death was the closest thing to a deliverance; hence his last burst of nerve when he's being beaten later. He's got the time to shout "they still hate you" and laugh manically before a .45 automatic bullet finally silences him. Naturally, we don't know who shot him but the Klan suspicion is way too obvious to fool us. From the start I suspected the killer would be one of his own soldiers and the film one of these stories where everyone has a motive.

Captain Davenport, lawyer by training, is assigned to lead the investigation and he's got three days to conduct the mission; he's played by the late Rollins. He's commanding and charismatic with his shady sunglasses that convey the same mix of threat and dignity as Colonel Mathieu in "Battle of Algiers". His presence inspires the respect and admiration of other Black soldiers and the bafflement of White officers, when it's not sheer disdain, as demonstrated by Colonel Taylor (Dennis Lipscomb). Rollins is the implacable force that confidently drives the plot, the Virgil Tibbs I would say. And his method is straight-to-the-point, investigating the case by interrogating different soldiers who were under Waters' iron-handed commandment.

First there's Private Wilkie, a disgraced former sergeant played by Art Evans. Then C.G. Memphis (Larry Riley) as the Southern gentle fellow who only inspired Waters' disgust, reminding him of the 'yes boss' sellouts of his youth. And there's First Class Petterson, Washington as the rebel who had the guts to stand against Waters and fought him with bare fists. As the flashbacks reveal the tormented relationships Waters had with his troop, we see the ramifications sneaking toward an unfamiliar territory. The "black vs. white" canvas vanishes, unveiling the very demons that inhabited Black people in a context where race still mattered. And for that I command the script and the play by Fuller, and the performances too.

But I also sympathize with Ebert's statement about the rather loose mystery structure, the film waits for the right moments to reveal the clues while in "In Heat of the Night", the narrative was linear and we were never one step behind the protagonists. To put it simply: there's a suicide that is never mentioned until there's twenty minutes left before the ending and a precious information about the weapons could have accelerated the whole investigation. Of course, we had to get through all these testimonies for the sake of the "message" but just because a film has powerful things to share with the viewers doesn't mean they should have a convenient timing as if they were following plot requirements more than sheer logic.

I wish I wouldn't have to point out these technicalities because the film deserved better. And so did Caesar who was simply outstanding with his intimidating tone that only a few facial tics could contradict, showing how full of petty resentment he was. Sure he could pretend to be big despite being towered by each soldier (wasn't he after all the one who made Danny Glover look like a pathetic Daddy's boy in "The Color Purple"?) but Waters is the kind of characters that are so well-written and complex that they end up revealing the complexities of the others. He's the spine of the film, inspiring that quote at the very end (I'm paraphrasing) "who gives you the right to tell you who's the right or wrong Black person" from a tearful Davenport.

But that's the kind of grand ending that needed a film of higher caliber. Interestingly, I thought the same of its Best Picture co-nominee "Places in the Heart", too wrapped up in its noble intentions that it couldn't transcend them.

This is an excellent film, at it's heart a case study in human psychology, but also a mystery and an intriguing one at that. The cast, mostly unknowns at the time, is fantastic and contains many now-familiar faces, most notably Denzel Washington and David Alan Grier. Adolph Caesar was nominated for an Oscar and Howard Rollins, Jr. probably should have been. Another highlight (at least for me) are the songs sung by Larry Riley and Patte LaBelle. This is a gem of a film, one that is most highly recommended.

Who murdered Sgt. Waters? This is the mystery posed at the outset of "A Soldier's Story," as we see Waters-speaking incoherently and obviously intoxicated-being shot to death on a country road. The setting is Tynin, Louisiana, and the year is 1944, near the end of WWII. Tynin, like the rest of the Deep South, is a town plagued by racial segregation and Klan terrorism. That said, everyone on the Tynin army base, both black and white, has no doubt that the black sergeant's killing was at the hands of white racists, some are even certain that it was the work of the KKK.

Enter Capt. Davenport, a Negro army officer/lawyer assigned by Washington to investigate Waters' killing. No stranger to racial hostility himself, he perceives himself as a crusader, out to see that justice-ultimately racial justice--is served for the murder. However, he has the unfortunate experience of learning that internal black racism can be just as hostile and damaging as the external racism historically afflicted by white society.

Howard Rollins plays Capt. Davenport, the no nonsense, stoic black army officer investigating Waters' murder, and Dennis Lipscomb plays Captain Taylor, the late Waters' white commanding officer, who, like Davenport, desperately wants Waters' killers prosecuted. However, Taylor earnestly tries to persuade Davenport to relinquish the investigation, believing that as a black man, there's no way that Davenport can possibly "get at the truth" behind the killing.

But it is Adolph Caesar who commands most of your attention throughout this movie in the role of the sadistic Sgt. Vernon Waters. The mystery of Sgt. Waters' murder is the focal point of "A Soldier's Story," and, fittingly, Caesar is "the man" of this movie. Through a series of film flashbacks of Waters, via Davenport's interviews with black soldiers of Waters' platoon and Captain Taylor, we learn that Waters was an intensely embittered, disillusioned black master sergeant who believed that Southern blacks, perpetuating stereotypes of minstrelsy and ignorance, impede the black race from attaining acceptance and respect from white society. That said, he embarks on his own personal crusade to rid the black race of such dregs so that the race can prosper and progress.

With his raspy, deep voice, Caesar spent most of his career doing narrations for Hollywood productions. (While hearing him deliver his lines in this movie, and if you're over 45, you can't help but to reminisce about the classic tag line he delivered in TV commercials for the United Negro College Fund way back in the day-"A mind is a terrible thing to waste.") But it is in this role as Sgt. Waters in "A Soldier's Story" that Caesar displays his powerful talent as a dramatic actor, in a role that would eventually become his signature. It is with his penetrating voice that he effectively embodies the hatred and bitterness that personifies the Waters' character. Although small in stature, his screen presence is commanding, and at times even chilling, particularly when he vents his animosity and sadism toward the Southern Negroes of his platoon, whom he deprecatingly refers to as "geeches." It is a hatred so intense that as Pvt. Wilke (Water's subordinate) explains to Davenport, "You could just feel it." Caesar would go on to win a well-deserved Academy Award nomination for "Best Supporting Actor" for his portrayal of Sgt. Waters in "A Soldier's Story," a performance that would make him a star overnight. Unfortunately, he would suffer an untimely death two years after the movie was released, just as he was coming into his own as a Hollywood celebrity.

In what was only his second appearance in a Hollywood movie, Denzel Washington delivers a solid performance as "Pvt. Peterson," the outspoken and assertive soldier from Alabama, totally unafraid to challenge Waters' bigotry toward the Southern black soldiers. In stark contrast to Peterson, veteran actor Art Evans plays Pvt. Wilkie, Waters' docile and acquiescent flunky, who, in an effort to regain his rank of sergeant, a rank Waters had stripped, is more than willing to facilitate the sergeant's dastardly deeds.

In one of the movie's most memorable performances, Larry Riley plays "C.J. Memphis," a Mississippi farmhand turned soldier who becomes the most unfortunate and tragic victim of Water's malevolence. Although engaging and exceptionally talented, both musically and athletically, Memphis is obviously the most illiterate and "uncultured" soldier of Waters' platoon, and a rube too naïve to realize that of all of the Southern soldiers, he's the "geeche" that Waters despises most.

In addition to the movie's intriguing drama and suspense, "A Soldier's Story" features prime musical entertainment. Iconic R&B vocalist Patti LaBelle plays "Big Mary," owner of a bar where the black soldiers from the army base frequent. Her mesmerizing blues/gospel singing, coupled with Riley's own fine Mississippi Delta blues singing and guitar playing, makes for some of the movie's most entertaining moments.

Charles Fuller, the playwright of "A Soldier's Story" and screenwriter for this movie, did quite a fine job of transitioning his Pulitzer-Prize winning play to the big screen, and the added dimensions of cinema greatly enhances his story. However, even though the story is intended to be a "whodunit," you'll most likely gather who murdered Waters before it is revealed at the end of the movie.

Nevertheless, "A Soldier's Story" is a truly compelling tale, and the magnificent performances delivered by the cast alone, a cast that would be perceived by many today as "all-star," will have you wanting to watch this movie over and over again.

I wanted to see this movie (again) because Denzel Washington is starring in it, although in a small supporting (but important) role. And Denzel shines, even at his young age, still an unknown actor, but he definitely steals the part.

The story: it's a whodunnit plot about who killed a black military officer in the American south during world war II. A black captain starts an investigation.

The good: the suspense is rather good. The acting by the leading actors is good. And of course Denzel Washington is the one who shines brightly with his acting performance.

Any bad? It starts out rather slow, with many flashbacks, only to pick up speed and suspense midway through.

Here is one of those overlooked films that seem to leave as soon as they arrive. And it's a shame that had to happen to this film because A Soldier's Story is a remarkable film. It takes place during the second world war at a training camp for black soldiers. When one of the highest ranking black Sergeants is murdered Captain Davenport is sent in to investigate the murder. Davenport, also a black man, must wade through prejudice and animosity to find out the truth behind this murder. The film is told half through flashbacks that occur via the interviews Davenport conducts during his investigation, and half through present tense. The film is rife with powerhouse performances and moving dialouge that all builds towards a fantastic climax. I was surprisingly impressed with this film that I really knew nothing about going in to.

This is one of those movies fueled by powerfully dramatic performances by great actors. There is little to no action in the film and it is primarily told through dialouge. There are some aesthetically beautiful scenes but most of the films subtle brilliance comes from its actors. It all begins with Howard E. Rollins Jr., an actor who died at the mere age of 46 and never became a big name, but proves his merit through this film alone. He wonderfully portrays a stoic military leader with a vulnerable heart underneath. He also represents the break away from racial stereotypes, something the other black soldiers haven't yet achieved. They all use their race as a crutch and an excuse, accusing others animosity on racism rather than actual dislike. There is a lot of overt racism amongst the white soldiers of the camp and Rollins' character marks a movement away from that crutch.

The supporting performances of this film are equally powerful. Aldolph Caesar, another relatively unknown actor, plays the murdered Sergeant Waters, who only appears in the flashbacks. His performance is one of the best of the film and his character is arguably the most profound. He isn't likable at all and is really a pretty cruel and unfair person, yet he he's smart and knows what he is talking about when he speaks so eloquently of the racial divide that negatively affects the military. He represents an older outlook on segregation, one that can't move society forward. What he represents is what Davenport knows what must be fought back in order for the military to reach undivided potential. The rest of the supporting cast are all magnificent and each is special in their own way with each performance as good as the next. It includes such talent as Art Evans, David Alan Greer, and even Denzel Washington.

A Soldier's Story is an ingenious film. It is intelligent, moving, memorable, and even highly amusing at moments. It is beautifully shot and every moment of the film visually compliments the brilliant actors on screen. It is a film that thrives from the high-in performances of its actors who eloquently deliver brilliantly written dialouge that is as sharp and witty as it is profound. This is one of those truly incredible films that will leave you deep in though afterwards. It should not be missed.

Interesting and electrifying movie with African American all-star-cast who makes memorable performance , it packs suspense , mystery , thrills , jazzy music and is quite entertaining . An African American officer (Howard E. Rollins) from the North is sent to a Southern base stationed in Louisiana to investigate a killing of an unpopular sergeant (Adolph Caesar) in a racially charged situation in World War II . He has three days to learn the truth about a murder and the truth is a story you won't forget plenty of racism in outside the corps . There he finds a motley group of soldiers (Art Evans , Denzel Washington , David Alan Grier , William Allen Young , Robert Towsend) and various suspect white officers (Scott Paulin , Wings Hauser) .

This intriguing and totally absorbing film features solid acting , suspense , whodunit , mysterious elements , racism , jazz and blues . From the Pulitzer-prize winning play by Charles Fuller , with the most of the Broadway cast and dealing about an incisive probe into racism . Adolph Caesar, Denzel Washington, and Larry Riley all recreated their roles from the original 1981 Lucille Lortel Off-Broadway production; when the play was revived in 2005, James McDaniel assumed Caesar's Sgt. Waters character . Magnificent performances from main cast as Howard Rollins and Adolph Caesar as a hateful sergeant who achieved prize as the best actor given by L.A. Films Critics 84 . Extraordinary support cast as a then little-known Denzel Washington -who went on to win an Academy Award for Glory- , William Allen Young whose role of Pvt. Henson in "A Soldier's Play", was played by Samuel L. Jackson in the stage version . Jazzy and atmospheric musical score by Jazzman Herbie Hancock is full of blues , and wonderful songs sung by Patti LaBelle . Evocative cinematography by Russell Boyd , being filmed in Little Rock and Fort Smith , Arkansas .

The motion picture was professionally produced and directed by Norman Jewison . He is a prestigious and veteran filmmaker, his greatest film is of course ¨Jesus Christ Superstar¨ . He directed successful movies as ¨Fiddler on the roof¨ , ¨Agnes of God¨ , ¨Moonstruck¨ , ¨Thomas Crown¨ and ¨Cinncinati Kid¨ . However , he also got some flops as ¨Bogus¨, ¨In country¨ , ¨Only you¨ and ¨Other's people money¨ and his last picture titled ¨The statement¨. He considers ¨The Hurricane¨ (1999) the last in a trilogy of racial bigotry movies he's realized, the first two being ¨In the Heat of the Night¨ (1967) and ¨A Soldier's Story¨ (1984) . Rating : Better than average .

This movie tries to do two separate and distinct things; one it does very well, the other is a so-so effort. As regards the latter, frankly, this isn't the most compelling murder mystery you're ever going to come across. On a US Army base made up of mostly black troops in Louisiana in 1944, a black sergeant is murdered, and the question is who did it. Many think it was local Klansmen who didn't like seeing a black man in a position of responsibility, but that theory is quickly rejected and in steps Captain Davenport (played by Howard Rollins) - a black lawyer/officer charged with solving the mystery. Most of the movie is told in flashbacks as Davenport questions the various soldiers on the base to try to unravel the mystery. Rollins was good in the role, and the movie paints a complex (and sometimes confusing) picture of Sgt. Waters, giving reasons for both liking and disliking him, and opening up the possibility that virtually everyone he came into contact with might have had some motive for wanting to kill him. The mystery around the killer's identity is indeed a mystery right up to the very end. There was no reason given to suspect any one character over another. Still, I wasn't especially drawn in by the murder mystery, and if that was all that was going on here this would have been a real disappointment. My sense, though, is that the murder mystery was really background to a bigger issue.

What's interesting here is the racial study. What's interesting is watching the pride black soldiers felt in seeing a black officer for the first time. What's interesting is seeing the discomfort of white officers around how to react to a black officer. What's interesting is seeing the interactions between the black soldiers themselves, all trying in their own way to find a way to fit in and to advance at the same time - some asserting their racial identity, some feeling that to get ahead they had to become more like whites, and not always getting along with each other as they approach the racial issues in different ways. This was, indeed, an interesting look at what life might have been like on such a base at the time, and it was that part of the story that was really most interesting to me. The murder mystery was worth watching only insofar as it helped to highlight those racial issues that were ever-present.

Of note, I suppose, is that this is one of the earliest roles played by Denzel Washington, as a private on the base who's one of the suspects in the murder because of a confrontation he had with Rivers. It's an important although not a huge role. Rollins was really the star of the movie, and he was very good. Adolph Caesar as Sgt. Rivers was good - perhaps a bit of a caricature of an army sergeant in some ways, but still quite good.

This is one of my all time favorite movies. The thing that I find so amazing is that few people have ever heard of it much less seen it. The acting and story line is excellent. This is one of those great whodunits with a great twist that compels us to examine our stereotypes and presumptions. If you find yourself looking for a great tip at the video store check this movie out. I think you'll enjoy it.

In something that could only come from Norman Jewison, a murder on a military base during WWII sets off a series of racial tensions. The Deep South setting creates the same sort of feeling that Jewison's "In the Heat of the Night" did, what with different kinds of tension. Nowadays, we may just want to watch it to see one of Denzel Washington's early roles (I believe that he wasn't very famous when "A Soldier's Story" came out). But I would say that it's a lot more than that, as you can feel everything about to explode. Very tense.

So I recommend it. Also starring Howard E. Rollins Jr., Adolph Caesar, David Alan Grier and Patti LaBelle. As it is, this one and "The Color Purple" are Adolph Caesar's only two starring roles to my knowledge. And how many African-Americans are named Adolph?

An old movie I never saw but had heard about. It has held up very well over the two decades since it came out (1984). The DVD comments by the director are interesting: low budget, core cast came from Broadway stage version, filmed at Ft. Chafee, Arkansas, Governor Bill Clinton visited the lot, local buildings and people were heavily used. Denzel Washington is fine in an early role; Adolph Caesar (well named for his role!)is fascinating; Howard Rollins is a force. Hard to put a finger on a weak link. Much of the music and barracks scenes are improvised giving the word "ensemble" real meaning. Definitely worth a first or second look. The spontaneous celebration of the long-awaited announcement that the unit is finally going to be shipped to Europe to fight is a special and real moment--validating the men's commitments to the U.S., with all its flaws, and the army itself, which would gradually emerge as a leading force for racial integration in the country.

It's 1944 Tynin, Louisiana. Sergeant Waters is killed by an unknown assailant. All the black soldiers suspect the local Klan. Captain Davenport is sent in to investigate the murder. The C.O. Colonel Nivins is a southerner. He restricts the black soldiers from going into town and gives Davenport 3 days before sending him back. Most of the men are baseball players from the Negro League. Waters was a hard leader of men. The investigation leads to different suspects.

I want to love this picture. The acting is superb. Adolph Caesar is excellent. There are tons of great black actors including a young Denzel Washington. Norman Jewison is doing his best work. However this is a whodunnit and the suspects are a little random. It feels like a series of twists and turns that isn't set up that well. In the end, I'm simply waiting for the last twist to reveal the real killer. The biggest problem is that I doesn't really care about what happened. There are so many good actors here that I want to love this more.

I'm an Army vet of several years and I feel somewhat qualified to comment on the accuracy of the portrayal of the military in the movies. I completed basic training and lived and worked in the same type of Army wooden barracks as in "A Soldier's Story." I was subordinate AND superior, in rank, in the course of my career, to soldiers like the disciplinarian Sergeant Waters. Overall, I believe "A Soldier's Story" is an accurate portrayal of Army personnel and history. "A Soldier's Story" is also an extremely entertaining mystery. Movie-making at its finest!

I am proud that the U.S. Army led the way in racial integration in U.S. history. These years were unduly difficult years for African American soldiers, who contributed greatly to the U.S. war effort. Not only did African American soldiers have to deal with enemy action abroad, they also had to contend with extreme and violent racism at home!

"A Soldier's Story" depicts this part of American history in a gripping, entertaining, and touching manner. Highly recommended 10/10.

Next up on Denzel Washington's filmography is 1984's A Soldiers Story

I really enjoyed this movie, but it falls short of being great. At times it feels like a TV movie, is a tad predictable and an important actor, is very inconsistent. Sometimes he is good, others he is awful and I'm not sure if he is dubbed or not. It's story telling is unique for this type of movie, which I appreciated.

In his role as Private First Class Peterson, Washington is already working with real talent, as the movie is directed by Norman Jewison, who on his last three movies, worked with Sly on F. I. S. T, Burt Reynolds and Goldie Hawn on Best Friends and Al Pacino on And Justice For All.

The majority of the cast are great Art Evans (Die Hard 2) in particular stands out as does Larry Riley and I always like to see David Allen Grier in a movie. Patti LaBelle stands out as Big Mary.

Washington really stand out in his small but important role.

I was shocked to see the actor I thought was inconsistent, was one of the movies three Oscar nominations. The movie and the screenplay were the other two nominations.

A Soldiers Story was the 47th highest grossing movie of 1984, grossing $21 million dollars.

"A Soldier's Story" plays like a 1980s version of "In the Heat of the Night," the 1967 Best Picture winner directed by Norman Jewison, who also directed this film. But that's not to take anything away from "A Soldier's Story." It's a very good film in its own right, and if it borrows some of the sultry southern vibe of that earlier film, it goes "Night" one better in remaining first and foremost a movie about black identity rather than a movie in which blacks exist to teach bigoted whites a lesson.

In 2018, the film world was astounded that a black-driven superhero movie could become one of the biggest hits of the year. Hey, news flash, movies about and starring black people can be good too! It's really remarkable to me then that this film came out in 1984. That anyone cared enough to make it or thought there'd be an audience for it. Despite being nominated for a Best Picture Academy Award, it's not a well known movie, and I hope more people find it.

The film's set up is a murder mystery staged in a military barrack during WWII. But the movie is really much more about blacks struggling to find their place in a country that is happy to have them die for it but won't treat them like equal citizens. And within that, the film is more concerned with the interactions of blacks with each other and their differing opinions about the best way to gain respect and how much of their culture it's ok to efface in order to gain it. As with any stage to screen adaptation, no matter how much the director tries to open up the film, its stage origins show. But it's so well adapted, directed, and acted that it remains pretty engrossing nonetheless.

Adolph Caesar received a Best Supporting Actor nomination for playing the murdered soldier, and his is a fascinating creation. The film also features Howard E. Rollins, Jr. as the investigating officer, probably the film's weakest link, and a young Denzel Washington.

In addition to Best Picture and Best Supporting Actor, playwright Charles Fuller received an Adapted Screenplay nomination.

Grade: A

A Soldier's Story (1984)

Key here is the story, an attempt to give some exposure to problems of blacks in the military during WWII. That's commendable, and the movie makes it beautiful and on some level an accurate period piece. But there are too many obvious moments here, too many times where it seems that familiar (even for 1984) stereotypes are upended, or where justice is somehow being served to history. This gets in the way of some really fine performances, and in a way waters down the really important points, about the conflict of assimilation and equality for blacks in a military not ready for it, and in a culture (the deep South) completely resistant to it.

A young Denzel Washington, and a seasoned Norma Jewison directing, at least make this movie worth watching, but neither rises to their best stuff. The set designer (and to some extent cinematographer) deserve credit for making a convincing setting for it all. And maybe most engaging, though also seemingly patched in for entertainment purposes, is Patti LaBelle as a searing blues performer, great to see.

I saw this film as a kid & it still resonates too this day, also this should be mandatory viewing for African-American & U.S. History students, the actors in this movie were second too none, the vibe & mood of each character resonated off the screen, I felt every bit of dialogue.

I suppose the big thing for this movie is that most of the actors are black and it seeks to portray conditions in the military during the time of WWII.

I, on the other hand, was just looking to watch a good murder mystery.

What I got was the equivalent of "In The Heat Of The Night" if it was put on by your local amateur dramatics society.

The murder story is nothing startling or new. Somebody is killed, various people are suspected and eventually the guilty person is found. You can do your own guessing, but it doesn't take an Einstein.

What put me off is that the acting is not very good. Other than the Sargent I didn't feel that any of the characters offered anything beyond the clichéd characters role they were handed.