प्रोटोकॉल

Sunny, a cocktail waitress in the D.C. area, is a bit dim, to put in mildly. She drives an old clunker and rents a tiny room from a gay male couple. However, she saves the life of a prominent Arab, by taking a bullet in the behind that was meant for the official. She charms the national press with her zany remarks and her sweet looks. Sniffing an opportunity, Presidential aides get her installed in the protocol department for the U.S. government. Even then, she messes things up at times, but she tries hard and learns a lot. She even grabs the romantic attention of a State department official. But, is there another sinister plot in the making, involving an Arab man who wishes to take another wife? A blonde one? LOL, LOL, LOL. This movie features Goldie as pretty as a picture and as dumb "as a fox", as they say. Sunny learns her way around the jungle of the U.S. government very, very well. She even has important things to say about honesty and the lack of it in her protocol surroundings. Perhaps, the Arab community would be less than thrilled with this work, but for those who like to laugh, rent this today.

A pretty average movie but a brave one from Ms Hawn to promote this vehicle as Exec Producer & as a starring vehicle. Although she ends up vindicated, she is willing to portray herself as the dizzy bimbo. How many other A listed actresses have subjected themselves to butt injury pratfalls since this movie? Not many. Does this mean the female butt cannot be funny? Goldie surpasses other actresses as she has maintained a screen persona & ventures in projects other won't. Sandra Bullock occasionally goes there,for example, Miss Congeniality but Nicole Kidman would never cop the pratfall. A wonderful performer. Great to see some of my favorite actors, Chris Sarandon & Cliff DeYoung notably.

The very first scene of "Protocol" is all wrong: Goldie Hawn (again playing a sweet ditz) holds up traffic on a busy Washington, D.C. street when her car breaks down. Not only has her engine blown but she can't get out of the car because the door is also broken. Who wrote this? Buck Henry?!! Hard to believe, but it gets worse. Hawn saves a Middle Eastern leader from being assassinated and becomes the toast of the town--but only until jealous and nefarious White House insiders attempt to make her look foolish. Goldie Hawn only looks foolish when she's required to act too dippy for her age, but I cannot think of any "young" actress who could've gotten away with this role either. Early on there's a bouncy press-conference sequence with many funny lines, but too often the script is loaded down with groaners. An uncontrolled party scene near the finish brings everything to a screeching halt, with characters we don't like acting even more moronic than usual. It nearly makes "Private Benjamin" look like Shakespeare. ** from ****

"Protocol" is a hit-and-miss picture starring Goldie Hawn as a bubbly cocktail waitress who one night saves the life of a visiting Arab from an assassination attempt. The woman immediately becomes a celebrity, and gets a new job working for the U.S. Government. Will the corridors of power in our nation's capital ever be the same? Hawn is excellent as usual even though "Protocol" isn't as funny as her best film "Private Benjamin". But it's still a good movie, and I did laugh alot.

*** (out of four)

Unlike many 1980s Hollywood comedies, "Protocol" has all but been forgotten today. It doesn't take very long upon watching it to figure out why. The main problem is simple: the script. It's hard to believe at first that Buck Henry, who earlier wrote humorous movies such as "The Graduate" and "What's Up Doc?", wrote this movie. But it doesn't seem to have been his fault, since he was working with a story outline written by THREE writers. Those three writers came up with a story that has been done many times before and since, concerning a ditz who is pushed into a position of power but proves in the end to be smarter than everyone thought. Oh, it could have been made to be funny, but it isn't, partly due to the predicable nature of the movie, but that it's been directed with a woeful lack of energy and snap. There's also a curious fragmented narrative at times, as if some key linking scenes were never filmed or cut out in the editing room. The only good thing about the movie is Goldie Hawn, who gives her character a good amount of spunk and sympathy, but it isn't enough to save things.