Ordeal by Innocence

It is difficult to describe this film without profanity. The rights to the book were clearly bought because of the title. I am a purist Agatha Christie fan, so I dislike adaptations which spoil her work. Normally, after the first three or four viewings, they grow on me (It happened with "Appointment with Death", it happened with the remake of "Murder on the Orient Express" and it happened with the remake of "Sparkling Cyanide"). I still hate this film. The cast are talented, but wasted - especially Faye Dunaway, who has about three words. The music is completely out of place. I expected them to start playing "The Merry Old Land of Oz" at the hanging. The story is unraveled ploddingly; a fiasco. I didn't understand it until I read the book. This is a pure waste of film.

This is indeed one of the weakest films based on Agatha Christie's work, a lifeless, muddled mystery that clearly lacks the grace (and the budget!) of its predecessors ("Death On The Nile", "Evil Under The Sun") and Donald Sutherland is a pale shadow of Peter Ustinov as far as screen detectives go (of course, he is playing a character much less interesting than Poirot). The film manages to coast as far as it does on the strength of Christie's plot alone (all her plots have a certain amount of inherent interest), but the direction is hopelessly flat. (*1/2)

When at the very start of the film Paleontologist Donald Sutherland arrives at the Argyle family's house and it comes out he is the undeniable alibi for one of the members executed for murdering his mother two years ago your sensation is that you are about to watch a top thriller; an innocent man has been convicted and a killer is still around. But as the film runs along your disappointment increases inevitably.

"Ordeal by Innocence" is a dull and at times even boring film that doesn't raise at any moment. Nothing interesting happens all along and even the final revealing of the facts lacks surprise and intensity (wether you guessed or not).

Donald Sutherland, Cristopher Plummer, Faye Dunaway and Sarah Miles (far from her good performance in "Ryan's Daughter") just pass through their roles and not very enthusiastically either.

You won't miss much if you skip this one.

The film begins with some style with the viewer taking a leisure boat ride to a small village in England with a pleasant Dave Brubeck score in the background. Brubeck's score continues through the movie and by the first half hour becomes annoying due to its over use. Donald Sutherland is layed back as an American doctor who after a two year expedition to Antarctica learns he was the only alibi to a hitch hiking stranger accused of murder and ultimately hung. True to Agatha Christie Sutherland becomes a sleuth and we are introduced to the stranger's family and associates. All the actors do a good job but are given little to do. Rarely do we see them interact with each other and nearly the entire film Donald Sutherland is interviewing each of the cast one-on-one...including the police! It doesn't seem any of the suspects get much screen time at all. Mid-way the director makes a truly terrible decision to replay some of the audio from previous scenes over present scenes (to represent Donald Sutherland thinking) including muddled whispering under more of Dave Brubeck's score. The plot is such a boring mess and impossible to keep up with. We never meet anyone long enough to remember their name! By the end of the film it becomes clear it really doesn't matter. At the beginning the police tells Donald Sutherland not to get involved that it is not worth it and at the end Donald and the viewers agree. THEN WHY MAKE THE FILM?????? The one joyous spark to the entire film was Cassie Stuart (Isabella in BBC's "Northanger Abbey") as the innocent stranger's wife. Her face and voice literally lit up the dark and damp film in her two scenes which occur in the last twenty minutes of the movie. She has such fun with her topless scene she should have won a special award just for attempting to bring some entertainment to an otherwise dreary movie.

As a massive, in fact - borderline obsessive, Agatha Christie fanatic, I am particularly interested in reading the books and watching the film versions of the stories that she herself loved the most. "Crooked House" was a personal favorite of hers, and it was indeed a terrific book and got turned into a very enjoyable movie recently (in 2017). "Ordeal by Innocence" is another favorite of Mrs. Christie, and while the book is a masterpiece, this 1984 film-version was quite a disappointment.

The plot, of course, remains genius. The convoluted and twisted, but simultaneously highly original murder mystery is one that only could have come from the brilliant and practically inexhaustible mind of Agatha Christie. It's the tale of the noble Doctor Calgary who travels to a remote British island to return an address book to a young fella named Jacko Argyle whom he gave a lift two years earlier. When Calgary finds out Jacko got executed for the murder of his adoption mother, while he could have confirmed his alibi and save his life, Calgary insists on reopening the case. However, the rest of the entire family, as well as the local police inspector, are very much pleased how the case got resolved with Jacko's hanging, and Calgary's persistence and intrusion leads to new crimes.

Once more, the story is great and the denouement - albeit reasonably simple for a Christie mystery (which is perhaps why she loved it so much) - is marvelous, but the rest of the production is heavily flawed and poorly handled. The pacing is often too slow, the camerawork and editing are monotonous and dull, and then there's the misfit music. I'm glad to read I'm aligned with all my fellow reviewers around here who also state that the moody jazz-soundtrack (by Dave Brubeck) was a terribly wrong choice. The cast looks impressive, but notably the acclaimed names (Plummer, Dunaway, Sutherland) deliver the most underwhelming performances.