Old Enough

I could not remember the name of this movie. In 1984 I was 11 years old and I watched this movie every time it was on. This movie moved me. When I was 9 years old I was a lot like the innocent girl. A new girl moved across the street from me. She was from a city. I was from a very small town. She had me wanting to be like her. I even helped her steal a mini-skirt outfit for her school pictures. She was the one who told me about the "period". She used curse words, she wore makeup, and her mother used to drink vodka all day long. After she got into some trouble, her mother said I was a bad influence and we were no longer allowed to hang around anymore. She moved away 2 years later and I never saw her again. When this movie started showing on cable when I was 11 I was drawn in forever. This movie is wonderful and so real. This movie was able to show exactly what I had lived and that I was not the only one. Nobody knew then or knows now that these things had happened to me. Im glad I finally found the name and now I will look for its next showing on bravo or IFC. I will record it and have it for my daughter.

This is an excellent 'coming of age' adolescent film. Everytime I've caught it on cable over the years I've never been able to stop watching it. Yesterday on IFC it happened again for maybe the 8th time, I've lost count. It's great that a channel like IFC or BRAVO has recognized the worth of this film because in my video guide they gave it the worst score possible (a turkey), which is an abomination. This is one of the most truthful films about kids and in a wider sense Brooklyn or New York City attitudes in the '80s. The director has to be either very good or extremely lucky to get this much truth on film. 'Old Enough' is almost like an updated, early '80s adolescent version of Engel and Orkin's 'Little Fugitive,' or 'Lovers and Lollipops,' two pioneering cinema verite films of the '50s. It is cut directly from the fabric of life and needless to say, shot entirely on location. In fact, it is almost like walking into the lives of these quintessentially 'New York' people, you can almost smell the neighborhood. The two girls playing the leads are just fabulous; it's as if they're just living their real lives and you're eavesdropping on them; you hardly suspect you're watching a movie. In the end, friendship is shown to be stronger than class conflicts but not until the magical and forever vanished world of the 11 to 13 year old that once existed in every soul has been resurrected for re-evaluation and non-sentimental nostalgia.

I was also surprised to see the low rating of this great little film. I saw it as a teen in the mid 80's on cable and, like so many others, was unable to stop watching this story through to its end. Even though it now looks so dated, I mean, no dot coms, facebook or cell phones here, the meat of the story holds true now, as it did in '84. The acting is fine and the issues are realistic. Speaking for myself, as a young teen-aged girl growing up in New Orleans, I could totally relate to the emotions expressed by the two lead characters, both New Yorkers, because the feelings were universal. If you're a female, you'll probably get it (and let me just say, I don't usually enjoy 'chick-flicks'). Like someone else has already posted, I, too, look forward to my own daughter viewing this film. It's still one of my all-time faves & whenever I catch it on TV, I still have to watch it, all these years later. I'd say it has stood the test of time.

This is a story of a friendship between an unlikely pair but kids don't care. One young girl comes from a well-bred upper class family and another girl is a street smart daughter of a New York apt. building super. They learn from one another about a different culture and the dialog is fantastic - extremely believable. I'm sorry the overall rating this movie received was so mediocre. The low scores were obviously given by persons out of touch with real life, especially from the perspective of a young girl.

I just watched a 13-year-old taped-from-Bravo copy of this film, and let me tell you: it's a delight. Not only does it knowingly tap into the teenage experience of expanding cultural sensibilities, but it does so in a completely unpretentious and earnest way-- no John Hughes slapstick or over sentimentality here, just an honest portrayal of a pivotal friendship.

The two female leads are excellent young actresses, and the soundtrack is really quite unique (think a more primitive version of the "Virgin Suicides" soundtrack by Air).

Plus, you can see what Alyssa Milano was doing before she rocketed to "Who's the Boss?" fame.

Check it out if you can.