Night Train to Terror

Greetings And Salutations, and welcome to my review of Night Train To Terror; here's the breakdown of my ratings:

Story: 0.75 Direction: 0.50 Pace: 0.75 Acting: 1.00 Enjoyment: 0.75

TOTAL: 3.75 out of 10.00.

There are two good elements to Night Train To Terror - One: The Video Cover. Two: The last few seconds of the end credits when you can see the light at the end of the tunnel and escape is near. But what surprises me most is that the damned film still makes it onto the steaming and terrestrial services. I believe it's on Amazon now, and a couple of years ago, I think I spotted it on Channel 5. You guys and gals know there are supremely better flicks you're failing to air for your audiences. I would be amazed if any appreciated you giving them this mess of a movie.

Philip Yordan penned the screenplay for this trilogy of short stories. And while each is terrible, the last tale is the best. Story one is about an asylum who's found a novel way to earn extra cash. Sell the body parts. So what happens when you run out of inmates? Easy; you brainwash a stranger to grab some lovely ladies for you to chop up. Sadly, what should've been a nicely terrifying story becomes nothing more than a way to get boobies onto your screens. And the story becomes more nonexistent with every bosom revealed: It becomes a case of Thanks For The Mammaries (sorry, I couldn't resist - because we all know resistance is futile). However, in the poorly scribed tale, the lunatics appear to have taken over the asylum. But their insanity could just be reflections of the dire dialogue Yordan has them speak. The second story introduces us to a loving couple who, to ease the boredom of being together, join a Death Club. The club members take turns to devise a bizarre demise, which will kill at least one member. Sadly, it's the poor writing and dialogue that once again hinders the power of this tale. Handled correctly, it possessed all the elements for it to engage the viewer. Unfortunately, it's merely a dull dross. Whereas with story number three, Yordan appears to have taken a creative writing course or three. The story of a never-ageing Nazi is intriguing and a tad complex compared to the previous tales. These convolutions make it the most enjoyable watch of the compilation. And had it been merely about the three stories, the scores may have been different. However, Yordan binds the three tales with God and Satan, vying for their souls. I can see what he's trying to accomplish, but it doesn't work because he's forgotten about the logic of their process. Example: In story one, beautiful girls get slaughtered for spare parts. I'd guess that not all the topless beauties are without sin. But we never hear a peep about their souls. So what makes the chosen soul so special? So these little segues have holes of their own. And let's not forget about the breakdancing rock band that plays pop music and only knows one tune. WTF? So, terrible characterisations, poor structuring, horrid dialogue, and unrealistic and unbelievable situations. Well, let's hope the directors are better.

Sorry! They're not. In fact, they make the story segments worse. Not one of them knew how to handle the pacing. John Carr, who directed the first two, even uses some awful stock footage - in a different aspect ratio. The guy couldn't crop it to the correct sizing - he merely spliced it in. I'll say this for the directors of the third segment, Philip Marshack and Tom McGowan, they attempted to make the extended story more engaging. They employed better lighting and colour techniques. And there are a few nicely composed shots, especially the villains' last walk down the hospital's corridors. However, they still suffer from too mundane a pace. This story deserved more excitement and tension in its atmosphere. Another disappointment came from the special effects. Though there's one decently filmed electrocution showing a bloke who's frying tonight, there are also two monstrously obnoxious stop-motion sequences. One shows a flying bug, and the other gives us a lousy rendition of a demon in hell. Both bug and demon are poorly constructed. They would've done better handing out plasticine to a group of kindergarteners and then used their creations. As for the stop-motion itself, well, the FX people are not Harryhausen. These are some of the most unrealistic animations you'll see. It looks as though they got bored and reduced the number of frames for each movement.

The acting between the stories varies immensely. The psycho's selling body parts is the worst. Even Richard Moll does little to save this travesty, though he's a lot better in the Immortal Nazi story. Luckily for the audience, the performers in the death club are average, which helps to level out the story a tad. Though, it is a case of saving the best for last. Not only was the story and its direction better than the previous tales, but the Immortal Nazi also offered a stronger cast.

Had the first two tales been as well written, filmed, and acted as the third, I'd recommend Night Train to Terror for one watch - had you completed your watchlist. However, they're not that good, and then you have that damned band and their dancers. All of which drops the movie into the 1-2-Miss pile.

Tickets Please; Tickets Please. Next stop, Hell and Damnation. Half an hour before Hell and Damnation: So you have time to read my IMDb lists - Absolute Horror and The Final Frontier to see where I rated Night Train To Terror before we pull into your final terminus, where you and the train will terminate.

Take Care & Stay Well.

I remember having seen "Night Train to Terror" on VHS twelve or thirteen year ago when I was a kid.This trippy and disjointed celluloid nightmare was sewn from condensed version of low-budget horror movies "Death Wish Club","Cataclysm" and an at-the-time unfinished 1982 film "Scream Your Head Off".The campy discussions between God and Satan takes place on a train known both as the Heavenly Express and Satan's Canonball since it carries unknowing souls to one or the other destination.In the first story "The Case of Harry Billings" a man is kidnapped and taken to an insane asylum were he is put under hypnosis and lures victims to become tortured and murdered as part of an organ-harvesting operation.The second story "The Case of Gretta Connors" entails two young lovers who become involved in a sinister cult of people fascinated with death.The final story "The Case of Claire Hansen" involves an apprentice to the Devil who is out to destroy mankind and a group of immortals who are out to stop him.Very amusing and and inept horror film perfect for the lovers of cinematic trash.8 out of 10.

Night Train To Terror is a genuine modern classic. It's a three-part horror anthology edited from three movies, two of which were released separately (Cataclysm and The Death Wish Club) and the third of which was never properly finished. It doesn't make any damn sense, although Richard Moll appears in two segments complete with hair.

The stories are hosted by God (played by "Himself," really Ferdy Mayne) and Mr. Satan (played by "Lu Cipher," ha ha indeed) who sit on a train where a terrible breakdancing '80s band plays the same song over and over again. Highlights include, well pretty much everything. The first segment (the unfinished one) is the most extreme, featuring lots of sadistic violence and gratuitous nudity. The second, The Death Wish Club, is the weakest, although it's still basically a series of cheesy, fun death scenes. The third segment, Cataclysm, has been punched up with new footage of badly-animated stop motion monsters throwing dolls of the characters around.

Not one of the three stories is coherent, but the whole thing is immensely entertaining for fans of strange bad movies. Sit down with some friends and some kind of intoxicating substance (by which I obviously mean beer or other alcohol, I wouldn't advise anyone to take anything illegal, no sir) and you'll have a whale of a time with this one.

So Byron Yordan says to his uncle Philip one day "uncle Philip, me and some friends would like to do an MTV video but we have no talent and no idea, how can we make an MTV video uncle Philip?" Or groveling to that effect. To which Oscar winning script writer uncle Philip Yordan replies "why I know just the antidote to cure your ails, we'll grab three movies on which I recently worked ("Cataclysm", "Death Wish Club" and "Scream Your Head Off" which we never finished) and get old mate John Carr to graft them together like an elephant trunk onto a mouse. Then we'll edit you and your friends into the story as musicians travelling aboard the "Night Train To Terror".

And now you're up to date. Tony Giorgio and Ferdy Mayne play Satan and God respectively riding aboard the night train, on which said rock band mince about in Flashdance garb singing their signature tune ("Everybody's Got Something to Do, Everybody But You") while Giorgio and Mayne review a series of vignettes debating whether the characters should be acquitted to heaven or hell for their deeds. Essentially previews the three aforementioned movies, conjoining them for the absolute mothership of all horror anthologies. Lashings of sadism, nudity, an abattoir-sized load of body parts (no exaggeration) and nonsensical editing that you absolutely have to see before you depart this mortal coil.

John Philip Law is the mind programmed maniac who lures women to an asylum where Richard Moll lies in wait, hacksaw at the ready in the unfinished "Scream Your Head Off" while in "Death Wish Club" a misguided porn star is born and then inducted along with her smitten boyfriend into death defying games that test the mettle of brave participants - this one is pretty surreal with head-crushing, brain-frying gore galore. The final vignette is extracted from "The Omen" inspired "Cataclysm" starring Cameron Mitchell, Marc Lawrence and Faith Clift as God's desperate rearguard against Satan and his claymation army. It's well photographed but comes off the worst of the trio due to the clumsy truncation. Overall this anthology's construction is as ghastly as the special effects it previews and needs to be witnessed to be fully appreciated.

Night Train to Terror (1985)

* 1/2 (out of 4)

God and Satan are on board a train where a rock band is playing. The two talk about who is respected more and then we see three separate stories. The first story deals with a man who feels guilty over a drunk driving death that he caused. He finds himself involved in a strange experiment. The second story deals with a medical student who falls in love with a beautiful woman and gets drawn into a strange world of monsters. The final story has a detective (Cameron Mitchell) investigating a murder that leads to a Satanic playboy with special powers.

NIGHT TRAIN TO TERROR is a really, really bizarre little movie with an even more bizarre behind-the-scenes story. The only new footage here are the scenes dealing with the rock band and God and Satan. Everything else is footage taken from three completely different movies. What's so strange is that all three of those movies are available to view in their complete form so it's kind of pointless watching them chopped up to fit 20-30 minute segments.

The biggest problem with this movie is that all three stories are completely confusing and they never make too much sense. THere are so many logical issues with each of the three stories and it's easy to see why because all of them are missing over a hours worth of footage. To say that this film was a complete hack job would be fair and it's also fair to say that the studio was just trying to make some cash out of the previous films that I'm guessing they already owed. Why not cut them down, add a wrap-around story and try to pass it off as something new?

Whatever their reasons were, it's funny to think that NIGHT TRAIN TO TERROR has remained easy to find over the years while the three other complete films (MARILYN ALIVE AND BEHIND BARS, THE DARK SIDE TO LOVE and CATACLYSM) aren't as easy to track down, although THE DARK SIDE OF LOVE was released as a bonus feature for the Blu-ray release of NIGHT TRAIN TO TERROR.

As it stands, this is a pretty hard film to judge simply because of the editing process. The end result is quite poor and it's hard to be entertained by NIGHT TRAIN TO TERROR simply because the stories are so bad as they are presented here. To really judge them you'd need to see the complete films. As it stands, NIGHT TRAIN TO TERROR is pretty bad but the backstory is much more interesting.