The Muppets Take Manhattan

A fascinating insight into the lives of a variety of talking animals and the trials and tribulations they face in the human dominated New York, this film deals with the age old tale of frog meets pig in a mature, contemporary fashion. The director, late great Mr Henson, pulls no punches in his gritty treatment, and the viewer is left with no doubt as to the authenticity and integrity of the bold statement this film makes; in truth, "peoples" really is "peoples". Shocking at the time, the film may now seem clumsy in comparison to modern epics such as the highly charged "Toy Story" or more violent bloodfests such as "Antz", but Henson's meisterwork is nonetheless worthy of acclaim. The foolishness of the Academy in witholding an Oscar in fear of controversy was later exposed by an older and more embittered Kermit, in his 1993 director/writer debut short entitled simply "Pondlife", an autobiographical return to form which revealed the story of his consequent lack of self esteem and alcohol problems, leading to his eventual divorce from manhattan co-star Miss Piggy. Piggy herself has since written a series of well received self-help books.

This is my least-favorite of the three Muppet movies of the Henson era. There just isn't enough Muppets. Most of the gang leaves during the very beginning and it's all about Kermit, Piggy and Rizzo. Great characters, yes, but without the whole wacky ensemble it's just not the same. That, and the film is kind of just reinforcing what happened in the original Muppet movie, only replacing Hollywood with Broadway.

Don't get me wrong, it's an enjoyable movie, but it's not grade 'A' muppet material.

I distinctly remember seeing "Muppets Take Manhattan" in the movie theater when I was 8 years old--following the film, I immediately demanded that my parents purchase the soundtrack LP (yes, on vinyl!). I loved this movie then; I love it still.

Actually, it's my favorite among the first three, classic Muppet films; "Muppet Movie" is great but overlong, while "Great Muppet Caper" is terrific, but seems a bit dated now. "Muppets Take Manhattan," on the other hand, never fails to entertain me, still makes me laugh out loud (the purse-snatching scene; Kermit in his Bert Convy 'fro), and even tugs at my heartstrings.

What's particularly nice about this adventure is that it's an affectionate love letter to Hollywood musicals of yore, without being overly parodying. The musical comedy cliches are presented in a matter-of-fact manner; just as we were expected to suspend our disbelief when Ruby Keeler went out onstage a nobody but "came back a star!", we suspend our disbelief to encompass a group of talking animals putting together a big budget Broadway musical in 2 weeks. These kind of hoary plot devices are presented straight-faced, without any self-conscious "winking" or irony.

The songs are all pretty darn terrific; the show-stopping "Together Again" finale is as good as any contemporary musical number of the last 20 years or so, while "It's Time for Saying Goodbye" always puts a lump in my throat: it's sentimental without being maudlin. The finale, "He/She Makes Me Happy" goes from being sweet to comically over-the-top in less than 3 minutes, and it's a joy.

The expected parade of cameos work well within the structure, without being intrusive. My particular favorites are Liza Minnelli's (the whole Sardi's scene is wonderful), Linda Lavin's (another terrific comedy moment: "YOU are Mr. Enrico Tortellini of Passaic, New Jersey!"), and Joan Rivers' (another gem). The Muppet performers are their usual, endearing selves: lovable, warm, likable. The "love triangle" between Kermit, Piggy and the human Jenny plays surprisingly well, and Piggy's jealous reactions are hysterical.

These days, "family entertainment" usually means disgustingly white-washed pap that anyone over 10 or 11 would find either sedating or inane. (Disney's live action "101 Dalmations" and its sequel spring to mind.) The Muppet movies proved that a G-rated film could be intelligent, witty, funny and entertaining for all ages. It's a formula that has yet to be improved upon, and "The Muppets Take Manhattan" just might be the best example of it.

With all the crazy stuff going on in my life, I'm glad to get some relief by watching the last Muppet movie for me. I have now seen every theatrically released one! I was initially confused throughout the first hour of this movie. I believe I saw this movie being advertised and it was saying it would be about Kermit losing his memory. That kind of disinterested me. This was something that had been done many times before. It ended up being something that was only important in the last third! I really do appreciate the good pacing in this film. It's great to see all these heartwarming scenes.

I wasn't expecting to see "Sesame Street" characters making cameos. Of course, there's always cameos in these movies. I just love this part in the credits where they say that all characters were fictitious except for the cameos. Yeah, look at that there! There was a short sequence that was like "Muppet Babies". I didn't know whether this movie came out before or after out but it actually came out at the same time! The emotions are quite strong and the resolution is nice. I'm glad to have seen every Muppet movie now! ***

I was lucky enough to see this film countless times when I was a child. A few days ago while taking a break from college work I saw the movie on television and was really impressed by it. The film is excellent. Kermit and the gang are not only entertaining to children but also to adults. Children are entranced by the puppets and the humor is very well suited to adults. If you have children I recommend this film, there's singing, puppets, action, and Miss Piggy what else could be more entertaining and it beats being stuck with the teletubbies.