The Clairvoyant

"The Killing Hour," alternately titled "The Clairvoyant," follows Norman Parker as a New York City detective attempting to solve the mystery behind the murders of multiple women; an ever-handsome Perry King plays a local talk show host with alternately vested interests in the crimes, but the presence of an art student who appears to be able to draw the murders on paper before they occur brings a whole new dimension to the solving of the mystery.

Armand Mastroianni writes and directs here, two years after the release of his slasher film "He Knows You're Alone"— in my opinion one of the most underrated and charming of the eighties—and the direction is solid. Mastroianni has a knack for photographing the city and milking it for all the atmosphere it offers. With "He Knows You're Alone," the suburban gloom of Staten Island set the backdrop, while Manhattan serves as the primary location here, but the photography and direction are moody and evocative. The script, as some have noted, does slack a bit at times, but the sleek photography and strongly-established atmosphere really overshadow any losses of momentum in the screenplay.

The film is similarly fashioned to a giallo, and at times evokes the work of Mario Bava or Dario Argento, with a psychic splash of Nicholas Roeg's "Don't Look Now," but all that said, these are respectable influences to have. The psychic element is the standout component here, which elevates the proceedings from mere "killer-in-the-city" fodder to something slightly more interesting. Norman Parker and Perry King make competent leading men, while Elizabeth Kemp is also solid as the tormented clairvoyant art student.

Overall, "The Killing Hour" is a solid thriller that wears its influences on its sleeve. As with some of his other films, Mastroianni is great at evoking atmosphere from the camera and the locations. Despite a few pacing issues, the giallo undertones and the grand finale make this worth a watch. 7/10.

This film essentially begins with the body of a woman floating on the Hudson River in New York City. Upon closer examination, the police discover that she was handcuffed just prior to being murdered. Not long afterward, three more victims are found with each of them wearing handcuffs as well. As one might expect, it isn't long until the press gets involved with one particular television journalist by the name of "Paul 'Mac' McCormack" (Perry King) using his influence with the lead police investigator named "Detective Larry Weeks" (Norman Parker) to gather enough information to further his own personal ambitions. However, things take a dramatic turn for the worse when a woman named "Virna Nightbourne" (Elizabeth Kemp) is found who apparently has precognitive abilities and actually sees the crimes being committed before they even transpire. Now, rather than reveal any more, I will just say that this was one of those films which had potential but failed, in some regard, to achieve it for a number of reasons. For starters, having Detective Weeks double as a standup comic lessened the overall seriousness this case should have had. Throw in the fact that his comedy routine just wasn't that funny also didn't help matters. Additionally, the romantic angle between Virna and Mac lacked the necessary passion as well. That being said, while I don't consider this to be a bad film by any means, it should have been much better than it actually was, and I have rated it accordingly. Average.

THE KILLING HOUR (aka: THE CLAIRVOYANT) opens with the body of a handcuffed woman being fished out of the Hudson river by police. Simultaneously, an artist in a studio seems to be drawing the same scenario in charcoal. In quick succession, two men are killed in horrible ways, both murders involving handcuffs, and both drawn by the same artist either before or during the act.

Detective Larry Weeks (Norman Parker) and his team are on the case. Enter TV personality, Paul "Mac" McCormack (Perry King), who's out for the scoop on "The Handcuff Killer", getting Weeks into hot water with his superiors in the process. Ultimately, Weeks and McCormack join forces to catch the manacle-using menace. Eventually, the clairvoyant artist, Virna Nightbourne (Elizabeth Kemp) comes forward to help. Can these three catch the murderer, before more deaths take place?

This movie seems to frustrate those looking for a slasher or giallo film, who consider it rather dull. Actually, it's more of a suspense / police drama with supernatural horror elements. As such, it's not a bad movie. Personally, I get tired of watching people get stabbed to death all the time, and really liked the novel approach used here. It was every bit as terrifying without being repetitive. While not altogether unexpected, the ending is quite good.

Co-stars Joe Morton as Detective Rich...

Fun detective/psychic/serial killer flick

Odd mix of murder and humor at times. The jokes don't always land. It's sufficiently light in spots to make it feel like it won't get too dark. But it does get dark. It's about a serial killer.

The always great Kenneth McMillan has a supporting role here. The man is incredible! He could make picking his teeth seem fascinating.

Elizabeth Kemp plays the psychic. I was not impressed with her psychic scenes - they were okay. But strangely, I was wowed by her romantic scenes. Like the couple romantic scenes in this were so good I kind of wanted to see more of that and less of the psychic stuff. Good romance in a film like this... I didn't see that coming.

The mystery here is really not so great. You'll probably spot it coming. But it's an enjoyable ride and an odd mix of tones that works better than it really should. Worth a watch if you're into this kind of thing.

My review was written in July 1985 after watching the film on CBS/Fox video cassette.

"The Killing Hour" is a well-crafted but mediocre thriller. Lensed in Manhattan in 1981, low-budget indie was picked up by Jensen Farley Pictures and retitled (more appropriately to subject matter) "The Clairvoyant", subsequently acquired by 20th Century Fox after JFP went under, but unreleased theatrically, appearing instead as a cassette via CBS Fox.

Perry King toplines as Paul McCormack, Mack for short, a tv newsman/phone-in talkshow host who successfully exploits on the air a series of handcuffed-victim murders to increase his ratings and secure job advancement. At first he is aided with inside info by policeman Larry Weeks (Norman Parker), who improbably moonlights as an unfunny standup comic/impressionist (he has to identify his carbons, such as Al Pacino or Geroge Burns for the viewer), but his sensationalist reporting soon puts him at odds with the police led by Lt. Cullum (Kenneth McMillan).

Both the police and Mack are aided by Virna Nightbourne (Elizabeth Kemp), a young artist who is clairvoyant and makes drawings of each murder unconsciously.

After a promising beginning, spotlighting the ingenious rather than gory murders, pic becomes sluggish. Because of the script's paucity of suspects, the identity of the killer is quite predictable. Acting is okay and direction by Armand Mastroianni (previously known for "He Knows You're Alone") is effective within the screenplay's limitations. Lensing by British cameraman Larry Pizer is excellent.