राजकुमारी नौसिका की जंग

First off, let me state emphatically that I'm referring to the REAL version of the film, not the pathetic crippled creature distributed as "Warriors of the Wind" on video. Although I must admit that I first fell in love with the movie in that form, I have now seen the full subtitled version, and I place a hideous curse on those who hacked over 20 minutes from its running time.

Although the incredible "Princess Mononoke" later upstaged this early work in terms of art and detail, in many ways I still prefer "Nausicaa". Its imaginitive and well-conceived world puts me in mind of Dune with its feuding factions, its giant creatures, and its strong ecological message. Even with a rather long running time, the story moves very briskly (boiled down as it was from a very lengthy manga series). The music deserves special mention, as well, as it is a large step up from the electronic pop stylings of most anime.

If you can get your hands on a copy of the original version, you'll find it more than worth the effort.

Brilliant, captivating, and sometimes just plain awesome are some of things that come to mind while watching yet another one of Miyazaki's epic tales: Nausicaä of the Valley of the Winds. Deliberately slow-moving at points, yet undeniably exciting in and out of it's action sequences, and a fantastic introduction to anime itself.

Without revealing too much of the plot, it takes us through the life of Nausicaa, a princess of a small village, and her struggles to stop warring nations from destroying an important source that can save the planet. The planet has already gone through a major destruction that nearly wiped out humanity, and their are large insects called ohmu, that guard the source that is spreading through the world.

Miyazaki introduces an empowerment of female characters in his animes, such as Princess Mononoke, Kiki's Delivery Service, and his most recent, Howl's Moving Castle (Hauru no ugoku shiro). The characters are done with style and care, and, in Nausicaa, there is no exception.

It amazes me that this film created some controversy when released, being banned in Poland because of it's depiction of an ecological disaster. Though the movie is obviously fantasy, it turns out that some may consider it a touchy subject. I didn't find any offense whatsoever with anything the movie showed, just a futuristic disaster no doubt caused by man.

Combining fantasy and science-fiction, Nausicaa is nice to look at. It certainly shows it's age when compared to some newer animes, not having the help from high-end computers. Considering it was done in the 80's, Miyazaki's production team did a great job. Little details, backgrounds, gadgets, & animals are drawn slightly better then some Japanese animes from that time.

Keep in mind that my review is based on the Disney release (Feb 2005). It's cleaned up, unedited, with new voices from well known actors that sound great (but I still prefer subtitles). Keep far away from the old version 'Warriors of the Wind', which chops off more then half-hour from the movie.

9 out of 10

... and it's only got angrier since this epic critique of the damage and destruction the human race affects against the flora and fauna of the place we call home, as well as upon itself. Visionary, prophetic, disturbing and heartbreaking, often concurrently, a testament to future generations that we were fully aware of our impact and neglect, that we chose to do very little about it and that what we did do was long after the horse, the fish, the insects (especially the bees) had bolted.

Princess Nausicaa has to convince her people to rise up, and defend their world a destructive force, that threatens to strip their planet of its natural resources.

There is a charm about this film that just resonates, I first saw this in a history class, a teacher that always loved to put on Japanese films, I have fond memories of this one, and whilst I don't think it's quite as good as the incredible Princess Mononoke that would come years later, it's still a fine film.

Somehow my eyes are telling me that it's a film from the 1980's, but my brain is telling me that it's a film that's just been made, how much more of a relevance does this film have in 2023 than it did back in 1984, to think of the damage that man has done to the planet, it's just extraordinary.

I tried watching it with English dubbing, I couldn't, fortunately though it is on Netflix in its original form, well worth seeing in its original Japanese.

The animation holds up quite well, I thought those opening snow covered scenes looked very beautiful, the following crafts, action scenes and characters also looked very nice.

Powerful.

8/10.

This was the film which introduced me (and many others in the 1980s) to Miyazake, and even in the form of a poor quality VHS on an ordinary TV, it was amazing. By 1984 Miyazake was already well known in Japan for his anime work in film, TV, and for the comic strip that this film was based upon.

In this early full length film he really got to spread his wings. There are fantastic aerial sequences like the jet-glider evading the flying snakes, which (this predates computed 3D, and aerial sequences are present in most of his work) are just a tour-de-force of imagination and geometry. And yet this is a world that feels very organic, not geometric, with a cast of characters drawn in a unique cross between hobo, samurai, and pirate - totally blending in to an imaginary post apocalyptic world where humans scratch out a precarious life in villages hidden in the few green valleys left in a world of desert, where the only remaining resources are wind, sunlight, and humans.

But it is also a world of enormous dangers, including airborne bandits and the strange, mutated creatures that have evolved to control the barren and scarred earth. When our heroine's valley home is attacked by raiders, she embarks on an adventure against them that will lead her, and some unlikely allies found along the way, to an eventual confrontation combining warring armies of bandits, ancient machines of infernal destruction, and the implacable, mysterious, threatening beasts which roam the badlands. The pace is swashbuckling - if this were a book, it would be one you could not stop reading.

It has the feel of the original comic books, but plays out wonderfully on the screen - you don't need to know the comics. The style is very unique. Even though it is very stylized (no photorealism here), you immediately get the feeling of the world and the characters. The story works for children of all ages (mine both first saw this before they were 6, and have memorized it long since), and combined with the wonderful visuals it is a treat for adults too. As a genre I would classify it as soft (no attempt at scientific correctness) sci-fi rather than fantasy, though some might think it more a work of fantasy. It is fascinating partly because its roots in style and action are unexpected for a western viewer. Japanese manga and stories had evolved in their own way, and although this is early Miyazake, it is already a product of that mature and distinct art form.

As always with Miyazake - if you haven't seen his work, well you haven't seen anything like it, and it is time you did.