The Karate Kid

Having a man teach you a valuable art such as that of Karate, is invaluable especially if you are young, inexperienced and in a battle with people who you have no hope against. However viewers of the 'Karate Kid' get to learn a valuable lesson for life out of this story, that fighting is a waste of time, and with time and patience anything can be achieved. In addition viewers get to hear the cute pronunciation of `Daniel-san' by the great teacher!

Fatherless teenager Daniel is a new arrival in Los Angeles when he becomes the object of bullying by the Cobras, a menacing group of Karate students. Daniel asks his handyman Miyagi, whom is a martial arts master, to teach him how to fight. Miyagi teaches Daniel that karate is mastery over the self - mind and body - and that violence is always the last answer to a problem. Under Miyagi's guidance, Daniel learns the physical skills while gaining faith and the self-confidence to compete against the odds as he faces the fight of his life in the exciting finale.

I remember watching this film along time ago, but boy was it a thrill. Sure it didn't have 'big stars' or big action in it. One thing it did have was 'heart'. The character of Daniel was one person that typifies this. At no stage does this teenage loner from New Jersey ever give up, when at times that might have been the best thing for him to do. I feel that this story and character for that matter, is how we need to approach our own lives, because if you keep putting in the hard yards and stand-up for what you believe in, things will soon turn around.

The stars of this movie are not bad. Firstly main star Ralph Macchio was excellent as Daniel. I felt he brought the struggling teenage character to the screen perfectly. He is a very naïve and inexperienced young man, yet with time and patience he makes what was a terrible situation seem nothing big at all. I enjoyed Macchio in other movies including 'The three wishes of Billy Greer', a movie which again suited this tough actor, about a young man who is dying from premature aging, in addition to movies such as 'The last POW? The Bobby Garwood Story'. I cannot praise Macchio any higher.

Other stars are just as worthy. Pat Morita was wonderful as the wise and what I feel was the humorous `Miyagi'. His role was just as good as his counterpart Macchio, yet it was also very different. Miyagi is one person that does not like the spotlight, yet when his young friend is placed in a very precarious position in his new home town, he steps in and shows what a great Karate man he really is. Then you have the other side of this story, which of course has to have a girl in it, with Daniel striking up a relationship with the popular Ali Mills. Actress Elizabeth Shue, who has also had a somewhat 'celebrated' career, played Ali. She has starred in films such as the controversial 'Leaving Los Vegas', 'Back to the future II' and 'III' and the 1988 hit 'Cocktail'. Though there are times that you expect Daniel to never make it with Ali, in the end he does have a faithful person outside of Miyagi.

The bad guys are not bad in this film either, with that part of the cast including Martin Kove as the arrogant Karate Teacher John Kreese, who will stop at nothing to see the end of the fairytale of LaRusso and Miyagi. His main student and the person who wants Daniel's blood the most is Johnny Lawrence played by William Zabka, and although he has not go on to big and better roles, his bad guy role was enjoyable in the Karate Kid. I did read in one review on IMDb where a person claimed that the bad guys were not given enough of their own treatment. However I disagree, considering the bullying and beatings that Daniel receives, I feel that Daniel and Miyagi teach the 'Cobras' a lesson. Sure we don't get to see Kreese get what he deserves, but if you have not seen the second Karate Kid, then you will get to see what awaits this cruel and relentless individual.

The Karate lessons and fighting sequences in this film are incredible. I guess like Daniel, most of the fans of this film would assume that Daniel is not learning anything, yet being Miyagi's personal slave. However we get to see how intelligent this old Okinawa man is, through all of his work for Daniel he teaches him some very basic and vital Karate moves. I love the attitude that this movie brings to everyone, that fighting is the last option for any situation, whether it is verbal or physical. I think this is so true, as fighting gets people nowhere. It just makes life bad for both parties, again this movie shows this to be so true.

In conclusion, the Karate Kid is a truly great film, but perhaps I am showing what era that I grew up in? I cannot say that I totally agree with Karate, as it is a very Chinese practice, but if it is based around what Miyagi teaches, that is for self-defence, and then it might be ok. I am sure many moviegoers will never forget the finale to this movie, because I am sure I never will. The sequels which follow slowly start to lose there appeal with this story, but not to matter, if you are looking for a story which shows you that giving up is not really an option, then see what is so special about this story of a courageous Karate student and his clever teacher!

CMRS gives 'The Karate Kid': 5 (Brilliant Film)

While John Hughs' films may be the standard for teen flicks in the 1980s, Hughs' films were just a few of the great and unique teen films to be released in that decade. Coupled with Back to the Future, Fast Times at Ridgemont High, Ferris Bueller's Day Off and Bill and Ted's Excellent Adventure, the 80s was a rather unique time for teen movies. The Karate Kid just happened to be another one of those films. With the immortal Pat Morita leading the way, this film was not only touching, but put a whole new spin on the `zero-to-hero' story line which we have all seen too often. Ralph Macchio may have had no career after these film, but at least he proved to be comparable as Daniel (san). Sure, the ending and outcome proved to be a little predictable, but the film was still a winner.

A lot of posts focus on the 'coming of age' aspect of this movie, but the very overlooked part is the role it played in helping to alleviate many of the stereotypes a very Asian phobic America was after WWII, Korea and Vietnam.

They make a point of showing Miyagi in a US Army Uniform--and a War Hero-- and makes references to detention camps Miyagi's family was sent to (a horribly dark period in American history)...where Miyagi's wife was being sent (pregnant) and where she and his unborn child (son) ultimately die during childbirth. There are also a few scenes in which ethnic slurs are used by rednecks toward Miyagi.

Taking this into light, and taking the fact that Daniel has no father that we know of in this movie, the name Daniel-san (sounds like Daniel-SON) helps demonstrate a father son bond that is overlooked. Much of the conversation between Daniel and Miyagi is about Miyagi's great father in Okinawa, because Miyagi has acquired all this knowledge and wants to share it. Daniel substitutes for the son Miyagi never had and Miyagi substitutes for the father Daniel doesn't have.

Is there anything more that can be truly said of this inspiring movie? Possibly it is the most unlikely hit movie that has generated a strong faithful following.

I rewatched it after 30 years on the back of falling for the Cobra Kai series, and loved it every bit as much as when I first saw it. I'm much older but find so many new things to relate to and remind myself of in life.

The premise of the film is simple, but it is almost impossible to explain the impact this movie had on a certain young generation on its release. It was its run in the video market that made it the huge success it became, and so much of it has become part of pop culture be it in its quotable lines and simple action.

What made it stand out was that it clearly was the antithesis of all other martial arts movies of the time which were in a boom period on video rental, but they were all muscle bound and flying around at 100mph. The Karate Kid instead centres on peace, life philosophy, defence and self-betterment.

The crux is the central partnership between the central pair of Mr Miyagi and Daniel, which begins as teacher mentoring pupil but develops into a father & surrogate son relationship.

There are so many layers to this film, and the truth is that the karate is really secondary to all. Any action is short, simple and down to earth. The real fights are for the soul, against bullies and personal defeat. For Mr Miyagi it is a reawakening for him, for Daniel it is a journey of self discovery.

The greatest part is the acting. You simply can't take away from either of the two leads, the chemistry between them is just perfect. Pat Morita plays Mr Miyagi almost effortlessly but perfectly as the mentor to a young insecure Daniel, which becomes a father and surrogate son relationship. If anything the relationship helps bring Mr Miyagi out of his shell. For example, we see inside the soul of Mr Miyagi, and some of his inner torment (i.e. loss of wife & child), and Daniel becomes closer to him for it.

Mr Miyagi is the mentor & father all men wish they had. He practices & teaches peace & self-respect with humour & dignity. Something we can all learn from. His dry wit and personal reserve are humbling to see. Winning the tournament against the bullies is secondary, but the personal development is what comes first.

The Oscar nomination for Pat Morita for the role was deserved, and unfortunate not to win it, but his role has left a lasting legacy and is in the hearts of so many. I can only say to him thank you, and also to all who helped put this wonderful touching film together.

Done by the same director as Rocky, this unusual "feel good" movie became a hit in 1984 and generated two sequels before the mania died and the franchise imploded.

I remember the phenomenon from the 80s yet as a "prolific reviewer" for the IMDb now (which, for buffs, is not the same thing as a "Voracious Eater" from the Claymore series) I now see the film differently.

I see a very competently done film that is literally lifted off the ground and carried to the finish line by the extraordinary one-of-a-kind performance from a (then) 50 year old Pat Morita, an actor who essentially spent his entire career doing "asian walkons" and offers us only this one role as a chance to see what he actually could do. Given half a chance.

Macchio and Shue were competent (the former had some momentum from Happy Days/Laverne and Shirley and the latter was beginning a short career as a type of "brat pack" teenage star) but it was Morita who owned the film and kept your interest.

Unfortunately the historical record even on the IMDb does not reflect any of this. Shue actually won an award for a completely forgettable part and Morita not only did not win anything for this film but the only nominations he received were in the "supporting role" category. This is clear "color blindness" on the part of Hollywood. He has almost as much screen time as Macchio (I counted) but because his career was merely bit parts before (and after) this was the prevailing mindset. The film would have failed without him.

As a footnote, I was not able to identify precisely why he was cast in the role, but historically Okinawa has indeed been associated with its own unique brand of martial arts and, in the martial arts world, short stocky older men have long been acknowledged as champions even though in the films of our present era someone of Morita's age or body-type would never even be considered for such a part.

The two sequels were much weaker but the demand for them was great and, when there is money on the table, Hollywood will always oblige.